Sentences with phrase «conceptual space makes»

A doubling of conceptual space makes possible a doubling of the number of people who can live satisfactorily in the same physical space.

Not exact matches

If we did make the global economy and the economy of nature together key concerns for the conceptual space of theological studies, what would need to happen beyond Moltmann's nomination of a new dialogue partner?

Ahmadinejad's letter asks American Christians, in the person of our Christian president, to make an effort of imagination, and there are few signs that we are prepared to make such an effort, few signs that we have the linguistic or conceptual space even to understand how.

Some have made some comparisons to the work of Stanley Kubrick or Nicolas Roeg, but while there are certain visual nods here and there, I think expectations should be tempered that Under the Skin is on the level of, say, 2001: A Space Odyssey or The Man Who Fell to Earth in either scope or conceptual execution.

Made from the crushed bedrock of Barcelona, Berlin, Hong Kong, London, Milan, New York, and Paris, Wang's monochrome paintings represent a representation of urban geography, occupying a liminal space between Land and Conceptual art.

Drawing upon a rich legacy of conceptual and minimal artists experimenting with the sublime properties of space and light, Hodges plays with light, reflection, and perception...... Hodges» approach to capturing experience through such diverse media as collage, light, and reflection makes sense considering the variety of elements that form experience.»

When Yoko Ono in conceptual art recreated the windowless space in which men and women died attempting to cross the border to America, it made an unseen performance space a microcosm of political trauma.

Fred Sandback: Renowned for his Minimalist, conceptual sculptures, Fred Sandback's best - known works were made using colored acrylic yarn, like his «leaning» series, which used lengths of yarn, extended between walls and floors, to alter the perception of a space.

Through mold - making, conceptual conceits, and long process - driven projects, she makes objects that articulate and own absence and empty space.

From 1991, Stingel began making «carpets» with which he often covers entire spaces, including walls: it is a non-painting that crosses the limit — also conceptual - of what a painting is, and becomes an environment.

From 2008 to 2010 Silverman collaborated with Nader Tehrani on «Boolean Valley», a conceptual, installation piece that traveled from the San Jose Museum of Art to MOCA Los Angeles, to the Nasher Sculpture Center, in which they made a cone - shaped form on the wheel, slip cast it 200 times, then cut each cone horizontally in two and laid out the resulting 400 pieces as a complicated, topographic, landscape installation that responded to each of the architectural spaces within which is was installed.

Tactile brushstrokes read as finger or hand - made gestures, and specific layering devices employed by Johnson add dimensionality by expanding or collapsing the conceptual space.»

However, within Radical Women's redefined conceptual axes their works exist outside a framework for approaching Latin American conceptualism made popular in recent decades: ``... heroic, political, and even militant, leaving little space for those forms of conceptualism and experimental art that embrace more subjective interjections and both broad and intimate personal and political struggles.»

Blain Southern presents a solo show by Berlin - based artist Nasan Tur transforming the gallery's space into an installation of a live printmaking studio: «Funktionieren» involves the conceptual artist working on - site, making visible every stage in the production of an exhibition.

A: I know pioneers in Nova Scotia, which is where I am right now, Gary Neil Kennedy is really fantastic, he gave a lot of early conceptual artists space and time to make new work.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

1978 Audio Works / Artists Space, Artists Space, New York, US Small is Beautiful, Freedman Gallery, Reading, Pennsylvania, US A Selection of Conceptual Works by Eight Americans, 176 Franklin Street, New York Sound Art, Julian Pretto Gallery for WBAI Union Fund, New York, US Audio Art, Apropos, Luzern, CH Les Livres d'Artistes, Une Selection, Palais des Beaux - Arts, Brussels, BE Work from the Crex Collection, Ink, Zurich, CH; Louisiana Museum, Humlebaek, DK; Stadtische Galerie im Lenbachhaus, Munchen, DE; Van Abbemuseum, Eindhoven, NL Zomer 1978, Art & Project Gallery, Amsterdam, NL Group Show, Gallery A +, Amsterdam, NL America en la Mira, Muestra de Grafica Internacional, Morelia, MX; Galeria Universitaria Antonio Ximenez de las Cuevas, MX; Escuela de Diseno y Artesanias, Mexico City, MX; Galeria Universitaria, Toluca, MX; Universidad Autonoma Metropolitana, Mexico City, MX; Universidad Autonoma de Baja California, MX Made for TV?

Finally, two timekeeping devices flank the gallery: A Study of Relationships between Inner and Outer Space, a video made in London by conceptual artist David Lamelas the same year that Art and Space was published; and a steel and water sculpture by Nobuo Sekine, which was begun in 1969 and has undergone constant variations ever since.

Why do conceptual artists continue to employ finite resources and materials, not to mention occupy valuable space in museums, when, unlike other artists, the conceptual artist has an infinite amount of perfectly adequate space available to make and exhibit art in his or her head?

In today's museum world, where competition for exhibition space is escalating, emptying two large rooms, painting them black, and then posting a text instructing the viewer on how to perceive a black painting is an ambitious conceptual gesture — one that becomes even more commanding in view of the fact that the exhibition's curator, Stephanie Rosenthal, limited her checklist for the show to just four American male heavyweights who made black paintings between 1945 and 1965.

Together, these artists represent the myriad ways conceptual processes based on the act of mark - making and materials can address the body, memory, space, and the charged meaning of their chosen media.

His conceptual vigor and attempts to redefine and expand the space in which works are both made and exhibited in earned him a reputation as an artists» artist.

The show we're here to talk about — also featuring Douglas Gordon, Cally Spooner and Tania Bruguera — runs alongside a survey exhibition of John Latham (1921 - 2006) at Serpentine's second gallery space, where these participating artists have been invited to make work in response to the conceptual artists» practice and ideas.

In their latest video from the Time - Space - Existence series, PLANE — SITE features acclaimed conceptual artist Lawrence Weiner and his ideas regarding the relationship between people and material objects, language as a gesture, and making art accessible to the public.

French Conceptual artist Daniel Buren returns to UK to remind us what all the fuss is about Daniel Buren: One Thing To Another brings everything that makes the work so affecting outdoors, indoors; and, in process, transforms the interior rooms of the Lisson gallery into what feels like a series of exterior spaces.

Pioneering a mode of practice that slowly but deliberately broke ranks with the painterly abstraction and object - based practice of the era to develop a mode of art - making that embraced light, form and space as free - floating, conceptual tools.

They're basic, but these impossible spaces form a bridge between the conceptual and the pedagogical, with both the artist and the gallery involved in creating opportunities for Margate's school children to get involved in making art.

This media art + group exhibition curated by Cree / Metis artist Cheryl L'Hirondelle is meant to be a dialogue between selected work by seven Indigenous and non-native artists to illustrate how we inhabit, make actions, document time - space, and in doing so, how we are all staking claim to territories whether physical, aesthetic, conceptual and / or virtual.

I make no promises as to absence of typographical or minor conceptual errors * (e.g.,... described by the set of points (T1 / 2, T2 / 2, T2 * T1 / (T2 + T1), T2 * T2 / (T2 - T1)-RRB- which has measure zero in that 4d space, the last should have been T2 * T1 / (T2 - T1)-RRB- but, anyone with the time and expertise to carry these balls I'm tossing up in the air forward could easily score some major points.