Sentences with phrase «conceptual thought at»

This nomadic pedagogical platform travels to countries across Africa, creating dialogues between local and international guest artists, scholars, curators and cultural practitioners in the hope of stimulating critical and conceptual thought at a local level.

He has taught Drawing, Painting and Conceptual Thinking at numerous institutions and in a number of countries over the past 13 years.

Not exact matches

Hurtubise thinks that the early concepts already imply the conceptual realization, at least to the extent that these two concepts can not be rigorously distinguished and so should be treated as one.

It is at the same time a conceptual tool, a way of thinking, an alternative to the linear chaining of events torn from their multi-leveled context — like a thread extracted from a Persian carpet and suspended in a vacuum.

Nevertheless, we at least face a big problem if people do not believe that this analysis of the situation is correct, and do not think that the conceptual framework on which the analysis is based is faithful religiously, accurate socioeconomically correct ecologically, or justifiable ethically.

Given Giuliani's background, I think it is more likely he was consulted at a conceptual level by telephone than it is that he played a part in drafting.

Scientists at the National Institute on Drug Abuse (NIDA) Intramural Research Program (IRP) have uncovered evidence that shows a more complex and elaborate role for the body's hard - working G protein - coupled receptors (GPCRs) than previously thought, suggesting a conceptual advance in the fields of biochemistry and pharmacology.

That's where the computer comes in, at least if you think of it in conceptual terms as something that processes information rather than as a boxy machine on your desk.

«I don't think anyone's going to crack consciousness — at least not absent a major conceptual breakthrough,» he says.

There are many interesting things to think about at the conceptual level of how to structure programs, but at the moment we are very concerned about the implementation issue and spending most of our time there.

Instead of reading like one might read a novel to escape, reading programming language requires the student to focus on one specific idea at a time, to think linearly but in a conceptual way.»

The study, by Jo Boaler, now a professor of education at Stanford University, found that students at the project - based school did better than those at the more traditional school both on math problems requiring analytical or conceptual thought and on those considered rote, that is, those requiring memory of a rule or formula.

As educators, we realize that the quality of a child's education can not be measured solely by scores on standardized reading and math tests, which by their nature do not assess students» conceptual thinking, their ability to do research and to evaluate and defend ideas, their skill at written and oral expression, or their success in collaborative or teamwork settings.

Mediation is at the heart of much conceptual thinking in prevention science.

At all grade levels, students will participate in engaging, inquiry - based, hands - on math experiences that require critical thinking, problem - solving, and conceptual understanding.

With this special issue, we wanted to show that the study of social networks is not just a sophisticated methodological tool, which it is, but also a thought - provoking way of looking at the world, a valuable conceptual framework and useful lens.

Talking about her second novel, currently in progress, Diana says «I'm at that agonizing, chaotic conceptual stage where the idea is much, much bigger than I thought it was and I realize terrifying things, such as the small matter of having to research the entire history of the entire world, for instance.

Her reputation as a thoughtful and thought - provoking conceptual artist has gained over the last decade, with major biennials, a survey in England at the Whitworth Art Gallery in 2011 and an October Files book on her work in 2016.

I'm as steeped in conceptual art as anyone — I worked at the John Weber gallery in the «70s — but it's something I was thinking about when I went to a museum.

At the same time, once I did Following Piece, I think I started to realize — and there was a beautiful — there was a conceptual artist then named Ian Baxter.

Many first generation Conceptual artists working in the late 60s and early 70s de-emphasized the art object, in part as a gesture against what they perceived as the increasing commercialization of the artwork (one thinks of Sol LeWitt's ephemeral wall drawings, painted over at the end of their exhibition, or the linguistic investigations of Lawrence Weiner who in 1972 wrote, «I do not mind objects, but I do not care to make them»).

He'd studied at Goldsmiths University in London under conceptual artist Michael Craig - Martin, whose way of thinking, Opie says, was a close match with his own.

When he was twenty, he studied horticulture at the University of Versailles, where he began thinking about concepts such as grafting and hybridization, and became fascinated by the premise of conceptual art.

