Sentences with phrase «conceptual strategy at»

By the time I enrolled in college, many painting programs had become fully engaged in conceptual strategy at the expense of traditional technique, especially at the MFA level.

While the exhibition's rich display resonates with the variety of material and conceptual strategies at work in Pendleton's oeuvre, it is the artist's subversive modes of intervention into historical discourses of vanguard art and politics that lend weight to the complexities of his practice.

Not exact matches

The conceptual model for this study contends that establishing a dietary framework containing moderate amounts of high - quality dietary protein at each meal represents an efficient and feasible dietary strategy to optimize 24 - h muscle protein synthesis while being mindful of issues such as protein cost and daily energy consumption.

These are challenge strategies that are in addition to pitching high from a conceptual standpoint which are effective at consolidating learning for the long term.

It also focuses on the evolution of conceptual art in subsequent decades as a tool to deconstruct existing precepts regarding gender and race, and as a strategy in presenting ideas regarding the complexities of contemporary society and how artists skillfully negotiate these complexities as it relates to themselves and the community at large.

The two would go on to organize Giulio Paolini's first US solo exhibition at Sonnabend Gallery in New York in 1972, for which the artist produced a series of eight new paintings meant to provide an overview of his conceptual strategy.

Truax says the artists he has selected have «a romantic and emotional engagement with painting and its history,» At the end of his essay, he even suggests that Conceptual artists are adopting painting as a strategy, too.

Transavanguardia not only reintroduced figurative painting into the predominantly Minimalist and Conceptual scene of the period, but proposed devices like allegory and mythology as valid strategies in contemporary art discourse, much to the chagrin of the art - world establishment at the time.

In this volume, amply illustrated with many never - before - seen images from early in his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graham.

The Pixel Boxes have become her most familiar component: initially fabricated in beech wood with a glass front screen, their softly changing and pulsing colours at first distilled and abstracted complex visual patterns into simple shifting monochromes, and became a signature of a conceptual practice that avoided the shock strategies of many of her contemporaries.