Sentences with phrase «conceptual language which»

Whereas in earlier years God to me was the unknown God who came close only in Jesus Christ and could be approached only in him, «from below,» but could not be adequately characterized in human language, I increasingly realized that there is other than conceptual language which nevertheless is not noncognitive.

Not exact matches

The story of creation and the story of the fall, for example, like the account of the last things in the Book of Revelation, may properly be called myths, since they are concerned with absolute beginnings and endings or with universally predicable truths, about which no precise conceptual statements can be made and which are best expressed in pictorial language.

In fact, much conceptual language has promoted a disconnected view of the universe in which every entity is seen in isolation from every other entity.

While these are cumulatively defined throughout the work in terms of the categoreal structure, their stipulative use from the outset serves the pre-categoreal function of establishing a conceptual language with which to shape the systematic structure.

According to Whitehead, language reflects what a culture or society considers important, whether or not the living members of that society have consciously acknowledged or accepted the evaluative assessment which is embedded in its language.3 The conceptual patterns we bring to experience and the language used to express experience select out those aspects of experience which conform to those concepts and words.

Because math and science concepts tend to be more concrete, they can be communicated more readily through hands - on activities, which help students in developing language proficiency and conceptual understanding.

One way of differentiating instruction is through adaptive math learning programs, which can help ELLs at every level of English language proficiency develop conceptual understanding and procedural fluency.

«Childhood, sexuality, memory, loss, religion and discrimination are themes that have always preoccupied Gober and for which he has developed his own unique pictorial language, influenced by Surrealism and by Minimal and Conceptual Art, though all read very much against the grain.»

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Artists in the 1960s and 1970s explored this phenomenon and created text - based conceptual artwork, much of which could be constituted in language alone.

Recognizing language as a primary method of expressing and maintaining power, these artists use poetry as a tool to manipulate the conceptual and structural elements of language and the social contexts in which language is employed, appropriated and abstracted.

Prouvost's works are conceived and dwell within this conceptual gap, this slippage between two languages, this space in which new insights and ideas surface.

In preparing the exhibition, the active dialogue between Jorge Pinheiro and Pedro Cabrita Reis has generated a selection of 80 works focusing on specific periods of Pinheiro's career dating from the 1960s until the present, in which figurative painting and the language of concrete and conceptual abstractions coincide.

As Molesworth suggests, this visual transition acts as a harbinger for Lozano's conceptual «language» pieces which come into being directly after.

As they search for a contemporary visual language with which to express our anxieties, our harmonies, our questions and our trepidations, our contemporary abstract artists happily are finding inspiration and conceptual guidance in the iconic Modern voices of the past.

I added some inscriptions to it, which somehow opened another space for the painting, I mean a space for the language, which reintroduced some conceptual and political issues I thought I might have lost.

The works presented at Craig Krull are a conceptual extension of her previous paintings which explored the ways in which codes, used for converting information from one form into another, are particularly useful where ordinary language is difficult.

More recent work incorporates language / text based conceptual projects which are also meditations on the possibility of transformation.

The work of conceptual artist Almut Linde stems from her own term Dirty Minimal, which the artist coined to name her own aesthetic approach of conjoining everyday materials, found objects and real life phenomena in a reduced, visually rich formal language.

The artists in this exhibition use poetics as a tool to manipulate the conceptual and structural elements of language and the social contexts in which language is employed, appropriated, and abstracted.

As such, the art of Thilo Heinzmann can also be seen to engage with notions of aesthetic and conceptual fetishism — developing a visual language which makes eloquent the beguiling tension and resolution between sensory and visual phenomena.

A pioneer of Conceptual Art and author of the renowned Inside the White Cube, Brian O'Doherty / Patrick Ireland's enduring obsession with themes of language, perception and identity are represented by a selection of his works from the IMMA Collection dating from 1954 onwards and include a major new Rope Drawing which is a recent gift to IMMA by the artist, entitled: The doors to good and evil and the windows to heaven - Christina's World, Rope Drawing No # 124, 2015.

With this in mind, a recurring element in his oeuvre is text; through the use of words, which emerge in slogan - like arrangements or in the format of conceptual propositions, language reveals itself in its performative nature — where the function of communication is preceded, if not superseded, by the consumption of an action.

Since UCS - 2 had the same conceptual simplicity that UTF - 32 has (and which UTF - 16 lacks), it has had a legacy impact on some programming languages and operating systems.

a «health and human rights» language (has developed)... which has allowed for the connections between health and human rights to be explicitly named, and therefore for conceptual, analytical, policy and programmatic work to begin to bridge these disparate disciplines and to move forward.