Curator at Large Klaus Ottmann introduces Hiroshi Sugimoto:
Conceptual Forms and Mathematical Models.
Intuition and
conceptual forms are the leading elements shared in the works of these two multimedia artists.
Hiroshi Sugimoto:
Conceptual Forms and Mathematical Models The Phillips Collection Washington DC 7th February > 10th May 2015
Featuring five photographs and three sculptures Hiroshi Sugimoto:
Conceptual Forms and Mathematical Models at The Phillips Collection is the first exhibition to juxtapose his photographs of 19th - century mathematical plaster models, with his own aluminium or stainless - steel mathematical models.
A Multiple / Print Show, Galerie Hubert Winter, Vienna, AT The Castelli / Sonnabend Tapes and Films, Ausstellungsraum Kunstlerhaus Stuttgart, Stuggart, DE Art Conceptuel / Formes Conceptuelles, Galerie 1900 - 2000, Paris, FR Construction in Process, Lodz, PL Multiples, Anthony Reynolds Gallery, London, UK Hommage aan Vincent van Gogh, Haags Gemeentemuseum, The Hague, NL Art for War Resister's League, Houghton Gallery, Cooper Union, New York, US Le Diaphane, Musée des Beaux - Arts, Tourcoing, FR Languages:
Conceptual Forms, S. Bitter - Larkin, New York, US Group Show, Berland Hall, New York, US Rhetorical Image, The New Museum of Contemporary Art, New York, US Out of Site, P.S. 1, Long Island City, New York, US Small is Quite Beautiful, Galerie Hubert Winter, Vienna, AT Inquiries / Language in Art, Art Gallery of Ontario, CA; McMaster University Art Gallery, Hamilton, CA; Thunder Bay Art Gallery, Thunder Bay, CA; Laurentian University Museum and Arts Centre, Sudbury, CA; Rodman Hall Arts Centre, St. Catherines, CA Real Life Magazine, (layout), number 20, New York, US
If there's a cartoonishness buried in Ronay's
conceptual forms, it's fair to bet this was born of some bizarrely unhinged sci - fi wormhole.
He is known primarily as a performance artist whose
conceptual forms span video, photography, music, sculpture, drawing, and installation.
This exhibition represents the first chance to survey Sugimoto's work in significant volume, including his series Dioramas, Seascapes, Theatres, Portraits, Architecture, Sea of Buddha, and
Conceptual Forms.
In addition to premiering a series of color photographs, the exhibition includes two new aluminum sculptures based on his 2004 photographic series «
Conceptual Forms.»
Invisible Man, the inaugural exhibition in the new downtown Manhattan gallery, mounts painting, installation, and sculpture by Torkwase Dyson, Kayode Ojo, Pope.L, and Jessica Vaughn, four black artists who address aspects of blackness in abstract and
conceptual forms that imply bodies unseen.
His primary series include: Seascapes, Theaters, Dioramas, Portraits (of Madame Tussaud's wax figures), Architecture, Colors of Shadow,
Conceptual Forms and Lightning Fields.
She looked for materials that were connected to traditional and
conceptual forms of women's work, presentation, and behavior, like quilts, stockings, kitchenware, bobby pins, and other materials that could connect to and be a voice for gender roles and women's roles.
JMcK: The teaching of drawing has occupied an important place in your career as an artist specifically teaching life drawing at a time when abstract art and
conceptual forms of art were in the ascendancy.
Or is her work so utterly traditional that it might be considered a challenge to hipper, more
conceptual forms of art?
But if we say that we need to keep the concept of «things» as a recognition of processes transcending
our conceptual forms, and if we also allow that we have no direct knowledge of the intrinsic nature of these processes, we shall have to ask whether we are forced to try to conceive of them in concepts drawn by analogy from interpretations of experience.10
For the very presupposition of a totality of interrelated
conceptual forms appears to exclude the possibility that one could introduce entirely new categories or significantly alter the dynamic interrelationship of existing categories without undermining the pretensions of the system as such to absolute knowledge, knowledge of an intelligible whole.
«The intellect, turning itself back toward active, that is to say free, consciousness, naturally makes it enter into
conceptual forms into which it is accustomed to see matter fit.
But God's revelation articulated in intellectual or
conceptual forms usually results in a religious doctrine.
When Gadamer stressed «the linguisticality of all understanding» he was extending hermeneutics beyond its traditional purview (works, art, people) to all otherness: to all that can address us through language, all that has the power to speak in
conceptual form.
The experience which has taken place in countless factual encounters with evil has been directly embodied in these myths without passing through
any conceptual form.
Wistful about the decline of religious resources and unconvinced by efforts to construct new forms of universal reason, Seligman does not see any clear way to give civil society a contemporary
conceptual form.
