Sentences with phrase «conceptual photography practice»

Lorna Simpson has pursued a number of innovations in her conceptual photography practice, including printing on felt, which she did with the above work.

Linking the then - emerging conceptual photography practices of the «80s with its contemporary reflections, the exhibition promises a museum - quality experience at the gallery's three times larger new location.

Not exact matches

Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.

The artists in Amerika coagulate around textile and conceptual sculpture, photography, painting, installation and performance to interrogate discursive practices that undertake the body that is formed - objectified - abstracted.

Welsh graduated from Pratt with a BFA in Photography, which underscores the varied and intersecting nature of her painting practice, as well as her conceptual and technical interests.

Over the last three decades, artists have turned to photography, film, and video as tools with which to articulate their conceptual practices.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Many of his early works took the form of conceptual photography, though Johnson eventually expanded his practice to include wall - based works that engage the legacy of painting, sculptural installation, and assemblage using manufactured materials like shea butter, books records, and incense.

Lorna Simpson is a New York - based photographer and multimedia artist whose practice examines documentary photography from a conceptual perspective.

The gallery represents artists who use photography as a starting point for conceptual and interdisciplinary practices that span performance, sculpture, and installation.

Artist: Maryam Jafri Exhibition title: Generic Corner Venue: Kunsthalle Basel, Basel, Switzerland Date: August 28 — November 1, 2015 Photography: Philipp Hänger, images copyright and courtesy of the artist and Kunsthalle Basel Ranging from video to photography, text, sculpture, and installation, Maryam Jafri's practice sits at the crossroads of cultural anthropology and concPhotography: Philipp Hänger, images copyright and courtesy of the artist and Kunsthalle Basel Ranging from video to photography, text, sculpture, and installation, Maryam Jafri's practice sits at the crossroads of cultural anthropology and concphotography, text, sculpture, and installation, Maryam Jafri's practice sits at the crossroads of cultural anthropology and conceptual art.

Dutch artist Anouk Kruithof considers photography a starting point for her interdisciplinary and often conceptual art practice.

The subject matter and style of each artist ranges from documentary to conceptual, and explores the fact that these two media, photography and video, often help an artist develop their wider practice and bodies of work, as well as offer a glimpse into the versatility that many artists possess.

Living and working under the pseudonym «Lutz Bacher» since the 1970s, the artist's diverse conceptual practice spans photography, film, video and sculpture, often using found material, objects and images recontextualized from contemporary culture.

A pioneer of conceptual art practice, the artist's career spans five decades and embraces painting, photography, film, video, books, prints, objects and installation.

Lorraine O'Grady Crossing disciplines including performance, criticism, photography and video, Lorraine O'Grady's meditations on Black identity and women's representation have positioned her as a fore - bearer of conceptual and activist practice.

The exhibition, which focuses on experimental practices in the period 1960 - 1985 and features photography, performance, visual and conceptual art, is the first of its kind.

Deborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists world - wide, whose diverse practices include painting, works on paper, sculpture, video, photography, performance, conceptual future media and public space installations.

For the upcoming session we have invited artists Lucas Blalock and John Kelsey; Matthew Biro, Professor and Chair, Department of the History of Art, University of Michigan; Alex Klein, The Dorothy and Stephen R. Weber (CHE» 60) Program Curator, Institute of Contemporary Art, University of Pennsylvania; and Carol Squiers, Curator, International Center of Photography to lead a discussion about material and conceptual experimentation in contemporary photographic practices.

«There is a deep connection between mathematics and photography that originated in the invention of photography itself, a tradition that has carried into the 21st century,» says exhibition curator Klaus Ottmann, «Hiroshi Sugimoto's work exemplifies this tradition, and this exhibition reflects the artist's desire to combine a «very craft - oriented» practice with making «something artistic and conceptual».

Cerith Wyn Evan's conceptual practice incorporates a wide range of media, including installation works, sculptures, photography, film and text.

Deborah Colton Gallery is founded on being an innovative showcase for ongoing presentation and promotion of strong historical and visionary contemporary artists worldwide, whose diverse practices include painting, works on paper, sculpture, video, photography, performance, conceptual future media and public space installations.

Since the late 1970s, his audio work has explored digital and analog recording devices, and his conceptual art practice has combined performance art, light - and sound installations, and photography.

«The works on view span the last four decades, and provide an expansive yet necessarily incomplete picture of John Divola's practice — a canny yet understated blend of documentary photography, conceptual art, performance and installation.

In his talk and elsewhere, Adams mentioned that the work of conceptual artist Bruce Nauman — who bounces between the mediums of neon, photography, sculpture, video, and performance — has heavily influenced his artistic practice.

Bernar Venet (b. 1941, Alpes - de-Haute-Provence, France), known for his groundbreaking sculpture works, has explored a range of disciplines over his five - decade conceptual practice, including sculpture, painting, photography, language and drawing.

We welcome a wide range of photo - and image - based approaches, including documentary photography, conceptual photography, video art, video installation, social practice, archival or aggregated projects, interactive and emerging media (including virtual and augmented reality), and information art (using photography and / or associated data).

Sarah Charlesworth was a conceptual artist and photographer whose work sought to bridge the gap between fine art and a critical practice of photography.

Intended as a major genealogy of the rise of a still - powerful and evolving photographic practice by artists, the checklist will include a wide array of works examining a range of issues: performativity and photographic practice; portraiture and cultural identity; the formal and social architectonics of the built environment; societal and individual interventions in the landscape; photography's relationship to sculpture and painting; the visual mediation of meaning in popular culture; and the poetic and conceptual investigation of visual non-sequiturs, disjunctions and humorous absurdities.

Working in installation, photography, video and sculpture, Marie - Jo Lafontaine is a conceptual artist whose practice spans multiple media and forms, often blurring the boundaries between them (as in her «video sculptures.»)