Sentences with phrase «conceptual works often»

In this exhibition, Zoe Leonard, whose conceptual works often deal with organizing ways of seeing objects and cataloguing history, reflects on a very personal sentiment, described as «statelessness as both an individual experience and a shared social condition.»

Her conceptual works often provide new ways to engage in a critical but humorous relationship with rationally structured systems such as time, language and units of measurement.

Not exact matches

Behind the issues of professional role allocation still lie conceptual disagreements that often play a major role in preventing effective collaboration and the working out of mutually satisfying professional roles.

Although this chapter is concerned primarily with issues related to interprofessional cooperation in community mental health services, these can not be discussed without calling attention to the fact that behind the issues of professional role allocation still lie conceptual disagreements that often play a major role in preventing effective collaboration and the working out of mutually satisfying professional roles.

I often like my work to have conceptual elements but it is really important to me that it's really well made too, and also designed to work if need be.

«It's about presenting conceptual ideas at a digestible level,» says Ross, who has been inspired by the work of British artists Rachel Whiteread and Anthony Caro, who has often used scaffolding in his sculptures.

Since the late 1970's, Sophie Calle — «France's foremost conceptual artist» (The New York Times)-- has been making provocative and often controversial work that confronts issues in her personal life.

Lehmann Maupin is honored to open it's fall season in Hong Kong with the first solo show in China of acclaimed American artist Teresita Fernández, whose conceptual, experiential works are often characterized by an interest in perception and the psychology of looking.

For over two decades, Song Dong has been at the forefront of Chinese contemporary art, embracing performance, video, installation, photography, conceptual painting and theater, and often combining mediums within a single work.

Often improvising with a growing list of mediums and reclaimed materials, he creates work that is both expressive and conceptual, capturing the moment where beauty meets chaos.

Sofia Hultén (SE b. 1972) works processual and conceptual, often with found objects that initially had a function.

Although often associated with particular twentieth century art historical practices and discourses — including abstraction, Minimalism, and Conceptual Art — Palermo's diverse body of work defies easy classification.

Though she rarely exhibits her work, Deraedt's shows are careful, conceptual installations that represent many years of work, and often involve site - specific interventions.

Formally, Camil's works are often colorful objects, voluptuous fabrics, photographs or performances deeply related to items of domesticity, studies of the body, and have strong references to the legacy of conceptual art and modernism.

Known for championing artists who create groundbreaking and challenging forms of visual expression, Lehmann Maupin presents work highlighting personal investigations and individual narratives through conceptual approaches that often address such issues as gender, class, religion, history, politics, and globalism.

Garcia Torres's works have often considered the validity of the strategies of retreat and withdrawal that have pervaded the history of conceptual art, focusing on such figures as Martin Kippenberger (What Doesn't Kill You Makes You Stronger, 2007); Alighiero Boetti (¿ Alguna vez has visto la nieve caer?

Although often perceived as only replicas or fakes, her works are the result of a consideration of both the material and conceptual choices in its model's making.

Visitors will be able to see a broad selection ranging from often witty early conceptual works to vibrantly colored and lushly executed recent paintings.

Kuri's sculptures and collages are often fashioned from the residue of monetary exchanges and consumed goods that the artist collects on a daily basis, but their richness lies in their unusual calibration of manual and conceptual properties: his works reward eye and mind equally.

Lawrence Weiner (born 1942) is one of the central figures in the formation of conceptual art in the 1960s His work often takes the form of typographic texts.

Known for her large - scale works that combine geometric drawings, numerical series, images and writings, Hanne Darboven (Munich, Germany, 1941 - 2009) is often associated with conceptual art, a correlation that should be nuanced further given the unmistakably subjective nature of the process of realization and expression of her works.

Farmer creates conceptual works with poetic narratives, often combining his interests in the material production of the art object with theories of psychology and dramatic presentation.

