Sentences with phrase «conceptual photography with»
He integrates conceptual photography with commercial work, including out - takes from his own shoots and borrowed images already in circulation in other contexts.
https://www.widewalls.ch/ Not exact matches
Bonus: Discs One & Two • Audio Commentary with co - writer / co - producer / director Peter Jackson, co - writer / co-producer Fran Walsh, and co-writer Philippa Boyens • Audio Commentary with production designer Grant Major, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger • Audio Commentary with producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor Mike Horton, additional editor Jabez Olssen, co-producer Rick Porras, composer Howard Shore, visual effects supervisors Jim Rygiel and Joe Letteri, supervising sound editor Ethan Van der Ryn, supervising sound editor Mike Hopkins, Weta animation designer and supervisor Randy Cook, previsualization supervisor Christian Rivers, visual effects DP Brian Van't Hul, and visual effects DP Alex Funke • Audio Commentary with actors Elijah Wood, Sean Astin, John Rhys - Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Sean Bean, Bernard Hill, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, John Noble, Craig Parker, and Andy Serkis
He then attended art school and received a B.F.A. in multimedia and conceptual art, with a minor in photography.
This is the largest art gallery in the Maldives and forms the epicentre of the country's art scene, with numerous exhibitions of local as well as international artists that create everything from conceptual art to photography to be displayed on the museum.
Collectively, the years of research have resulted in a more complete view of art in Southern California, one that goes beyond the genres typically identified with the region: Light and Space sculpture, conceptual landscape photography, and Modernist design.
Global contemporary art, with an emphasis on conceptual art, photography, and video; art from Latin America, especially geometric abstraction, Cuban art, and contemporary and emerging artists
Gstaad, Switzerland; Madrid; Miami Investments; Real estate; Telecommunications; Technology Global contemporary art, with an emphasis on conceptual art, photography, and video; art from Latin America, especially geometric abstraction, Cuban art, and contemporary and emerging artists Top 200 appearance: 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017
The Contemporary art collection encompasses works created from 1945 to the present with strong examples of Abstract Expressionism, Color Field painting, Pop art, Conceptual art, and recent movements in painting, sculpture, photography, and video.
In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.
Drawing upon the descriptive power of photography and the ease with which it can be accessed, duplicated, and recombined, Ethridge orchestrates visual fugues, collapsing distinctions between commercial, conceptual, and personal uses of photography.
In 2002, Gilad discovered photography and began combining his writing with the photos he took trying to «explore photography in a conceptual sense, to help me express and complement my writing.»
With a background in sound, performance and writing, Pasquier has developed a poetic visual language in her conceptual approach to photography.
JOHN ANDERSON Roslindale, MA REBECCA KUZEMCHAK New York, NY RACHEL BORGMAN Baltimore, MD MICHELLE RAMIN San Francisco, CA JUSTIN GAFFREY Santa Rosa Beach, FL KIM RICE Norman, OK RICHELLE GRIBBLE Idyllwild, CA HERB ROE Lafayette, LA TERI HAVENS Carbondale, CO BETH WALDMAN San Francisco, CA JOO LEE KANG Boston, MA MARGI WEIR Detroit, MI Comprised of painting, sculpture, drawing, photography, conceptual, installation, and cutting - edge, digital mediums, NO DEAD ARTISTS is an exhibition known for a great diversity in media but with a cohesive cross-section of the pulse of Contemporary Art.
Welsh graduated from Pratt with a BFA in Photography, which underscores the varied and intersecting nature of her painting practice, as well as her conceptual and technical interests.
Writing with light 14 June A new exhibition at the Morgan Library & Museum in New York explores photography's more unusual byways: from x-rays to aerial views, conceptual art to documenting warfare.
So there is a place in the art world for straight photography to flourish, along with say, conceptual work like a Moyra Davey, or studio work like Eileen Quinlan, or work that is somewhere in between straight and conceptual, like a Roe Ethridge or a Daniel Shea,» Gunhouse adds.
Over the last three decades, artists have turned to photography, film, and video as tools with which to articulate their conceptual practices.
Bringing together approximately 150 highlights from the Museum's permanent collection and many recent acquisitions, Art and Resolution includes works across media, with a focus on print and photography portfolios, which visualize resolution and its conceptual underpinnings and seek to act as agents of reconciliation through visual culture.
Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.
In the early days of photography, questions of technical feasibility were pressing and creative possibilities beckoned; beginning in the 1960s, artists expanded the scope of their engagement with «space» to include social and conceptual issues.
Through independent and collaborative projects I curiously explore a wide range of conceptual material using photography and video, often in combination with machine driven and hand - crafted fabrication of wood and acrylic.
He joined Goodman Gallery in 2010 and featured prominently on Goodman Gallery's booth at Frieze New York in 2017, for which his work was placed in conversation with South African photographer Mikhael Subotzky and Angolan conceptual photography - based artist Kiluanji Kia Henda.
Associated with the Vancouver School, Stan Douglas is a conceptual artist who primarily works in photography and video.
