Sentences with phrase «conceptual space as»

Amano entered graduate school to expand her expertise with glass as a medium, but her work shifted more into the conceptual space as she began using her art as a primary means to express her emotions, given English is her second language.

Fairies and gods, if they exist, occupy something of the same conceptual space as organic cells, photons, and the force of gravity, and so the sciences might perhaps have something to say about them, if a proper medium for investigating them could be found.

They do have their own active and creative manner of collectively representing their historicity, which I am arguing, is closely intertwined with their experience with what they take to be the Divine Power, Ellaiyamman as the goddess of the Paraiyars is a pivotal symbol of the source (and the hope of protection) of this distinct physical and conceptual space: she conserves their geographic space by guarding their particularity as a community and she represents their conceptual space as self - reflective human beings.

Not exact matches

Yet «the organism of earth» as the «all - determining factor» is not conceived as that conceptual space.

The practice of purity and pollution as a conceptual framework to maintain caste divisions finds its rationale in identifying space (and things) as holy.

So it does not go against the conceptual or existential limits of the meaning of «body» for him - and him alone - to extend himself physically as well as spiritually to all his fellow human beings throughout time and space.

He concludes that as early man reached the limits of the ecological carrying capacity of the land, a new doubling of the population required the invention of what he calls «conceptual space.

One can almost go as far to say that she's building a research facility or a conceptual gallery space instead of another run - of - the - mill luxury brand.

Carrying over certain stage conventions, Beckwith constructs this primary set as a somber, suffocating space — a sort of conceptual prison, virtually devoid of laughter or music, using dramatic lighting shifts to contrast Leia's present living conditions with flashbacks to her time with Ben.

And, clearly understanding the secret to Marvel's success in the same conceptual space, Jenkins understands the power of casting: Here, even relatively small supporting roles go to some of the finest actors on - screen, starting with Nielsen and Wright and extending to the great Danny Huston, as a villainous German general, and David Thewlis, Ewen Bremner and Lucy Davis as Steve's contacts back in London.

From transforming blighted street corners to creating surprising, contemplative and beautiful public spaces, Murez» work relates seamlessly, if not unexpectedly, to its community and site, as it inspires sensory experiences and provokes conceptual investigations.

A theory: As our technological accomplishments piled up — satellites and shipping containers, Animoji and 4K checkerboard rendering — our sense of self entered the conceptual space we once thought the exclusive territory of systems beyond our control, of strange weather patterns, lunar eclipses, and mashed tea leaves.

The game's Kickstarter page says, «The Space Odyssey team is composed of creators of comic books such as Wolverine, conceptual illustrators for games such as God of War and Final Fantasy & of course, world - renowned astrophysicist Neil deGrasse Tyson and his StarTalk All - Stars.»

Winters's knots are abstract conceptual figures culled from knot theory, a specialized area of topology involving the study of mathematical knots — defined as closed curves in space whose lines do not touch or intersect».

Drawing upon a rich legacy of conceptual and minimal artists experimenting with the sublime properties of space and light, Hodges plays with light, reflection, and perception...... Hodges» approach to capturing experience through such diverse media as collage, light, and reflection makes sense considering the variety of elements that form experience.»

JMcK: You play with the gallery space just as Capability Brown played with the landscape, both big steps in conceptual terms away from the strictures of the picture plane, and from easel painting.

This second exhibition delves into the artist's notion of being an «immigrant,» how he or she responds to the present immigration debate as it is carried out in personal, public, and political spaces, and what approaches the artist takes, from the subtle and conceptual, to the blatantly political.

The selection also illustrates some of the art - historical traditions in L.A. such as 1960s Pop art, the Conceptual art of the 1970s, Minimalism with its Finish Fetish, the Light and Space movement, the great and important post-conceptual movements, and not least all the artists with a social and political engagement.

In the crisp cool air, we crowded around an outdoor campfire before filling the Raumerweiterungshalle for a conceptual lecture, video work and music performance by a group of four individuals who, as non-artists, staked their claim in the Project Space Festival, pushing the limits of the project space as an exclusive «artist's» Space Festival, pushing the limits of the project space as an exclusive «artist's» space as an exclusive «artist's» zone.

