Sentences with phrase «conceptual photographic works»

After the 1990s, conceptual photographic works became even more popular in the art market.

[ENG] The third exhibition by Peter Downsbrough at àngels barcelona focuses on the conceptual photographic work that the artist has been consistently producing since 1978 and that has been of major relevance in his multidisciplinary artistic practice which includes sculpture, works on paper, photographs, films and books.

Not exact matches

The Park Life Gallery exhibition, «(Invisible) Relic,» curated by Andrew McClintock, examines works by two generations of California Conceptual Artists working with performative actions and re-appropriated objects in a variety of mediums including video, photographic, audio, sculpture and performance.

Comprehensive in scope, the exhibition traces the evolution of Weems's career from her early documentary and autobiographical photographic series to the more conceptual and philosophically complex works that have placed her in the forefront of contemporary art.

Greg Knott in studio 317 will debut new «0 Editions» of his popular works: photographic prints matted with the one - of - a-kind, hand - drawn conceptual sketch that led to the final work.

The photographs include some of Hopper's most iconic work, arranged in evocative narrative groupings that encapsulate his unique and conceptual photographic practice.

Painting, however, continues to have a large public and young artists setting out to be painters now need more than ever to see how artists of earlier generations successfully resisted the status quo and remained outside what evolved into an academic style, for this is what much of the conceptual, film and photographic work has become; merely another academy.

Make America Great Again marks a departure from Erizku's photographic work, bringing together new sculptures and paintings as well as a «conceptual mix - tape» produced specifically for the exhibition.

The exhibition at Vintage Galéria will concentrate on conceptual texts and contact sheets, whilst the exhibition at Austin / Desmond Fine Art, London will show a selection of his vintage action photographic works from the late 1970s.

Her exploration of the act of looking and the mechanics of the photographic process has resulted in a highly conceptual yet strangely visceral body of work that considers the thresholds between the personal and the universal.

A conceptual artist, Robert Blanchon (1965 - 1999) was primarily interested in the photographic medium — specifically, the materiality of the photograph — but worked also in sculpture, video, mail art, text, and performance.

The treatment and contextualization of that found matter, however, connects as much to a conceptual photographic tradition that runs from Ed Ruscha to Christopher Williams (in her photographic work) as -LSB-...]

The exhibition will provide an opportunity to trace the evolution of Weems's career over the last 30 years from her early documentary and autobiographical photographic series to the more conceptual and philosophically complex works that have placed her at the forefront of contemporary art.

She is currently working on the final manuscript for her book The Benefit of the Doubt: Regarding the Photographic Conditions of Conceptual Art, 1966 - 1973, and editing a volume on the critical conjunction between conceptual art and humor, based on a panel she co-chaired at the College Art Conference (CAA) in Los Angeles (2012), entitled «Conceptual Art as Comedic PractiConceptual Art, 1966 - 1973, and editing a volume on the critical conjunction between conceptual art and humor, based on a panel she co-chaired at the College Art Conference (CAA) in Los Angeles (2012), entitled «Conceptual Art as Comedic Practiconceptual art and humor, based on a panel she co-chaired at the College Art Conference (CAA) in Los Angeles (2012), entitled «Conceptual Art as Comedic PractiConceptual Art as Comedic Practice.»

All of these artists use photographic equipment, but like the pioneering work of Cindy Sherman, some of their work crosses genres, styles and mediums to become a conceptual form all its own.

Besides his conceptual video and photographic work, he created film and video segments which aired on «Saturday Night Live, «Sesame Street,» and the Nickelodeon channel; a film that went to the Sundance Film Festival, commercial imagery for magazines, and both artist and children's books.

She is the founder of the Pocho Research Society (PRS)(2002), a project that explores the elasticity of the artifact and the mythmaking aspects of «History» through conceptual, performative, social, and aesthetic strategies that result in multi-media installations, video, photographic work, social engagement, publications, and public interventions.

In 1968, he turned away from painting and began conceptual work with the photographic medium.

The documentary aspect of Ewald's work can be compared to photographic masters such as Walker Evans and Robert Frank, while the conceptual aspects parallel artists such as Vito Acconci and Douglas Huebler.

Work is presented both inside and outside and across all of the gallery's spaces, embracing a diverse set of conditions and approaches centred in a conceptual understanding of an expanded field of photographic practice that examines notions of what you see is most definitely not what you get.

Shared by their work is the exploration of a photographic and human darkness, suspended between conceptual and naivistic approaches to the medium.

One of the leading artists of her generation, Lorna Simpson came to prominence in the mid-1980s through her photographic and textual works that confronted and challenged conventional attitudes toward race, gender, and cultural memory with a potent mixture of formal elegance and conceptual rigor.

Sherrie Levine, American conceptual artist known for remaking famous 20th - century works of art either through photographic reproductions (termed re-photography), drawing, watercolour, or sculpture.

«Fear of Reflections: the photoworks of Paul McCarthy» Neil Matheson «Considering the Minor in the Literary and Photographic works of Rodney Graham and Tacita Dean» Christa - Maria Lerm Hayes «Entertaining Conceptual Art: Dan Graham on Dean Martin» Eric C.H. de Bruyn

Adam Pendleton is a conceptual artist whose work moves fluidly between painting, publishing, photographic collage, video, and performance.

The images from the artist's yearlong photographic exploration will be presented alongside works by Hélène Binet and Wang Jin, reflecting a strong focus on architectural and conceptual photography.

However, from there came forth photographic and textual - based works, which of course gave rise to the first generation of conceptual artists like Lawrence Weiner, Joseph Kosuth, and a few other

Fairbanks Gallery will feature work by John Baldessari (b. 1931), a renowned American conceptual artist who works with text and photographic images.

The artist has explored this conceptual discourse through multiple series of work, deftly riding the line between the construction of totally manufactured images that bear the aesthetic of seemingly straightforward photographic images and actual photographs that buzz with vibrant palettes almost too fantastic to be considered plausible.

Mr. Ropac, who also has spaces in Paris and Salzburg, Austria, debuted at 37 Dover Street in London with four presentations, two of which combine works on loan and for sale: Early - 1970s Gilbert & George videos and photographic «Drinking Pieces,» one of which is available for 145,000 pounds, or about $ 185,000, and another at 150,000; Conceptual and Minimal works from the collection of Egidio Marzona (prices yet to be disclosed); new works by the British sound sculptor Oliver Beer, priced at # 10,000 to # 100,000; and early drawings by Joseph Beuys, shown alongside the enigmatic cast - iron sculpture «Backrest of a Fine - Limbed Person (Hare - Type) of the 20th Century A.D.,» dating from 1972 to 1982 and on sale for 2.5 million euros.

Intended as a major genealogy of the rise of a still - powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities.