Sentences with phrase «concerned about essay writing»

Not exact matches

While the impact of these classical theories has remained strong, I would like to point to a specific contribution that, in my view, has served as a kind of watershed in our thinking about the cultural dimension of religion: Clifford Geertz's essay «Religion as a Cultural System,» published in 1966.1 Although Geertz, an anthropologist, was concerned in this essay with many issues that lay on the fringes of sociologists» interests, his writing is clear and incisive, the essay displays exceptional erudition, and it provides not only a concise definition of religion but also a strong epistemological and philosophical defense of the importance of religion as a topic of inquiry.
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Writing an exposition essay is not difficult at all if you know the issue you are writing about, have formulated your opinion concerning this issue and have the opportunity to find additional information to stress the importance of the problem and support your oWriting an exposition essay is not difficult at all if you know the issue you are writing about, have formulated your opinion concerning this issue and have the opportunity to find additional information to stress the importance of the problem and support your owriting about, have formulated your opinion concerning this issue and have the opportunity to find additional information to stress the importance of the problem and support your opinion.
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When the students are given the task to write essays on English, they may be concerned about it and the great number of questions may arise in this connection.
Another thing that concerns your narrative essays is the subject matter that you write about.
Only occasionally does Byzantine Things fall into what artist Daniel Buren (who's not in the show) has called the «exhibiting exhibitions» trap, in which, as he wrote in Frieze in April, «exhibitions are increasingly becoming opportunities for an organizer or curator or whoever to write an essay which usually has nothing to do with the artists invited, but concerns only his or her philosophy about art and society, politics or aesthetics.»
Artist and author Douglas Coupland has written a personal response to Hanson's work that is a testament to its enduring legacy and Ruba Katrib's essay Surface Identity provides insightful links between Hanson's practice and its relationship to ongoing concerns about the presence of the body in contemporary art.
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