«There was a whole lot of quite complex
conceptual thinking by four - year - olds about how the robot's behaviour was being controlled.»
Not exact matches
A narrative methodology re-formed
by organic philosophy would integrate metaphysical and
conceptual thinking with narrative and metaphorical
thinking.
Rather than, as usual, assign the hybrid prehension of God to the first phase, with the
conceptual derivation in the second phase (which would deprive the initial phase of simple physical feeling of any guidance
by the subjective aim), we should
think of these two terms as referring to the same feeling.
Although Whitehead never credits Bergson explicitly with these insights, it is clear that thinkers within a process framework are the ones who are obliged to come up with a solution to this sort of problem, while more traditional thinkers do not often or ever worry about the ways in which the intellect distorts reality
by subsuming it in a spatialized
conceptual scheme, or how the concrete process of
thinking is distinct from
thought.
Kuhn held that the
thought and action of a scientific community are dominated
by its paradigms, defined as «standard examples of scientific work which embody a set of
conceptual, methodological and metaphysical assumptions».
These demands to
think of Christianity in
conceptual terms naturally excommunicated children from the Lord's table, a mistake replicated
by Tridentine Roman Catholicism.
In the living organism he saw the key to a genetic structuralism; what the genetic theory of cognition wants to analyze
by the term psychogenesis is specifically the emergence of the so - called knowing, intelligent subject from the preliminary stages of biological organization; that is, the step -
by - step ensuing construction of symbolic
conceptual structures and
thinking structures, following from the sensori - motor performance basis of cognition.
I
think it originally belonged to the discussion of the Category of
Conceptual Reversion (Process 249f), and was bumped
by the paragraph announcing abolition of reversion.
In process there is continual introduction of novelty, which in the interest of survival can be responded to in one of two manners: one may reduce the event to irrelevance
by «blocking out unwelcome detail» (negative prehension) or «
by an initiative in
conceptual prehensions, i.e., in appetition its subjective aim originates novelty to match the novelty of the environment... through
thinking.»
In Whitehead's final position in Process and Reality as reconstructed
by Ford, then, the provision of initial aims would be a matter that concerns the primordial nature only, and not the consequent nature, as traditional interpreters have
thought for a few decades: «Concrescent occasions prehend only initial aims from God, and these are purely
conceptual.
This general line of
thought have been developed more fully in a creative article
by T. Nobuhara, «How Can Principles be More than Just Epistemological or
Conceptual?
Kuhn maintained that the
thought and activity of a given scientific community are dominated
by its paradigms, which he described as «standard examples of scientific work that embody a set of
conceptual, methodological and metaphysical assumptions».
Given Giuliani's background, I
think it is more likely he was consulted at a
conceptual level
by telephone than it is that he played a part in drafting.
Architecture Art using found and recycled objects Color theory Abstraction
Conceptual art Drawing styles Figure drawing and sculpture Masks Monochrome drawing Natural forms Portraiture Structures Each unit of work provides a lesson
by lesson plan, homework suggestions, materials lists, artist references, health and safety and links to
thinking skills.
The most difficult
conceptual step is
thinking about not only who you have designed the media for, but also how it might be received
by viewers outside the target audience.
The study,
by Jo Boaler, now a professor of education at Stanford University, found that students at the project - based school did better than those at the more traditional school both on math problems requiring analytical or
conceptual thought and on those considered rote, that is, those requiring memory of a rule or formula.
As educators, we realize that the quality of a child's education can not be measured solely
by scores on standardized reading and math tests, which
by their nature do not assess students»
conceptual thinking, their ability to do research and to evaluate and defend ideas, their skill at written and oral expression, or their success in collaborative or teamwork settings.
By increasing the individual attention each child receives, Ethos Classical delivers «consistent delivery and resources» that «build content and capacity for
conceptual thinking» during literacy instruction, a guiding priority of the Therrell cluster.
Learning is manifested
by a deeper
conceptual understanding;
by the transfer, the application, and especially the creation of knowledge (Grennon Brooks & Brooks, 1999); and the concomitant development of higher order
thinking abilities.
In this
thought - provoking and groundbreaking book, Tony Frontier and Paul Mielke address this issue head - on, combining the
conceptual and the practical
by offering a compelling vision of teacher growth, along with nearly three dozen step -
by - step protocols for working with teachers.
The update will also allow for more
conceptual versions of being on the same page
by letting readers share book notes or
thoughts about titles online with select circles or the overall «Kindle community.»
It's a conference in which you're not being pitched from the stage
by author services, but instead being handed the
conceptual and practical tools you need to make your best decisions as an independent author: one who
thinks for him - or herself.
Although most artists want to sell their work, she implies that it's okay for a
Conceptual work or a Rauschenberg to sell to IBM, but if a Noland is collected
by that same company, it's not okay because it must have been sold just as decoration... I don't
think so.
Clusters of Loose Geometries in
Conceptual «
Thought Drawings»,
by John Seed, Hyperallergic, November 10, 2016
The edition relates to a series of works
by Zhao, titled A Painting of
Thought, which layer thick acrylic paint on fabric in an attempt to de-construct rational logic and to make viewers wary of
conceptual habits.
In the drawings and paintings from the last few years, including your most recent work in «Death is a
Conceptual Artist», a solitary figure sits, reclines or stands, lost in
thought, marked
by their solitude.
This fantasy of a direct projection of
thought not only had a decisive impact on the birth of abstraction but also influenced surrealism and its obsession with the collective sharing of creation and, in the post war period, it gave rise to numerous visual and sound installations inspired
by the revolution in information technology, leading to the declaration of «the dematerialisation of art» in
conceptual practices...
When he was twenty, he studied horticulture at the University of Versailles, where he began
thinking about concepts such as grafting and hybridization, and became fascinated
by the premise of
conceptual art.
I was impressed
by the high level of skillful technique and
conceptual thought captured in each work.
The Gifts This is a fast - paced, interdisciplinary workshop designed to expand the possibilities of students» practices using a wide range of materials and processes — driven
by conceptual thinking.
For more in this series, see my
thoughts on Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake,
Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left
by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.
For more in this series, see my
thoughts on Private views, Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake,
Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left
by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.
«Her
thought - provoking
conceptual works render materials that signal luxury — gold, diamonds, coins, and paper money — null and void
by reversing their exchange value, unraveling our obsession with wealth.»
Kayan took part with her artist performance at the event titled Field Meeting Take 3:
Thinking Performance, curated
by Leeza Ahmady, and focussing on creative process,
conceptual change and collaboration with an aim to improve artistic ventures.
The purpose is to revisit, with the same intensity and energy, the Post-pop and Post-minimalist art research of the time, ranging from Process art to
Conceptual art, Arte Povera and Land art, that was developed internationally during the mid-1960s, but also to highlight the contribution made
by Harald Szeemann, a curator capable of
thinking beyond the limitations set
by critics» labels and the theoretic associations of his time.
«I
thought it would be interesting to present together works
by a minimal
conceptual artist from the»60s together with work
by a later artist.»
My
thinking and understanding is that in painting one begins abstract, with a welter of abstractions, be they formal,
conceptual, emotional, sensory, psychological and then pushes towards the painting, which
by definition becomes figured.
What has not been mentioned is that the «Saul - into - Paul conversion theory», published
by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and
conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical
thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses, landscapes, buildings, using only black paint.
The state of flux that is initiated is to keep
thought active
by a manner of unfixing or unsettling visual and
conceptual models rather than fixing or concretizing them.
Here, Berstein's dark and abstracted head is indeed punctuated
by a bright, fluorescent, and phallic shape — the end result is a wonderful print that is defined equally
by vivid formal qualities and a
thought - provoking
conceptual underpinning.
The painting
Conceptual Art (1987)
by Jim Shaw reads: «he drew the dirtiest thing he could
think of.»
My first introduction to Toadhouse was in 2000 at As REAL as
thinking, the large survey exhibition at SITE Santa Fe of
conceptual artist Allan Graham, which was organized
by Kathleen Shields.
The
conceptual genesis of the exhibition came to Mills over a period of time while contemplating the notion of self, our
thoughts about our selves and how these
thoughts may contrast with the ways that others may view us, be they close friends, family, lovers or people we merely pass
by in our lives.
Artschwager doesn't fit into classic Minimalism as we now
think of it —
conceptual, non-representational work that conforms to a strict set of codes exemplified
by artists such as Carl Andre, Dan Flavin, Donald Judd and Sol LeWitt.
Together with Cia Rinne, a Finland - Swedish - born artist and poet, Kriemann has attuned her One Book (2009/2015)
by intersecting audio and digital recordings of birds with
conceptual readings including excerpts of Dieter Roelstrate's text «Flight — A Single Scattering of
Thought» which was written for One Book in 2009.
Aug 8, 2012
By manuscrypts in Life Ordinary, mPhil,
Think About It 1 Comment Tags: 1000th post,
conceptual, Creativity, experimental, HBR, Hugh MacLeod, legacy, mastery, pander, perseverance, Ray Bradbury, seth godin, success
Yes, I
think the
conceptual error can be described
by analogy to the basic laws of motion.
Creative and
conceptual stories (the New Model of right brained
thinking as Katharine refers to — she references an article
by Frank A Mills) further describe what I believe to be the framework for meaningful and gripping resumes.
This dual - process
conceptual framework proposes that direct pathways between the family environment and behaviours may be the result of a spontaneous, automatic response to an environmental cue within the family (automaticity), while indirect pathways may be mediated
by individual «cognitive» determinants or
thought processes.