Not exact matches
In an era where NCATE standards are narrowing teacher education to mechanistic dispositions and have eliminated the social justice language from its
conceptual framework, this group will come
together to share how teacher educators can navigate the space within radical teaching
practices that promote social justice in the world of NCATE requirements.
All this time I have never encountered a book that so cohesively ties
together so many of teaching and training best
practices into a single, sensible
conceptual model.
In the early 1970s the New York — based group Experiments in Art and Technology (E.A.T.) put
together a collection of some of the most important American art of the 1960s, including Pop, Minimal, and
Conceptual practices, with the aim of donating it to a public museum.
The exhibition brings
together works in diverse media that examine the
conceptual and formal
practice of contemporary artists canceling, erasing and removing elements from their work.
Moore's «Loving the Alien» episode formed the initial part of a four - way discussion, bringing
together three artists who share a use and poetic interrogation of the found image, ranging from
conceptual practices of the 1970s to more Web - informed emerging methodologies.
As such, Marvelli Gallery brings
together four artists who share both an ethical approach to art making, as well as a
conceptual practice informed by the use of text.
This group exhibition brings
together three artists whose
Conceptual practices are marked by ephemeral gestures enacted upon everyday objects and by interventions into overly familiar situations.
It's not a
practice dissimilar to that of his Black Dada Reader (Koenig Books, 2017), a 350 - page volume that brings
together historical and contemporary writers in the same
conceptual space, including Hugo Ball, W.E.B. Du Bois, Stokely Carmichael, Sun Ra, and Adrian Piper, as well as Ad Reinhardt, Joan Jonas, William Pope.L, and Thomas Hirschhorn.
Bringing
together three visual and performance artists who employ sculpture as physical props and
conceptual elements in their
practice, the exhibition invites spectators to construct anticipated narratives through the lenses of their own pasts, presents and futures.