Students will participate in studio critiques, seminars and / or workshops that draw on what makes education at The Cooper Union unique, with its strong emphasis on critical and conceptual thinking, design, making and a close reading of architectural texts.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

I can't think of any show I've seen in the past five years that better evokes just how radical and exciting a period the 1960s were for British art — it's certainly better than the Tate's survey of British conceptual art, at any rate.

About Jan's work, artist, curator and writer Michelle Grabner states, ``... his paintings expand the best of contemporary non-objective work in their shear boldness and fearless scope, the entirety of the painting's dynamics are always greater than the architecture that supports them... The impact of van der Ploeg's paintings is located at the intersection of sensation and thought, between the work's graphic visual impact and its conceptual underpinnings.

As I thought more about the salon style of hanging and as I worked on the conceptual groundwork for my upcoming shows at Santa Monica Museum of Art and the Brooklyn Museum of Art, it became clear to me that I wanted to explore this historical theme with my show More Than Everything.

While both his art and his thinking were often seen as having directly influenced Conceptual Art, Mr. Judd declined to take credit, maintaining that «Art is something you look at.»

It surprised me more to see that a Yahoo news editor thought LeWitt's death worth noting than to hear that the dean of conceptual artists had succumbed to cancer at 78.

Kayan took part with her artist performance at the event titled Field Meeting Take 3: Thinking Performance, curated by Leeza Ahmady, and focussing on creative process, conceptual change and collaboration with an aim to improve artistic ventures.

He is a conceptual artist in the straightforward sense that thought is implicit in the act of looking at his work.

Instead, he quickly landed the job at Cal State Fresno — which had a forward - thinking arts department that brought in important conceptual thinkers as visiting scholars.

Few contemporary artists, if any others, can make a viewer think one minute of Henri Matisse and the next of British conceptual cartoonist David Shrigley, as Tucker Nichols does in a show of new paintings and drawings at Gallery 16.

At the time, I thought it was just another addition to the multi-sensory experience that Warwick strives towards; a bodily transcendence founded on a powerful conceptual bearing.

One of the most important women artists to emerge in the last 30 years, Helen Chadwick stands at the intersection of conceptual - performative art and feminist thinking.

«I've always thought that every artist ought to have a cheap line,» says conceptual artist John Baldessari, who has a coffee mug inscribed with his cheeky aphorism TIPS FOR ARTISTS WHO WANT TO SELL available at the new Broad Museum of Contemporary Art in Los Angeles.Artist - made museum merchandise is on the rise.

The exhibition, THOUGHT, at Galerie Thomas Schulte brings together seven artists which the gallery represents and for whom the drawing reflects conceptual thought processes while at the same time manifesting processes of pictorial abstrTHOUGHT, at Galerie Thomas Schulte brings together seven artists which the gallery represents and for whom the drawing reflects conceptual thought processes while at the same time manifesting processes of pictorial abstrthought processes while at the same time manifesting processes of pictorial abstraction.

My first introduction to Toadhouse was in 2000 at As REAL as thinking, the large survey exhibition at SITE Santa Fe of conceptual artist Allan Graham, which was organized by Kathleen Shields.

Michael Asher, a dean of the Conceptual Art movement, whose cerebral but playful work specialized in dismantling — often literally — the institutions that show art and that shape the way people think about it, died on Monday at his home in Los Angeles.

Mel Bochner, one of the founders of the Conceptual Art movement of the mid -»60s, and quite possibly the most inventive, clear - headed, and thought - provoking artist of that group, is showing his language - based paintings and drawings this spring and summer at the Jewish Museum.

About van der Ploeg's work, artist and curator Michelle Grabner writes, ``... his paintings expand the best of contemporary non-objective work in their shear boldness and fearless scope, the entirety of the painting's dynamics are always greater than the architecture that supports them... The impact of van der Ploeg's paintings is located at the intersection of sensation and thought, between the work's graphic visual impact and its conceptual underpinnings.

JW: This kind of conceptual thinking, do you think it will compel users to look at their computers differently, sort of like «why can't I do this on my computer?»