In Requires extra budget for lettuce, emerging conceptual artist Jacob Stewart - Halevy responds to Giovanni Anselmo's early work in general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particular.Anselmo is often identified as a key member of Arte Povera, and his oeuvre is characterized by its focus on the effect of natural processes on human experience.

Roman Ondak lives and works in Bratislava and is a leading conceptual artist whose work explores patterns of behaviour and alternative social and political possibilities, often born of observations of post-communist society in his native Slovakia

Rooted in the conceptual heritage of net.art, Harm's works often simulate neural networks.

Like the work of his digital native peers, Constant Dullaart's often conceptual work manifests itself both online and off.

What can be defined as conceptual art at its best, the artist's often times participatory and always haunting works once again caught the New York audience with surprise and contemplation.

His earliest work dealt with the magazine page, predating but often associated with Conceptual art.

Since the 1990s, his work has been characterised by its focus on language and its articulation in space through perception, as well as a precise, conceptual clarity that is often developed out of the context or history of the exhibition site.

Known for his founding role in the 1960s Conceptual Art movement, the artist's work often takes the form of typographic texts.

One might be tempted to identify her purely as a conceptual artist, but the aesthetic rigor of the work itself often stands powerfully independent of any conceptual underpinnings.

Often incorporating interactions with vintage anatomical charts, maps and antique book pages, his work contains continuous visual and conceptual shifts between the biologically charted and the human consciousness.

Often referred to as a conceptual landscape painter, Finch plays with atmospheric effects and ephemeral notions such as time in his works to examine the ways in which we perceive the outside world.

His work, often utilizing found objects, fits within a rich tradition of West Coast Conceptual art and assemblage, while also embracing abstraction.

Young artists of Mexican American heritage are gaining visibility for work that often touches on their ethnic identity — along with other themes, from the conceptual to the formal.

The subject matter and style of each artist ranges from documentary to conceptual, and explores the fact that these two media, photography and video, often help an artist develop their wider practice and bodies of work, as well as offer a glimpse into the versatility that many artists possess.

His work is conceptual and research driven and often draws on aspects of cinema, sculpture, sound and performance to create hybrid forms.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

Living and working under the pseudonym «Lutz Bacher» since the 1970s, the artist's diverse conceptual practice spans photography, film, video and sculpture, often using found material, objects and images recontextualized from contemporary culture.

The classic genres of photography — nude, portrait, landscape, architecture, or industry — are mirrored in the works, but are often citations or stages of conceptual processes.

Hemali's work has always attracted me for its sensitive use of unusual and often transient materials which seem to take on more nuanced physical attributes and conceptual purpose in her hands.

Daniel Lefcourt's work, often minimal in appearance and nearly monochromatic, engages weighty conceptual questions and artistic concerns.

Conceptual work is often immaterial.

Danh Vo, 36, a Vietnamese - born conceptual artist who lives and works in Berlin, melds autobiography with larger cultural issues, often using appropriated objects and images.

Xu Zhen is a conceptual artist whose work often takes the form of provocative sculptures, installations and interventions that confront sociopolitical taboos in contemporary China and freely manipulate western expectations of Chinese art and commerce.

These artists choose to work with clay for its technical, conceptual, and metaphoric possibilities and capitalize on clay's versatility along with the countless glazes and firing techniques available — often viewing the clay, glaze, or kiln as a collaborator in their process.

Through the original and individualized practices of a multigenerational constellation of artists, the exhibition highlights works that often have conceptual or aesthetic references to the Arab world, yet also extend well beyond.

This edition is highly conceptual and visitors will often find the works hard to grasp as very little explanatory text is provided for an exhibition where it is desperately needed.

He often uses real objects such as doorstops, ceramic tiles and items of furniture in his work and has been shortlisted for conceptual pieces in neon.

Like those other «neo-Dada» artists he was often associated with, such as Jasper Johns, John Cage, Morton Feldman, and Merce Cunningham, Rauschenberg's artistic activity requires a broader, more sophisticated conceptual model within which to interpret his work and one that is more faithful to the artist's own intentions.