Sentences with phrase «conceptual work about»

The work at Zona Maco ranged from master Mexican artists like Rufino Tamayo and Francisco Toledo to Dr Lakra's found images embellished with tattoo - style designs, and material - based abstraction to conceptual work about climate change, extinction, and homelessness.

Foundation director Rosa Maria Malet said that it was «very complicated» to capture the various interests of Gordon, whose most recent work includes Zidane, a film and conceptual work about soccer.

(In the 1990s, under the alias of his organization, the GALA Corporation, he worked props into the TV show Melrose Place in collaboration with the series» writers, as a conceptual work about how ideas get disseminated.)

The two pieces by Julie Torres are both conceptual works about capital - p Painting: «Room with a View» is a small canvas on which super-thick layers of acrylic paint make something that appears, all at once, like a window, a picture inset into photo corners, the back of a stretched canvas.

Not exact matches

But what I find interesting about the Christian vision is how over the centuries it has worked out most, and maybe all, of the conceptual pitfalls that go along with the concept of an eternal life.

The opposition is between the view that the further back you go, you go to more and more rudimentary judgements and the view that there is a real difference between perception and thought; and also that you don't in perception come down to a (Kantian) inchoate manifold which you work up with conceptual schemes, but that you come down to something given in sense - awareness about which you can say a great deal more than that.

However, its request for about $ 120 million over 5 years for conceptual design work on the CEPC failed to win approval earlier this year from China's National Development and Reform Commission; instead, the project received some $ 5 million for preliminary study.

Students both analyze quantitative or qualitative empirical information (primary or secondary data) about specific areas of public health or health policy and conduct original conceptual work examining the ethical implications of their question and / or findings.

One of the most influential neuroscientists of our day, Ramachandran's groundbreaking work in phantom limbs, human vision, mirror neurons, synesthesia and conceptual metaphors has taught humanity more about that organ in our heads than anyone else.

«It's about presenting conceptual ideas at a digestible level,» says Ross, who has been inspired by the work of British artists Rachel Whiteread and Anthony Caro, who has often used scaffolding in his sculptures.

A major message is that what works best for students is similar to what works best for teachers — an attention to setting challenging learning intentions, being clear about what success means, and an attention to learning strategies for developing conceptual understanding about what teachers and students know and understand.

It offers a conceptual model for understanding the decisions that LEFs make as they go about shaping both organizational identity and an approach to their work.

This set of reports about cultivating school leadership synthesizes studies, conceptual work and examples from work on the ground.

With front and rear solid axles and a body - on - frame layout, the 2016 Jeep Wrangler is built with conceptual technology that peaked about 75 years ago; which is precisely why it works so well off - road.

It's hard to learn the necessary skills while working on a novel you care about, since you might not be willing to change an element you love to fit a conceptual plot point.

From her straight talk about the industry to her more conceptual mindset work, this is the kind of site existing authors can use to take their careers to the next level.

Homework help enables students to learn about the work they are writing and can develop the conceptual ideas about the whole subject Homework is the essential aspect of the academic and educational perception where a student understands, and learning ability defined in his homework.

About the Artist Hank Willis Thomas (American, born 1976), is a conceptual artist who has participated in more than three hundred solo and multi-artist exhibitions and his work has been collected worldwide.

About the artist: Hank Willis Thomas is a conceptual photo artist working primarily with themes related to identity, history and popular culture.

Conceptual artist Charles Gains speaks with Marshall about his childhood in South Central Los Angeles, his approach to art as activism, and the inspiration behind his landmark work, «Self Portrait of the Artist as a Shadow of His Former Self» (1980).

About The Artist Lawrence Weiner (b. 1942) lives and works in West Village New York and is considered a seminal figure in the founding of Conceptual Art.

This new body of work transcends the conceptual framework laid down by previous generations, and allows the art to flow into a narrative that shares its concerns to a public yearning to be further sensitized about issues that affect us all, not just in remote localities in which they were born,» says Francesca von Habsburg, founder and chairwoman of TBA21.

For this exhibition, Barbara Januszkiewicz hopes the works on display will spark a dialogue about the use of color and her fascination with conceptual link to music.

I'm as steeped in conceptual art as anyone — I worked at the John Weber gallery in the «70s — but it's something I was thinking about when I went to a museum.

«The last Bienal was the first step to making it more engaged with the public,» say Bienal co-founder Nelson Herrera Ysla about the increased number of public - art works throughout the city, from the likes of Havana - based artist Arles del Rio to the Russian conceptual artists Ilya and Emilia Kabakov, who brought their globe - trotting»

The New York - based conceptual artists talks about growing up among scientists, what drew him to work...

'' Barbara Januszkiewicz hopes the works on display will spark a dialogue about the use of color and her fascination with conceptual link to music.

The Hester Street location, formerly the home of Lu Magnus Gallery, is about three times bigger than the Eldridge Street space, and has a soaring ceiling, a big change from the two previous homes of the gallery, which focuses on conceptual work with an interest in institutional critique.

Foucault wrote about Magritte's work of the 1920's; meanwhile conceptual artists such as Baldessari and Kosuth had moved the discussion to the next level.

White Cube, which has an outpost in Hong Kong, sold one of Damien Hirst's Black Scalpel Blade cityscapes of Shanghai for about $ 1.2 million, while White Space of Beijing reported that 70 percent of its works sold within the first two days, including several works by the young Chinese conceptual artist He Xiangyu.

The Los Angeles artist Charles Gaines, whose Abstract and Conceptual work is in her collection, said that «Four Generations» crystallized his longtime thinking about the context of his work as part of a continuum.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Challenging our assumptions about the social structures that shape the world around us, Adrian Piper has consistently produced groundbreaking, transformative work that has profoundly shaped the form and content of Conceptual art since the mid-1960s.

Well, some people have talked about your work as straddling Pop and Conceptual.

Asked about it today, Mason de-emphasizes the power that any conceptual scheme could have over her work process: «Yes, analogous color is real, but I don't think like that, in terms of systems — I just do.

It's more about a conceptual practice that exists in a misty middle ground between art and architecture — think of Snarkitecture, among many others, doing fascinating work in this zone.

The experience of talking with Lemieux in her studio about these and other notable works, both finished and in - process, made me very appreciative of her eccentric and enigmatic wit, conceptual feminism, meticulous craftsmanship, and reverence for art history.

Hung low on the wall so that the line is about waist high for this viewer, the gesture was as much mental as physical, which seems appropriate given that many consider the point of LeWitt to be the conceptual nature of his work.

That was on my mind when I was making this work; specifically, I was thinking a lot about the political and racial blind spots of the first generation of conceptual artists.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

I talk about my work in terms of its conceptual and formal qualities.

«I love magazines because they are like pop songs,» he once explained about his early conceptual magazine works, «easily disposable, dealing with momentary pleasures.»

A largely conceptual artist working in a range of scale, her work invites viewers to explore questions about their own history and examine themes of memory, belonging, dislocation and impermanence.

The exhibition takes the example of striking protagonists, bringing together about 40 works to reflect on trends in Conceptual Art, Minimalism, and seriality, linked with the cities of Frankfurt, Düsseldorf, Hamburg, Stuttgart, and Berlin.

About Jan's work, artist, curator and writer Michelle Grabner states, ``... his paintings expand the best of contemporary non-objective work in their shear boldness and fearless scope, the entirety of the painting's dynamics are always greater than the architecture that supports them... The impact of van der Ploeg's paintings is located at the intersection of sensation and thought, between the work's graphic visual impact and its conceptual underpinnings.

Ms. Aranda - Alvarado is currently working on a retrospective of the work and ideas of the Puerto Rican conceptual and performance artist Rafael Montañez Ortíz and has recently organized a group show titled Tropicalisms, about the representation and perception of the tropical landscape.

As I thought more about the salon style of hanging and as I worked on the conceptual groundwork for my upcoming shows at Santa Monica Museum of Art and the Brooklyn Museum of Art, it became clear to me that I wanted to explore this historical theme with my show More Than Everything.

A crucial link between the intellectually rigorous Conceptual Art of the 1970s and the more poetic and playful work of 1980s Pictures Art, Sarah Charlesworth (1947 - 2013) made photo - based works that deconstruct assumptions about photography.

You were talking about something that was completely uninteresting to you when you started your work, which was the early - «60s and late -»50s battle between the conceptual and the process artists with the figurative people and action painters, and those painters with abstract painters: abstraction versus figuration.

In the second part of the interview G.H. Hovagimyan talks about the early days of digital and internet art and his early works in the internet: Barbie & Ken Politically Correct, and other pieces which extended his conceptual art practice and his performance work in the 70s.