Sentences with phrase «conditions of the artistic production»

Starting point are the phenomenological conditions of the artistic production like color, light, material and time which influence the structure and content of -LSB-...]

Starting point are the phenomenological conditions of the artistic production like color, -LSB-...]

The ISP provides a setting within which students pursuing art practice, curatorial work, art historical scholarship, and critical writing engage in ongoing discussions and debates that examine the historical, social, and intellectual conditions of artistic production.

In the Making is rooted in an interest in the changing conditions of artistic production since the breakdown of modernist tropes, and in particular the displacement of the

Not exact matches

Instead of looking at the productions of the new media from the point of view of the older modes of production we must, on the contrary, analyze the products of the traditional «artistic» media from the standpoint of modern conditions of production.

However, a case can be made that these production conditions established the artistic, commercial, cultural and social boundaries of the comic book.

When the right questions are asked about the conditions for producing art, of which the production of great art is a sub-topic, there will no doubt have to be some discussion of the situational concomitants of intelligence and talent generally, not merely of artistic genius.

Working in multiple media, from works on paper to performance, Stark examines what she describes as «the conditions of creative labor,» highlighting the aspects of artistic production that are less frequently acknowledged.

Hence, position of the art sphere is semi-autonomous, as it is independent field of creation freed from the rules, function and norms, but on the other hand, art world is deeply connected and dependent from artistic production, ways of curating and display as well as socio - economical conditions and political context.

Together these texts appear as a parallel production to Beshty's artistic work: they reflect on the conditions of the realization and circulation of images, undermining distinctions between media, abstraction and figuration, and proposing new aesthetic criteria for the works examined.

Time Capsules and Conditions of Now is an accumulative artistic research / production project initiated by curator & art critic Fatos Ustek under the framework of Vision Forum, Linkopings Universitet, Sweden.

Through my work as an independent curator, at the Liverpool Biennial in the United Kingdom and subsequently as the director and later co-curator of the Werkleitz Biennale, I was able to explore different approaches to artistic and cultural production and also to analyze curatorial and institutional models under a variety of cultural, social and economic conditions.

Usually the results of artistic practice are more visible than the processes leading towards the exhibition of artworks or the conditions and conventions underlying production.

The exhibition project promotes the critical examination of the conditions for artistic production today.

The way «post-internet art» is defined — as culture that is not internet specific, but simply lives in and out of the internet as if that was just the default condition for artistic production — the street art boom of the 2000s is a perfect example.

Like much of Stark's work, the story of these virtual encounters self - reflexively addresses the conditions of creative self - doubt, sources of insight and inspiration within the context of the everyday and the problem of production through the often - difficult process of artistic labour.

Working in multiple media, from works on paper to performance, Stark examines what she describes as «the conditions of creative labor,» highlighting the aspects of artistic production that are less...

We consider it mainly in connection with the history of artistic practice in the 20th and 21st centuries, when the expansion of industrial media and technologies incorporates within itself an interrogation of the new conditions of the production, distribution and status of the artwork as a commodity subject to market mechanisms.

That's why it is difficult to define the visual production uniformly, but Metelkova City dictates specific operational conditions of production that in one way or another affect the actual artistic practice of each individual artist.

The works on display examine the conditions that underpin the artistic process and methods of cultural production.