Inspired by the High Line as an ambulatory space experienced most naturally in motion, Wanderlust extends the tradition of Conceptual art wherein the act of walking served as an inspiration for many artists who explored life both in the urban context and in an ambivalent confrontation with nature.

For more than 30 years the French artist Daniel Buren established a «visual vocabulary» of uniform 8.7 cm wide colored and white stripes as being the central features of his conceptual works and site specific installations in public space and in numerous art institutions.

As a mobile space it is designed to fit into wherever it happens to be, and visitors during its week in Edinburgh could also catch an array of works by US sculptor John Chamberlain at Inverleith House; a fascinating and characteristically uncompromising show by the German conceptual artist Hanne Darboven at Talbot Rice; and two films by the London - based artist Beatrice Gibson at Collective addressing the global finance system.

Bringing together a minimalist structural rigour contrasted with unfolding fields of energy, Altmejd recognizes the primacy of the conceptual approach in shaping the cycles that run through his work: heads, constructed, architectural pieces, werewolves, bird men, giants, bodybuilders, guides, watchmen... The abrupt changes in scale (from the minuscule to the monumental), profusion of materials (crystals, mirrors, synthetic hair and fur, resin, wood, metal) and the various devices he uses to occupy the space (platforms, display cases, oversized cabinets) are all strategies that position the artist as a creator of all possibilities.

Procedural Matters — Artforum (Summer 2008; note: registration required) Thinking Space — Frieze (March 2008) How Art is Framed: Exhibition Floor Plans as a Conceptual Medium — New York Times (March 2008) Critic's Picks: Michael Asher — Artforum (March 2008; note: registration required)

The selected works present a conceptual understanding of the constructed environment; through a re - imagining of context and materiality, the works consider our relationship of space as imagined, evasive, and unstable.

Expanding Narratives uses the formal relationship between the figure and the ground in art history as a conceptual springboard into discussions around visual representation, the museum space, and the role of the Smart Museum's collection in fostering the exchange of diverse perspectives.

He cites the Minimalist conceptual artist Fred Sandback, whose yarn drawings in space Redl first saw in 1997, as an inspiration.

The Spit and Chew event poked at Greenberg's emphasis on space and form, which was contradictory to Latham's focus on the function of time in art, and cemented itself as a key example of conceptual art.

Conceptual artist Alberto Garutti invites us to take a careful look at the furniture now inhabiting the gallery space — although of ordinary appearance, they secretly glow while we sleep, while others remain invisible, existing solely as voids on a carpet.

The first iteration in a three - part exhibition series, Expanding Narratives uses the formal relationship between the figure and the ground in Western art history as a conceptual springboard into discussions around visual representation, the museum space, and the role of the Smart Museum's collection in fostering the exchange of diverse perspectives.

[3] As such, the tape is used as a medium to inscribe physical space and everything within it as a spatial installation, which points to his material considerations as opposed to canonically «dematerialized» Conceptual strategieAs such, the tape is used as a medium to inscribe physical space and everything within it as a spatial installation, which points to his material considerations as opposed to canonically «dematerialized» Conceptual strategieas a medium to inscribe physical space and everything within it as a spatial installation, which points to his material considerations as opposed to canonically «dematerialized» Conceptual strategieas a spatial installation, which points to his material considerations as opposed to canonically «dematerialized» Conceptual strategieas opposed to canonically «dematerialized» Conceptual strategies.

Can Pekdemir is an Istanbul - based conceptual artist working on deformation and abstraction of body forms using various methodologies and focused on isolated urban spaces, city and nature relationship using photography as a tool of documentation.

These two works attempt to give form to the construct of time as well as the conceptual space where meaning is created.

Laban's method provides a vocabulary and a conceptual framework for investigating and considering time, space, and motion as primary materials.

Intriguing pairings will encourage visitors to consider commonalities between seemingly disparate works, such as Giovanni de Vecchi's 16th - century drawing of a corpse alongside contemporary artist Olafur Eliasson's conceptual sculpture of negative space formed by glacial ice melted within a concrete block, The Presence of Absence (Nuuo Kangerlua, 24 September 2015 # 3).

