Whether I can make any money writing
fiction is the obvious question, but for now that
concern stands apart from the authorial reality and opportunity defined by the internet as a distribution pipeline.
Whether dealing with inherently human issues, digital simulacra or pop culture landscapes (and in response to the ubiquity of well crafted
fiction in video art) these videos are all
concerned with presenting individual and subjective truths, maintaining the viewer as the final interpreter of the discourses they set in motion.