Sentences with phrase «conceptual works take»

Artist Song Dong's Conceptual works take over The Pace Gallery's Chelsea venues.

Many conceptual works take the position that art is created by the viewer viewing an object or act as art, not from the intrinsic qualities of the work itself.

Many conceptual works take the position that art is the result of the viewer viewing an object or act as art, not of the intrinsic qualities of the work itself.

Mostapha Romli's latest body of conceptual work takes us on a dramatic journey inside the increasing number of children weddings that have taken place in Morocco in the last ten years as a result of the 20/21 law.

Not exact matches

Over the years, I've developed a conceptual model and a kit of tools / strategies that I take out every time I work with a client who exhibits bad squat form.

Perhaps it's telling that Manifesto's best segments extol the virtues of conceptual art, in which, as Lewitt - via - Blanchett puts it, the idea behind the work is far more important that its execution, and artistic appropriation, via the (probably apocryphal) Godard dictum, «It's not where you take things from; it's where you take them to.»

The Square, which won the top prize at Cannes, is just over two - and - a-half hours long; much of it is filmed in long, unbroken takes, and it's set in the rarefied world of Stockholm's contemporary art world with gags that demand a working knowledge of conceptual land artists.

From her straight talk about the industry to her more conceptual mindset work, this is the kind of site existing authors can use to take their careers to the next level.

This book takes us on a grand tour across all three games in the Lords of Shadow trilogy, presenting us with a mixture of conceptual pieces, sketches and more, all of which, without fail, demonstrate that MercurySteam have some seriously talented artists working for them.

Yet over the last decade, she has forged a conceptual link in her work between the histories of abstraction and of modern jazz in America — «black guys in the 1950s taking jazz into the concert hall and making it this bluesy hybrid with Bach,» as she puts it.

Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.

After the dissolution of the Zero Group in the mid-1960s, Uecker's work took a turn toward body, Conceptual, and Land art, and in the 1970s he designed stage sets for several operas.

NS Harsha has taken a more conceptual approach to making a portrait, creating a work that upon close inspection appears to be a bird's - eye view of a gathered crowd.

Taking its name from Rebecca Solnit's book Wanderlust: A History of Walking, the exhibition will include works that are narrative, political, performative, and conceptual examples of contemporary art.

«NATE YOUNG: The Unseen Evidence of Things Substantiated» @ Fabric Workshop and Museum (FWM) Philadelphia Minneapolis - based conceptual artist Nate Young is presenting new work including an immersive video installation from which the exhibition takes it title.

For the High Line, Lawler presents Triangle (adjusted to fit)(2008 / 2009/2011), an image taken in a room at Sotheby's in New York which features works by Minimalism and Conceptual Art icons Donald Judd, Frank Stella, and Sol LeWitt.

The approach that the artists in Slipped have taken to clay as an extension of their painting or sculptural practices has resulted in an exciting and innovative works that combine the visual and sumptuous nature of ceramics with a conceptual rigour.

Zhou Tiehai is a Chinese artist who, through his appropriations and conceptual work, wittily manages to take advantage of the art market while exposing its absurdities.

Like that other revered conceptual artist Hans Haake, Macuga blurs the boundaries between artist, curator and collector by taking other artists» works and displaying them alongside objects she's found.

Spanning a broad gamut of themes and applied constructs, the show includes such as early works as shots taken in Nadar's 19th century Parisian studio, of the mime artist Charles Deburau posing as Pierrot the clown (an example of a performance played out purely for the camera); through the theatrical and conceptual work of Carolee Schneemann and Paul McCarthy; nuanced developments of self - identity in the work of Marcel Duchamp, Cindy Sherman and Andy Warhol; and onto the hyper - contemporary world of selfies and social - media disseminated flotsam.

Taken as a whole, Morgan O'Hara's work represents a notable, if under - recognized, contribution to the canon of performance and conceptual art.

Susan Hiller, known for fusing conceptual and minimalist art, takes London by storm with a retrospective at Tate Britain and simultaneously shows new works at the Timothy Taylor Gallery.

Under the tutelage of the photographers and conceptual artists Bernd and Hilla Becher at the city's Staatliche Kunstakademie, this generation of photographers took the methodical, taxonomic approach of the Bechers and applied conceptual modifications, veering from the pure «straight» photography of their mentors to produce works that functioned more self - consciously as art, and ushering in a new era for photography where the medium was not simply accepted as art but embraced.

