Sentences with phrase «concrete events of time»

Not exact matches

It will require balanced budgets during normal economic times, and concrete timelines for returning to balance in the event of an economic crisis.

The legislation would require balanced budgets during «normal» economic times and concrete timelines for returning to balance in the event of an economic crisis.

At the same time, the event in its symbolic form expresses a contrast or pattern of contrasts between concrete actuality and relevant forms of potentiality.

A duration is not a stretch of time spanned by a perception but a virtual compresence of successive events in a «concrete slab of nature,» in which all events are simultaneous, and successive simultaneities overlap.

At the same time, the struggle to avert chaos in ancient apocalyptic pushed it also in the direction of devaluing the concrete new event by absorbing the whole into the final totality.

It is precisely this coincidentia of the opposing realms of the sacred and the profane that makes possible Christianity's celebration of the Incarnation as an actual and real event, an event that has occurred and does occur in concrete time and space, and an event effecting a real transformation of the world.

The Fall is an actual and real event; the world and human existence are judged to be actually and truly estranged from their original divine ground, and consequently the process of redemption must occur in the arena of concrete time and space.

Otherwise the assertion of the love and forgiveness of God is meaningless, for in Jesus» thought love and forgiveness are not ideas but are real events in the life in time of concrete men

Many first - century Jews certainly expected God to act, to visit and redeem them through a concrete individual figure and by means of actual historical events at a chronological moment in time.

But exactly what he said and exactly how he acted is filtered, for all of time, through those who saw and heard him: «The only knowledge we possess of the Christ event reaches us via the concrete experience of the first local communities of Christians who were sensitive of a new life present in them.»

God is deficient in concrete actuality, as Whitehead said, because every time the adjusting of abstract possibilities to concrete events butts up against complete definiteness, the existence that makes the final decision shifts from God to the presently emerging creatures.

For example, for the frequently used word «events» (used in describing natural phenomena in space - time coordinate systems) he substituted the term «actual occasions,» which for him gave a more accurate (and richer) picture of «real» or «concrete» happenings in the natural world.11 In this regard, he avoided the use of such commonly employed metaphysical terms such as «sensation» and «perception» — derived from seventeenth and eighteenth philosophers such as Locke, Berkeley, Hume and Kant — since for him they had a narrow psychological rather than appropriate epistemological meanings.

Hartshorne writes in Chance Love and Incompatibility:» «The first step toward a more intelligible view is to recognize with Scholz and a number of other logicians that absolute identity of the concrete or particular is given in an event or occasion, not in a thing enduring through time, like a person or a body.

9 • solve one - step problems involving multiplication and division, by calculating the answer using concrete objects, pictorial representations and arrays with the support of the teacher • recognise, find and name a half as 1 of 2 equal parts of an object, shape or quantity • recognise, find and name a quarter as 1 of 4 equal parts of an object, shape or quantity • Compare, describe and solve practical problems for: lengths and heights [for example, long / short, longer / shorter, tall / short, double / half]; mass or weight [for example, heavy / light, heavier than, lighter than]; capacity / volume [for example, full / empty, more than, less than, half, half full, quarter]; time [for example, quicker, slower, earlier, later]; • measure and begin to record the following: lengths and height; mass / weight; capacity and volume; time (hours, minutes, seconds) • recognise and know the value of different denominations of coins and notes • sequence events in chronological order using language (for example, before and after, next, first, today, yesterday, tomorrow, morning, afternoon and evening) • describe position direction and movement including whole half quarter and three quarter turns PLUS MANY MORE OBJECTIVES!

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,