Sentences with phrase «concerns about the art world»

Not exact matches

And in their talk about an abstract show, called The Painted World, the students are concerned with how the art — and the world — makes them simultaneously laugh and lWorld, the students are concerned with how the art — and the world — makes them simultaneously laugh and lworld — makes them simultaneously laugh and learn.

This landmark collaborative art project explored feminist concerns about women's place in the professional and art worlds.

Tate Modern director Frances Morris noted that her work is regarded for «the highly original and compelling way in which she addresses major political concerns of our time, not only within debates about art and art history, but also in the hope of effecting real change in the world around us,» the Guardian reported.

At 18th Street Arts Center, we have great concern about the state of our nation in this post-election world and want to confirm our mission and commitment to artists and social justice.

How can we get people in the art world to think about gender, race, and sexuality, to understand that these are persistent concerns that require action?

Any lingering concerns about the change in the fair's dates — moved up from May to March, and starting on Friday instead of Wednesday — were addressed during the brief, three - hour V.I.P. preview on the first day, with what many veteran attendees said were larger - than - usual crowds of wealthy collectors and delegations from major art institutions around the world.

Tate Modern's director Frances Morris commented: «Tania Bruguera is well known for the highly original and compelling way in which she addresses major political concerns of our time, not only within debates about art and art history, but also in the hope of effecting real change in the world around us.»

In short, he was very much attuned to the mid-19th century world, to its economic and technological development, to its concerns with the lessons of history and the nation's future prospects, to its debates about the contribution of art to civil society and to reflections on the nature of painting.

The American Kennel Club is deeply concerned about the «Dogs [That] Can not Touch Each Other» video that is a part of the upcoming «Art and China after 1989: Theater of the World» exhibit at the Guggenheim.

Perhaps the most famous art - world story about Hopps concerned his chronic lateness.

Frances Morris, the director of Tate Modern, said Bruguera was well known for «the highly original and compelling way in which she addresses major political concerns of our time, not only within debates about art and art history, but also in the hope of effecting real change in the world around us.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmarts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmArts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

While some European museums appear to point a finger at the influence of U.S. museums, their fears about funding align with the Guerrilla Girls» persistent concerns over the art world's triangular economy.

While Foster's critique of the Hammer's biennial raises important and necessary concerns about institutionalized racism, it also doesn't take into account the contributions of other important people of color working in the Los Angeles art world, such as Rita Gonzalez, a curator at LACMA.

I was concerned about the painting, but he was concerned about the market... I started to take the art world, I don't want to say seriously, but I started to really look at it closer,» Taylor says.

No artist can be fully understood or appreciated within the context of a single page, especially not someone like Megan O'Beirne, whose painting and fine - art photography reflects her immense energy as well as a deep concern about the world around her.

In 1972 the two artists co-created Womanhouse with twenty - one art students — this landmark collaborative art project explored feminist concerns about women's place in the professional and art worlds.

The Belgian artist Luc Tuymans who was recently found guilty of copyright infringement, after losing a legal battle in his home country over the alleged plagiarism concerning a portrait the artist created in 2011 has spoken to Artlyst about the case, its politics, and its wider implications to the art world and the fate of -LSB-...]