Conceptual art is art in which the concept (s) or idea (s) involved in the work take precedence over traditional aesthetic and material concerns.

Many of his early works took the form of conceptual photography, though Johnson eventually expanded his practice to include wall - based works that engage the legacy of painting, sculptural installation, and assemblage using manufactured materials like shea butter, books records, and incense.

Lawrence Weiner (born 1942) is one of the central figures in the formation of conceptual art in the 1960s His work often takes the form of typographic texts.

Slowly the conceptual underpinnings and gestalt effect take hold as forms emerge and disappear, demanding a unique and powerful engagement with the work.

The radical shift in art making is that for years, the conceptual strategy was to fancy - up ideas with tools from the aesthetic toolbox, but Riedel's system takes tools from the conceptual toolbox as strategies to create an aesthetic body of work.

The exhibition takes its cue from What Is Painting (1966 - 68), a work on canvas by the conceptual artist John Baldessari.

Other proponents of the movement as it took hold in the 1960s include Luciano Fabro (1936 - 2007), whose conceptual sculptures are highly sought after, and Giulio Paolini (b. 1940), acclaimed for his minimal and conceptual works subverting classical materials such as canvas and plaster.

The exhibition takes the example of striking protagonists, bringing together about 40 works to reflect on trends in Conceptual Art, Minimalism, and seriality, linked with the cities of Frankfurt, Düsseldorf, Hamburg, Stuttgart, and Berlin.

Martha Wilson's practice, for example, includes photo - text works and conceptual performance art in which gender - based roles and identities are explored, as she dresses in and assumes the identities of stereotypical feminine archetypes and also takes on male personas.

We take a look at conceptual art's most lyrical proponent and his work's importance for brainy young artists today.

The exhibition at the Walther Collection, which took place from the beginning of May 2015 until the fall of 2016, investigated the production and use of serial portraiture, conceptual structures, vernacular imagery, and time - based performance in photography from the 1880s to the present, bringing together works from international artists.

Known for his founding role in the 1960s Conceptual Art movement, the artist's work often takes the form of typographic texts.

[20] That same year, he organized an exhibition of his work, Fifteen Locations, which took place simultaneously at fifteen museums and galleries worldwide; he also participated in the seminal exhibition of Conceptual art at the Seth Siegelaub Gallery, New York.

Taking place within the galleries and focusing on specific works on display, the tour offers an insight into the curator's approach and provides an introduction to the conceptual artist's work and the key themes explored in the show.

The exhibition culminates in exciting conceptual works by the Young British Artists (YBAs)-- including Jake and Dinos Chapman, Tracey Emin, Damien Hirst, and Rachel Whiteread — who took the art world by storm in the 1990s and are still highly influential today.

Known for his role in the 1960s Conceptual Art movement, the artist's work takes the form of typographic texts.

This is a show of textiles taking conceptual themes from the Donald Judd installation in Marfa at the Chinati foundation «100 untitled works in mill aluminum, 1982 - 1986»

In a nutshell: An exhibitionof works relating to the circle, taking in everything from conceptual art to medieval manuscripts, ancient Egyptian sculptures and Pre-Raphaelite paintings.

Taking the death of renowned philosopher, mathematician, and writer, René Descartes» five year old daughter Francince and his creation of an animatronic effigy of her as its «springboard», the exhibition explored the traditionally perceived divide between conceptual and expressive works, those dealing with either the body or the mind.

A selection of works by the Scottish conceptual artist taken from his forthcoming at the Fruitmarket gallery in Edinburgh and from the book Martin Creed: works by the Scottish conceptual artist taken from his forthcoming at the Fruitmarket gallery in Edinburgh and from the book Martin Creed: WorksWorks

Erika Rothenberg is a conceptual artist whose provocative and humorous work about social and political issues takes many forms, from paintings and photographs to museum installations and large - scale outdoor works.

The title is taken from a 1981 work by American conceptual artist Lawrence Weiner.

From a conceptual approach, works take form from a logical line of thought, as if they are choosing their own material.

That exhibition took its name from Jorge Luis Borges» text The Library of Babel, bringing together works whose premises are predicated on the book as a conceptual, psychological, and cultural form.

Two are conceptual works by artistic collectives, each taking up two cells.

O'Grady and Rose's conceptual frameworks — which are deeply process driven, it typically taking years to develop a concept for a work — are centered on the development of characters and personas.

Hemali's work has always attracted me for its sensitive use of unusual and often transient materials which seem to take on more nuanced physical attributes and conceptual purpose in her hands.