Backsplash II an installation that serves as a visual and conceptual sequel to her previous exhibition in the space, by Brooklyn - based artist Katie Bell, in the front room gallery ABMB Hours: Monday, November 28 - Saturday, December 3, 10 am - 7 pm Locust Projects, 3852 North Miami Avenue, Design District Miami

He is the founder and artistic director of the non-profit art space SAVVY Contemporary Berlin - a laboratory for conceptual, intellectual, and artistic production and exchange that takes up the challenge of investigating the «threshold» between, as well as critically reflecting on and questioning discourses around «Western art» and «non-Western art».

Since the 1990s, his work has been characterised by its focus on language and its articulation in space through perception, as well as a precise, conceptual clarity that is often developed out of the context or history of the exhibition site.

The black and white photography series of Renos Evryviades - Wideson (b. 1920) Buffavento Castle (1950), Harvest Time (1953), and St. Hilarion Castle - Aerial (1955) as well as Zenon Sierepeklis» (b. 1947) Latchi (1998/99), Terra (1999), and Latchi (2002) unfold the transition from documentary and landscape photography to a more conceptual rendering of space imbued through the aesthetics of industrialization and monumentality as a result of human intervention on natural habitats.

Exploring the function of materials and forms in concrete space, the simple equations invoked by these works locate them within the physical and conceptual environment of the viewer, who encounters them both as sculpture and study.

As always, the festival pushes conceptual and stylistic boundaries, this year introducing the Open Air segment, a show outside the conventional spaces of museums and galleries.

From 2008 to 2010 Silverman collaborated with Nader Tehrani on «Boolean Valley», a conceptual, installation piece that traveled from the San Jose Museum of Art to MOCA Los Angeles, to the Nasher Sculpture Center, in which they made a cone - shaped form on the wheel, slip cast it 200 times, then cut each cone horizontally in two and laid out the resulting 400 pieces as a complicated, topographic, landscape installation that responded to each of the architectural spaces within which is was installed.

In each work, the artist employs formal dualities from the art historical canon — namely, narration versus abstraction, color versus line, flat versus recessive space, and painting versus drawing — not as a means to a conceptual end, but rather as a method to push these painterly concerns to their extremes.

Some of the venues — such as the Selda Asal - founded Apartment Project (one of the first artist initiatives in Turkey)-- have yet to announce their events, and all that's left to go on is the promise of eclecticism laid along the conceptual platform of the project space.

Tactile brushstrokes read as finger or hand - made gestures, and specific layering devices employed by Johnson add dimensionality by expanding or collapsing the conceptual space.»

The shapes are minimal, ordered, and they blend well with the surrounding space (these are the main characteristics of Minimalism), but they have something that recalls the Arte Povera and the Conceptual Art as well.

This is the notion of a multi-trail space, with various meshed ramifications, associative paths and itineraries, contexts and entries on the conceptual as well as the physical and geographical levels.

Informed by RIBA's vast collection, Sam Jacob Studio has redesigned the Architecture Gallery at 66 Portland as a conceptual, interactive space, where the visitor becomes a participant within the space of representation, while viewing original drawings and rare books by some of the most talented designers in history.

The project, which joined hands with the Culturunners initiative led by British artist Stephen Stapleton, has previously facilitated an exhibition of Saudi conceptual artist Abdulnasser Gharem at the Los Angeles County Musuem of Art in 2017, as well as spearheading a multi-city tour of the United States for Saudi artists, bringing around a dozen visual practitioners, including Ahmad Angawi and 2017 Abraaj Group Art Prize shortlisted artist Sarah Abu Abdallah, to spaces such as the Minnesota Street Project in San Francisco and the Bates College Museum of Art in Maine.

Leegte considers the Internet as an «online public studio and exhibition space» and often, albeit slightly tongue - in - cheekly, describes himself as an «Internet - based conceptual sculptor exploring the time - based, performative nature of the Internet in net installations».