«I love magazines because they are like pop songs,» he once explained about his early
conceptual magazine works, «easily disposable, dealing with momentary pleasures.»
Not exact matches
In a recent issue of New York
magazine, critic Jerry Saltz described Mr. Bader's
work as «late - late - late post —
Conceptual Relational Aesthetics,» referring to the feel - good, still - born movement that had 1990s artists engineering miniature events, serving up Thai food and hosting parties as artworks.
Barbara Kruger's deeply
conceptual and politically oriented body of
work developed out of her earlier career in design for
magazines such as Mademoiselle, House and Garden and Aperture.
His earliest
work dealt with the
magazine page, predating but often associated with
Conceptual art.
Besides his
conceptual video and photographic
work, he created film and video segments which aired on «Saturday Night Live, «Sesame Street,» and the Nickelodeon channel; a film that went to the Sundance Film Festival, commercial imagery for
magazines, and both artist and children's books.
Apichatpong Weerasethakul talks to Paul Dallas from BOMB
Magazine about the
conceptual links between his art and films, and the
work Fireworks (Archives), an installation recently shown at Wavelengths, the experimental program at the Toronto International Film Festival.
2015
Works by
conceptual artist and photographer Lorna Simpson featuring vintage images from Ebony
magazine cover Bookforum and inside illustrate a review by Gene Seymour of two compelling new books about growing up black in America — Margo Jefferson's «Negroland» and «Between the World and Me» by Ta - Nehisi Coates.
In addition to her
work at HCP, she also writes for photography publications such as GUP
Magazine and Ain't Bad, contributes to artists» monographs, and has co-edited a
conceptual book on nineteenth - century American photography, Islands of the Blest, now in its second edition.
1984 La Zattera di Babel Festival, Van Abbemuseum and the Stadschouwburg, Eindhoven, NL Editions (Objects, Photoworks, Special Editions of Books), Galerie A, Amsterdam, NL First Anniversary, A Pierre Et Marie, Paris, FR Idea, Tanja Grunert, Stuttgart, FR Entendons..., Ghislain Mollet - Vieville, Paris, FR 1984 im Toten Winkel, Kunstverein Hamburg, DE El Arte del Siglo XX en un Museo Holandes: Eindhoven, Fundacio Juan Miro, Barcelona, ES Drawings by Sculptors, Two Decades of Non-Objective Art from the Seagram Collection, Montreal Museum of Fine Art, Montreal, CA; Vancouver Art Gallery, Vancouver, CA; The Nickle Art Museum, Calgary, CA; The Seagram Building, New York, US From the Collection of the Museum Voor Hedendaagse Kunst te Gent, Rijksmiddenschool, Balen, BE Summer Exhibition from the Collection, Stedelijk Van Abbemuseum, Eindhoven, NL Machine Language, Congo Bill's Danceteria, New York, US A Sculpture Show, Marian Goodman Gallery, New York, US Ete 1984 a Pouilly, DANAE, Pouilly, FR
Works of
Conceptual Art from the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent -
Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video
magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburg, NL
1983 Presence Descrete, Musee des Beaux - Arts de Dijon, Dijon, FR Radio by Artists, Walter Phillips Gallery, The Banff Centre School of Fine Arts, Banff, CA In Other Words: Artists Use of Language - Part 2, Franklin Furnace, FR The Chinese Chance, an American Collection, The Butler Institute of American Art, Youngstown, Ohio, US Projects and Performances, Islip Art Museum, Islip, New York, US Live to Air, Franklin Furnace, New York, US Halle für Neue Kunst, Schaffhausen, CH The Rainer Speck Collection, Museum Haus Lange und Museum Haus Esters, Krefeld, DE Sculpture, Leo Castelli Gallery, New York, US Summer Show from the Collection, Van Abbemuseum, Eindhoven, NL Collection of the Museum Van Hedendaagse Kunst, Gent, Belgium, Musee d'Art Contemporain, Montreal, CA Projetto Genazzano, La Zattera di Babele, Genazzano, IT
Conceptual, Rhonda Hoffman Gallery, Chicago, Illinois, US When Words Become
Works, Minneapolis College of Art and Design, Minneapolis, Minnesota, US Masterworks of
Conceptual Art, Paul Maenz, Cologne, DE Language, Drama, Source and Vision, The New Museum of Contemporary Art, New York, US ARS 83, The Art Museum of Ateneum, Helsinki, FI Word
Works, Walker Art Center, Minneapolis, Minnesota, US Between Words and Things, Clare College, Cambridge, UK Festival d'Automne a Paris, Paris, FR The First Show: Painting and Sculpture from 8 Collections 1940 - 1980, The Museum of Contemporary Art, Los Angeles, California, US Hundreds of Drawings, Benefit Exhibition and Sale, Artists» Space, New York, US December Exhibition, Anthony d'Offay Gallery, London, UK American Video, Arts Council of Great Britain, London, UK There But For, screening Infermental II (video
magazine), Hamburg, DE
In the last years, the main focuses of the collection have been: Significant
works by international contemporary artists; Original
works, documentation and ephemera of
conceptual practices from the 1960s to the 1980s; relevant Catalogues, Artist Books,
Magazines, LPs, Cassettes and Monographs that help contextualize the
works that compose the collection.
Cattelan's first solo show in this country since 2003 celebrates the artist's return to sculpture after several years of publishing and curatorial
work, including his 2002 co-founding of The Wrong Gallery in Chelsea, New York, his collaborations on Permanent Food (an occasional journal comprised of altered pages torn from other
magazines) from 1996 - 2007, his co-editorship of Charley (a
conceptual project and independent series on international contemporary artists) from 2002 — present, and his curation of the Caribbean Biennial in 1999 and the Berlin Biennial in 2006.
While the
magazine was not a
work of art per se, artists such as Dan Graham, Lawrence Weiner, and Sol LeWitt published texts that, in keeping with their larger
conceptual practices, blurred the boundaries between language and art.
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