Although shown in
a conceptual form as the Mazda Koeru Concept at the 2015 Frankfurt Motor Show (2015 IAA) in Germany, indicating a possible European launch, the CX - 4 will be a China - only model, at least initially.
One of the more intriguing mechanics held over from
its conceptual form - Lily Bergamo — when players die, their customized character becomes an enemy in - game, threatening other online players around the world.
Your Dear Editor, Please don't call me a --(2003) and To the Editor of Art in America (2001) are brilliant uses of the open letter as a radical
conceptual form.
As students of architecture we aspire to give complex social, political and poetic ideas a spatial and
conceptual form of true meaning.
All of these artists use photographic equipment, but like the pioneering work of Cindy Sherman, some of their work crosses genres, styles and mediums to become
a conceptual form all its own.
When an artist uses
a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair.
Hiroshi Sugimoto, Surface of Revolution with Constant Negative Curvature (
Conceptual Form 0010), 2004 Gelatin silver print.
Its lean fusion of undefined visual elements contextualizes
conceptual form.
This level of abstraction was almost entirely unheard of and pushed the work of Duchamp even further into the realms of
conceptual form.
«When an artist uses
a conceptual form of art, it means that all the planning and decisions are made beforehand, and execution is a perfunctory affair.
The Design department at Phillips de Pury & Company offers functional works by pioneering designers, manufacturers, and ateliers from the 20th and 21st Centuries as well as
conceptual form - driven contemporary design.
Not exact matches
Setting aside the
conceptual question of whether sound money is a
form of freedom, an institution, or simply good macroeconomic policy, we come to the second major problem with the Fraser and Heritage price stability measures.
It is therefore inevitable that the
form of God's propositional feelings should exactly mirror the
conceptual valuations of his primordial nature.
Although Brown does not uncritically agree with everything said by theologians of liberation, he presents his
form of process theology more as a supplementation and
conceptual grounding of their insights than as expressing a different understanding of the theological task.
As Whitehead says, «the subjective
forms of the
conceptual prehensions constitute the drive of the Universe» (Adventures 196).
A multitude of
conceptual answers only
form boundary groups behind which we hide for safety!
As Montgomery puts it: «Science and theology
form and test their respective theories in the same way; the scientific theorizer attempts objectively to formulate
conceptual Gestalts (hypotheses, theories, laws) capable of rendering Nature intelligible, and the theologian endeavors to provide
conceptual Gestalts (doctrines, dogmas) which will «fit the facts» and properly reflect the norms of Holy Scripture.»
The «synthesis of omniscience» is described as including «all possibilities of physical value conceptually, thereby holding the ideal
forms apart in equal,
conceptual realization of knowledge» (RM 147).
But, unlike conceptualist theory, these
forms are inherent in experience itself and not merely
conceptual.
But because the data of
conceptual feelings are eternal objects or abstract
forms of definiteness, the relationality is one of abstract pattern rather than of concrete particulars.
It is the function of a particular kind of complex integration of physical and
conceptual feelings which yields the higher intellectual feelings with the subjective
form of consciousness.
Religious experience has an organic structure which can be analyzed in terms of the physical and
conceptual feelings correlative to the generality of values perceived, and the subjective
forms appropriate to each feeling element.
The reception of
form without matter in Aristotle approximates the notion of
conceptual prehension in Whitehead.
Its actuality is founded on the infinitude of its
conceptual appetition, and its
form of process is derived from the fusion of this appetition with the data received from the world - process.
Indeed, as far as the assuming of
form is concerned, one might say that physical prehension stands to
conceptual prehension in much the same way as reception of
form in matter stands to reception of
form without matter.
Conscious perception, as he sees it, is a complex prehension integrating the prehension of another concrete actual entity, or physical prehension, and prehension of an abstract
form, which he calls
conceptual prehension.
There is secondary origination of
conceptual feelings with data which are partially identical with, and partially diverse from, the eternal objects
forming the data in the primary phase of the mental pole; the determination of identity and diversity depending on the subjective aim at attaining depth of intensity by reason of contrast.
«Subjective aim», on the other hand, points out a definite
conceptual feeling, present throughout concrescence, affecting the subjective
forms of all its feelings in order to bring them into a final unity.
«The «primordial nature» of God is the concrescence of a unity of
conceptual feelings» (PR 134), which «achieves, in its unity of satisfaction, the complete
conceptual valuation of all eternal objects» (PR 48) or pure
forms, thereby generating the entire structuring of pure possibility.4 Seen in terms of his everlasting aspect or consequent nature, however, the only way God is directly related to the World, the converse is true.