Sentences with phrase «conceptual practice often»

Büttner, whose conceptual practice often incorporates collaboration and spans printmaking, painting, installation, and film, recently had solo shows at David Kordansky Gallery in Los Angeles and the Walker Art Center; she also won the Max Mara Art Prize for Women for 2009 — 11.

Not exact matches

This is often considered to be the unofficial credo firmly standing behind the conceptual basis of all the varied Stella's art making practices.

Although often associated with particular twentieth century art historical practices and discourses — including abstraction, Minimalism, and Conceptual Art — Palermo's diverse body of work defies easy classification.

Conceptual practice since Marcel Duchamp's Readymades and Andy Warhol's factory has generated new forms and sites of creative endeavor that often exceed the limits of the studio proper.

EXILE presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generational and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

Since the rise of conceptual art practices within the ever - changing terrain of contemporary art, one often encounters the silly assertion that art making has become a market of ideas as opposed to objects.

The text, though at first slightly offputting, ends up being a valuable entry point for the often difficult - to - access conceptual practices of many of Dee's artists — like wall texts but better.

Dutch artist Anouk Kruithof considers photography a starting point for her interdisciplinary and often conceptual art practice.

Exile presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generatioal and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

The subject matter and style of each artist ranges from documentary to conceptual, and explores the fact that these two media, photography and video, often help an artist develop their wider practice and bodies of work, as well as offer a glimpse into the versatility that many artists possess.

Living and working under the pseudonym «Lutz Bacher» since the 1970s, the artist's diverse conceptual practice spans photography, film, video and sculpture, often using found material, objects and images recontextualized from contemporary culture.

Colorado - based Nengudi is a conceptual and performance artist whose practice examines race, gender, culture and spirituality, often utilizing tights and pantyhose.

As an artist whose practice re-thinks the body as «carrier of continually weaving narrative», Hahn often uses textiles to interweave the conceptual with the metaphorical, all the while feeding her art with richly layered sociological and anthropological theories.

The so - called Pictures Generation — Richard Prince, Cindy Sherman, Robert Longo and others — who returned to representational imagery in the late 1970s, often via appropriation, after a decade of minimal and conceptual art, are a precedent for your practice in terms of their appropriation of mass - media images.

Through the original and individualized practices of a multigenerational constellation of artists, the exhibition highlights works that often have conceptual or aesthetic references to the Arab world, yet also extend well beyond.

Mendieta's diverse approach often brings to question the artist's practice and style: was she an earth artist, a conceptual artist, a performance artist, a filmmaker, a photographer, or a sculptor?

Approaching his multidisciplinary practice from a Conceptual perspective, Thomas often draws on recognizable text or imagery — the comic book speech bubble, corporate logos, typeface — to subvert viewers» expectations and assumptions.

The fascinating, often gratifying exhibition falters only in the narrowness of its focus: Five of its six artists are New Yorkers, and four practice a strand of conceptual abstraction that's beginning to look dated.

Los Angeles - based artists Oscar Tuazon, who often employs industrial materials in his sculptural installations, and Jennifer West, whose practice is immersed in material and conceptual explorations of film, sit down to discuss their respective work, a shared interest in DIY, and their deep roots in Seattle and the Pacific Northwest.

Torres expands his conceptual practice in this solo exhibition while making ties to much of the narratives seen in his previous work that often focus on the struggles of lower class city dwelling.

AdrienneRose Gionta (b. Brooklyn, NY) works across diverse media often engaging computer based practices and conceptual subject matter.

Dec. 12, 2015 — March 27, 2016 «JENNIE C. JONES: Compilation» @ Contemporary Art Museum Houston Houston, Texas Working in abstraction and minimalism, conceptual artist Jennie C. Jones «s unique practice considers the intersection of visual art and jazz «to reveal the complex and often parallel legacies of the mid-20th century's social, cultural, and political experimentations.»

Primarily known as a conceptual artist, Michael Landy's practice often involves finding new potential for objects with specific personal or cultural connotations.

Joseph is often inspired by nature and classical architecture, and approaches his paintings with a consistent conceptual practice similar to that of an architect's draft.

Largely an outgrowth of the conceptual art practices of the 1960s and 1970s, works of institutional critique like Prina's often involve installations of (sometimes disparate) elements rather than individual, purportedly autonomous objects.5

Working in installation, photography, video and sculpture, Marie - Jo Lafontaine is a conceptual artist whose practice spans multiple media and forms, often blurring the boundaries between them (as in her «video sculptures.»)

In these situations, students often depend on conceptual knowledge to clarify conditions of practice while they gradually build up their repertoires of experience.