Sentences with phrase «conceptual photography by»

From March 3 to April 16, 2016, Miyako Yoshinaga presents Hitoshi Fugo: Flying Frying Pan 1979 — 1994, an exhibition of conceptual photography by Hitoshi Fugo.

Given the range of «new media» included in North by New York, including conceptual photography by Icelandic artist Ragnar Kjartansson, film stills by Finnish artist Marja Viitahuhta, and the video works of Danish artist Henrik Lund Jørgensen, the fact that actual paintings are included among the hydridities present in the show is already ahead of the game.

Not exact matches

This exhibition will shed scholarly light on the aesthetic and intellectual concerns undergirding the development of this important strand of early American modernism to explore the origins of its style, its relationship to photography, and its aesthetic and conceptual reflection of the economic and social changes wrought by industrialization and technology.

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

Wall has created a unique, seductive and complex pictorial universe by drawing upon philosophy, literature, nineteenth - century painting, Neo-Realist cinema and the traditions of both Conceptual art and documentary photography.

For his conceptual photography series «Unbranded: Reflections in Black by Corporate America 1968 - 2008,» the American artist Hank Willis Thomas took advertisements featuring or directed at African - Americans and simply removed all of the accompanying text.

Strategies that emerged earlier in the circles of the surrealists and New Vision photographers — the untutored «photographic mistake,» photography as a form of literary pointing — adopted by the artists in this exhibition have subsequently been absorbed by the contemporary generation using photography as conceptual art, from Gabriel Orozco to Hank Willis Thomas.

Sara Greenberger Rafferty's (b. 1978) artwork is informed by slapstick and stand - up comedy, as well as photography and conceptual art.

Works by artists such as Chuck Close, Petah Coyne, and Tom Friedman display the rich cross-fertilization that occurs when painters, sculptors and conceptual artists explore new ideas through photography.

Until a few years ago, Tate simply didn't collect photography unless it could be classified as conceptual art, its limited holdings confined to pieces by the likes of Cindy Sherman and Richard Long.

ABOUT THE UNTITLED SPACE: Founded in 2014 by Indira Cesarine, The Untitled Space gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art.

Works on view are varied, including pioneering x-rays and aerial views, artifacts of early photojournalism, and recent examples of conceptual art all grouped in arrangements to emphasize the range of possibilities offered by photography as a medium.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

It includes essays on working methods and collaboration by photography curator Rebecca Senf, Norton Family Curator of Photography at the Phoenix Art Museum, and an essay by Stephen Pyne, Regents» Professor, Arizona State University, that provides a conceptual framework for understanding the history of photography curator Rebecca Senf, Norton Family Curator of Photography at the Phoenix Art Museum, and an essay by Stephen Pyne, Regents» Professor, Arizona State University, that provides a conceptual framework for understanding the history of Photography at the Phoenix Art Museum, and an essay by Stephen Pyne, Regents» Professor, Arizona State University, that provides a conceptual framework for understanding the history of the canyon.

The wide panorama established by the collection, which alongside painting and sculpture also includes to a substantial degree photography and video works, finds its conceptual orientation through the search for comparable visual concepts in works employing various media.

A conceptual artist, Diaz - Perera works across the mediums of video, photography, painting, installation and text; the medium is dictated by the idea or investigation.

Sable Elyse Smith: Ordinary Violence is the first museum solo exhibition by Smith, a conceptual artist working across film, sculpture, and photography.

Founded in 2014 by Indira Cesarine, The Untitled Space gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Highlights include a 1927 portrait of the writer and photography critic Pierre MacOrlan by modernist André Kertész; Vito Acconci's conceptual works Step Piece and Waterways: 4 Saliva Studies (both 1971); and examples of American street photography.

Her program featured a multigenerational roster of artists showing a combination of painting, performance, photography, conceptual art, and video, in addition to posthumous shows by pioneering female artists Ana Mendieta and Eva Hesse.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

During that seminal period, Rauschenberg established an ongoing interest in grasping the full range of art - making mediums, including printmaking, painting, photography, drawing, sculpture, and conceptual modes, often blurring categorical distinctions by using multiple techniques and materials in combination.

The quiet eruption of photography into the best painting of the 20th century's final decades created an opening for painting to adapt other mediums into itself, a vice versa of the moves made by Conceptual art.

however, at the turn of the new millennium, works by günter förg, including photographies and sculptures, gradually put the emphasis on embracing conceptual arts — now focal point of the haubrok collection.

Vancouver is very much influenced by the Vancouver School of conceptual photography, starting with Ian Wallace and Jeff Wall.

«Aggressively Fragile» looks at artist's battle with two bouts of cancer BY CANDACE CHANEY Contributing Arts Critic The walls of MS Rezny Studio and Gallery are lined with the stirring, sometimes otherworldly images of Melissa T. Hall's conceptual photography.

Baldessari, 84, was cited on Thursday by the NEA for his «ambitious work [that] combines photography, painting and text to push the boundaries of image, making him one of the most influential conceptual artists of our time.»

Book Signing: Peter Coffin at Dashwood Books Peter Coffin's new book pp., contains photographs that «foster an engagement inspired by freed associations in contrast to the tradition of conceptual photography, which tends to establish prescribed interpretations and fixed meanings.

