Sentences with phrase «concerning ideas of nature»

Nami Yamamoto is a Japanese artist, working primarily in Installation and drawing concerning ideas of nature and the man made environment.

Not exact matches

Behind this sanctity of blood in sacrificial ceremonies stood a profoundly influential idea concerning the nature of life: «The blood is the life»; (Deuteronomy 12:23.)

They are secondary because historically and philosophically they have a different pedigree, being based upon a few preconceived ideas concerning the nature and processes of the universe, and of man, upon which the whole concatenation of objections hinge.

The vague and sprawling nature of the phrase «faith and morals» fosters the idea that pope and bishops are equally and univocally competent on matters concerned with faith and morals.This would be particularly the case in a church conceived in a highly centralized and authoritarian way.

Indeed all these ideas do become without meaning if the human person, the «I,» who is first of all concerned, is looked at from without, if the «I» is described as one can describe in general propositions the nature of a human being; if, as usually results, the individual man is regarded as a specimen of the genus homo.

But Whitehead's response to the vexed question of the nature and genesis of our ideas and capacity for reason was bound to differ radically from that of both Berkeley and Kant, given that one of his overriding concerns was to observe the indissociability of conceptual bipolarities.

An essential element of Hall's novel vision of the future is the idea that once technology has been fully established as a self - governing, self - sustaining system, a sort of «automatic rationality» with which we need no longer concern ourselves, we will be free to turn away from «actions over against nature,» to turn our attention «inward» to the sort of «actions» which enhance the aesthetic value of experience.

As to whether intelligent alien life exists, certainly Holloway found that idea «thrilling» but there is already more than enough to consider concerning terrestrial life, its evolution and the nature of the human self to warrant its discussion here.

A major part of this book is devoted to how Whitehead developed his ideas concerning the nature of God.

This must be one of the reasons why Whitehead devotes so much space to questions concerning the methods and principles of applying mathematical ideas to the phenomena of nature, and why he sees himself obliged to write that «all science as it grows to perfection becomes mathematical in its ideas» (IM 6).

They object, that is, to the idea of any religion which is concerned with affirmations about the nature of things, with affirmations about historical personalities and their significance; and they prefer a religion which is concerned more with how we feel and think, or how we think we ought to feel.

The questions get bigger still in the final chapters, which concern the nature of being human and the idea that, just as the science fiction writers of yesteryear couldn't predict this modern world, we don't know if people, sentient robots, and unforeseeable next - gen tech will play nicely together.

On another level, Holy Fools gave me the opportunity to explore and to articulate a number of feelings and ideas that I have had about the nature of religion and the organizations concerned, as well as to express what it feels like to perform.

Osborne's paintings bridge ideas about formalist concerns, particularly luminosity with experiential perceptions of nature, atmosphere and vistas.

Despite the diverse nature of the 20 artists» work, reflecting a great variety of concerns, ideas and media, they have in common an attempt to construct compelling aesthetic universes, to convey their own intensity of experience and perception of the world.

He foregrounds these concerns by quoting land artist Robert Smithson's preference for «the weighty sensation» of rocks over nature's «idealistic reduction» as an idea of non-site.

Each artist has a varied approach to sculpture: Gallaccio's site specific works are concerned with beauty, nature and the passing of time while Gander's ideas based practice ranges from installations and sculptures to lectures and publications.

In works of an often poetic quality, over the past several years Attia has concerned himself with the idea of «repair» as a constant of human nature.

That gives you some idea of the basic nature of infrared effects of greenhouse gases, but it still won't address some of the subtler points concerning radiative transfer and the effect of band saturation — except insofar as band saturation is used in the explanation of why the radiative effect of CO2 is roughly logarithmic.

The countervailing forces are the ideas of telecommuting, the constrained nature of urban cores and that effect on housing costs and the problematic concerns of crime and poor schools in most urban areas.

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