Sentences with phrase «concrete needs of men»

Christ is best announced by the effective living of the Christian community and by the leaven of this community's concern for the concrete needs of men.

Not exact matches

The spirit of love leads to concern with the whole need of man in each concrete situation.

Attention to the concrete satisfies further the positive moral requirement of concern with the different needs of this or that man as an individual rather than as an instance of a generalized group.

In the concrete situation, that is, in this world, in this nature, man stands before God; there is no need of escaping beyond the present or outside of nature.

These stages will need to be concrete actions of personal giving to man as material as well as spiritual.

Giroud — In form (just my opinion) Alexis — out of form (come on, he needs time AND better striker) Cazorla — out of form (ask Wenger) Ramsey — out of form (has to do with frustration coming from upfront, i guess) Wilshere — out of form (we have been waiting so long, Wenger) Arteta — In form (I don't think he was bad as people portray, but against top teams, then we get caught) Gibbs — out of form (the guy is very injury prone) Debuchy — In form (concrete) Koscielny — In form (best defender, no doubt) Chambers — In form (my man) Szczesny — In form (most of the time, looks sharp)

«But you need three things to add bulk: testosterone (which is why men get bigger muscles), extra calories (if you want to build a bigger house, you need extra wood and concrete) and high - volume training (meaning you target one large muscle group, working it to exhaustion with 20 to 30 sets of exercises a day).»

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,