The Order of Things investigates the production and uses of serial portraiture, conceptual structures, vernacular imagery, and time - based performance in photography from the 1880s to the present, bringing together works by artists from Europe, Africa, Asia, and North America.

Artists: Hans - Christian Lotz, Vivian Suter, Henry Deposit, Brian Khek, Mathis Collins, Lin May Saeed Exhibition title: Blocking Curated by: Jesse Stecklow Venue: Martos Gallery, Los Angeles, US Date: July 23 — August 22, 2015 Photography: images copyright and courtesy of the artists and Martos Gallery, Los Angeles Martos Gallery Los Angeles is pleased to present Blocking, a group exhibition concerned with the stage as a physical and conceptual device for the continued circulation of objects, material and data.

In addition, LSG is dedicated to a contemporary program that incorporates paintings, photography and sculpture, as well as conceptual and multimedia art by a growing roster of regional, national and international artists, including Gino Miles, Thalen & Thalen, Chris Bracey, David Spiller, Jason Myers, Russell Young, David Kramer, Wayne Warren, Dale Enochs, Constance Edwards Scopelitis and William John Kennedy.

Informed as much by West Coast Conceptual art as by commercial product photography and advertising, her deadpan pictures (which are often humorous and subtly self - reflexive) present a set of formal and psychological associations that frame recurrent tensions around power and gender.

Also at Tate Britain, Art and Photography from the Pre-Raphaelites to the Modern Age will explore the relationship between pioneering early photographers and Pre-Raphaelite, Aesthetic and Impressionist artists, including works by John Everett Millais, John William Waterhouse, James Abbott McNeill Whistler, Julia Margaret Cameron and Henry Fox Talbot.Conceptual Art in Britain 1964 - 79 will trace the course of conceptual art from its genesis in the early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artists.

«The Photography department at OCAD U fosters experimental, critical, conceptual work and I was blown away by the depth conceptually as well as visually.

Adrift is a solo exhibition featuring new works by conceptual artist Ryan McIntoch that investigate the artist's recent fascination with dark and ominous nautical themes through various mediums including photography, printmaking, painting, and temporal site - specific installation.

2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A Global Response to 9/11, Exit Art, New York, US Art Aficionado Auction of Cigar Box Art, Birmingham Museum of Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual Art 1965 - 1975 from Dutch and Belgian Collections, Stedelijk Museum Amsterdam, NE DIN Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International Art Exhibition: Sharjah Art Museum, UAE; Städtischen Galerie Wolfsburg, DE Private Views, London Print Studio Gallery, London, UK Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?

Works by Young British Artists include all forms of painting, a wide range of sculpture and assemblage, contemporary video and installation art, a variety of photography, and conceptual art.

In addition, LSG is dedicated to a contemporary program that incorporates paintings, photography and sculpture, as well as conceptual and multimedia art by a growing roster of regional, national and international artists, such as Gino Miles, Thalen & Thalen, David Spiller, Russell Young and Amy Kirchner among others.

With Laurie Simmons's new show at Salon 94 Bowery, she makes clear that conceptual photography has also been cornered and overwhelmed by a single, overbearing narrative.

The exhibition includes drawings by Robert Bechtle, Bruce Conner, Joan Brown, and Jess, photography by Lynn Hershman and John Priola, and paintings by Canan Tolon, Anne Appleby and David Ireland, as well as the conceptual contributions of Paul Kos and Tom Marioni, and mixed media constructions by Gay Outlaw, Dean Smith and Frances Stark.

Describing himself not as a photographer but as a conceptual artist for whom photography is an intrinsic part of his creative process, Demand's work challenges photography's claims to verisimilitude and disrupts notions of authenticity and artifice by questioning the medium as a faithful record of reality.

Operating in a conceptual space populated by artists like James Casebere and Thomas Demand, Chris Gentile's recent work is a hybrid of sculpture and photography that asks interesting questions about the nature of both.

Throughout twenty - seven years of exhibitions, Angles Gallery has remained committed to contemporary art that emphasizes conceptual work by established as well as emerging artists, encompassing painting, sculpture, video, drawing, photography and installation.

The exhibition thus demonstrates a considerable broadening of the formal and conceptual categories evoked by the terms «sculpture» and «photography» with surprising but always convincing artworks which work the human body, physical matter, light and landscape.

Conceptual art, also called post-object art or art - as - idea, artwork whose medium is an idea (or a concept), usually manipulated by the tools of language and sometimes documented by photography.

Evidence of Accumulation features work by three artists with varied visual and conceptual interests working in di - verse media, including ceramics, photography and sound.

The work in the exhibition ranges from installation, paintings, drawings, found objects and photography, videos, and features both new and historical works by these conceptual, socially minded, and iconoclastic artists.

The images from the artist's yearlong photographic exploration will be presented alongside works by Hélène Binet and Wang Jin, reflecting a strong focus on architectural and conceptual photography.

The pervasive use of photography by Conceptual artists — and a generation later by artists of the so - called Pictures Generation — effectively ended any debate about the validity of photography operating legitimately within the sphere of contemporary art.