The works of Chinese photographer Miao Xiaochun (b. 1964) deal with the temporal, visual and conceptual dimension of photography.
Permeating his images with gesture and intent, Divola edges onto sculpture, performance and conceptual art, and evokes a staging that cuts across photography's documental tradition.
Through each of the artists» engagement with the formal and conceptual properties of the medium, they challenge the notion that photography presents a faithful representation of reality and incite us to look more closely at how images are manipulated, styled and filtered to create fictions that we, the public are too - often ready to accept.
Depictions of objects including interiors, children, and cameras parts, encode quotidian systems of representation with sophistication and rigour, raising the bar for the complex dynamics conceptual photography can achieve.
This month Collier, who shows at Anton Kern in New York and has a traveling museum solo that's now at the Art Gallery of Ontario, Toronto, is one of the key players in a new group show of conceptual photography at the Guggenheim (cleverly timed to coincide with this year's edition of MoMA's «New Photograpphotography at the Guggenheim (cleverly timed to coincide with this year's edition of MoMA's «New PhotographyPhotography.»)
Further drawing the viewer in is that the complexity of the conceptual and compositional elements is coupled with the enchanting, relatable imagery from Hammond's vernacular photography.
Lorna Simpson has pursued a number of innovations in her conceptual photography practice, including printing on felt, which she did with the above work.
Described in the press release as a «conceptual realist,» her work begins with photography and morphs through computer editing into a final image, which she transfers to either oil on linen, panel, or both.
Vancouver is very much influenced by the Vancouver School of conceptual photography, starting with Ian Wallace and Jeff Wall.
Born in New Jersey, Charlesworth attended Barnard and then studied photography at the New School before joining the avant - garde circle of 1907s New York artists who were laying out the ground rules for conceptual art, collaborating with Joseph Kosuth on a short - lived theoretical art journal called The Fox.
Works with video, conceptual photography and sound.
«Aggressively Fragile» looks at artist's battle with two bouts of cancer BY CANDACE CHANEY Contributing Arts Critic The walls of MS Rezny Studio and Gallery are lined with the stirring, sometimes otherworldly images of Melissa T. Hall's conceptual photography.
As photography's concepts of authenticity and creativity adapt to the possibilities of new technology, the artists brought together for Oceans without surfers, Cowboys without Marlboros share a preoccupation with how its methods may be recalibrated as a process and as a conceptual gesture.
In addition the principles of abstraction have spread to photography and sculpture and beyond — even to the mind - set behind Conceptual Art, with its penchant for systems, categories and repetition that isolate and reorganize, and thereby abstract, aspects of reality.
Based in Seattle Tagged with: abstract • conceptual • craft • digital • drawing • installation • knitting • mixed - media • modern • painting • photography • process • sculpture • site - specific installation • video - art
Exploiting the camera's ability to copy with an intensity and subtlety that endows lifeless things with living presence, Hiroshi Sugimoto has led Japanese conceptual photography for the past thirty years.
Lorna Simpson came to prominence in the 1980s with her pioneering approach to conceptual photography.
You Better Bring Your Own Sun - Conceptual Photography Solo Exhibition: Marisa S. White • in conjunction with Foto Week DC • november 12 - january 8, 2017
Olivia Locher, pop daredevil / conceptual fine art photography photographer shares with us details of her new photo book «I Fought The Law».
Artists: Hans - Christian Lotz, Vivian Suter, Henry Deposit, Brian Khek, Mathis Collins, Lin May Saeed Exhibition title: Blocking Curated by: Jesse Stecklow Venue: Martos Gallery, Los Angeles, US Date: July 23 — August 22, 2015 Photography: images copyright and courtesy of the artists and Martos Gallery, Los Angeles Martos Gallery Los Angeles is pleased to present Blocking, a group exhibition concerned with the stage as a physical and conceptual device for the continued circulation of objects, material and data.
Along with the more traditional mediums of painting, photography, drawing, sculpture, conceptual, video and performance art we also encourage the submission of sound, text, spoken word, dance, comedy, cooking, large scale painting... As a new century begins and the last still informs every move we make an anxiety of where we are takes many forms from the personal to the political.
A pioneer of Conceptual art, the artist has been working with painting, photography, film, video, books, prints, objects and installation for five decades.
The gallery brings to Fog Fair newcomers including conceptual artist Ian Wallace, who plays with the boundaries between photography and painting; and Turner - Prize nominee Nicole Wermers, whose mixed - media works and installations explore themes of lifestyle, consumption, and class.
As the Conceptual artist Dan Graham and others approach her with a video camera, paparazzi - style, she fights back with still photography — stalking her stalkers.
Over the course of his career, he has maintained a conceptual and philosophical approach to photography, engaging with the medium as a means to preserve memory and record the passage of time.
With her psychological, political and conceptual approach she transforms photography's propensity to objectify people, especially women, into a sustained critique of the medium.
Linking the then - emerging conceptual photography practices of the «80s with its contemporary reflections, the exhibition promises a museum - quality experience at the gallery's three times larger new location.