Here she tells LWLies how the production was a far cry from the pressure cooker environment depicted in the film, and how she keeps growing in
confidence as an actor.
Not exact matches
Whether Styles has the chops to make it
as a film
actor is yet to be seen, but given the
confidence Nolan has in the singer - turned -
actor, Dunkirk is
as good a first chance to prove himself worthy
as Styles could have hoped for.
Teller is terrific
as Pazienza before the accident, all wise - guy mouth and muscular
confidence; you get the sense his character and the
actor aren't exactly worlds apart.
DuVall displays both
confidence and trepidation
as a first - time director,
as much of the action consists of people talking in long and medium shots, the unfussy direction allowing the
actors room to breathe but not to experiment.
Mustafa says he tried to channel the cool self -
confidence and charm of
actors such
as Robert Wagner, James Brolin and Adam West, TV's Batman, while staying true to Old Spice's traditional «manly man» appeal.
Actors, in particular Cary Grant and James Stewart, performed
as stand - ins for the director himself, who on film interacted and made love to beautiful, elegant women, and performing in challenging situations with
confidence and self - assuredness.
It amazes me when you have someone like Gary, who in my opinion is one of the greatest British
actors of his generation, it's amazing to discover that an
actor like Gary is just
as full of self - doubt and lacking in
confidence as anyone else,
as any other
actor....
Caan is a delight
as Henry's partner in crime, a self - described
confidence man — in essence, an
actor.
Starring Gary Cooper, an
actor I'm warming up to
as the years go by, and Burt Lancaster and his shiny, shiny teeth, all three of whom give very good performances: Cooper with his quiet
confidence and Lancaster one intensity notch down from chewing up the screen.
This newcomer makes a blazing impression
as a negligent yet loving mother, and she struts in front of the camera with a
confidence most
actors never manage.
Slow, not terribly interested in lore or internal logic, and fatally hamstrung by the choice of
actors like Billy Crystal and a zombified Emily Mortimer to voice its American dub, it's a regression for Miyazaki from his last two films (Princess Mononoke and Spirited Away) in almost every sense, starting with his decision to have a lonely young woman
as the central character in place of the prepubescent little girls front and centre in most of his masterpieces (the last two films, Kiki's Delivery Service, Nausicaä of the Valley of the Wind, and My Neighbor Totoro) and ending with a gross simplification of his usually complex themes of
confidence and actualization into a colourless, flavourless drone about the hard - to - dispute badness of war.
Another of the Warner Archive «Remastered Editions,» Two Weeks in Another Town is one of my favorite Vincent Minnelli films of the 1960s, a movie melodrama (
as in a melodrama about the movies) set in the Italy, where has - beens and struggling talents come to cash in on cut - rate productions and one washed - up
actor (Kirk Douglas) tries to find his
confidence after bottoming out in alcohol and self - pity.
It fulfills his celebrity magazine sensibilities about the importance of family, and his growing
confidence as a director, allowing for visual storytelling that banks on vivid expressions from incredible
actors like Blunt and Simmonds most of all.
With the help of such celebrities
as basketball legend and business icon Earvin «Magic» Johnson, Jr., founder of the not - for - profit Khan Academy Sal Khan, and
actor and television personality Montel Williams, the Stand Up campaign highlights the success of the nation's public schools — and works to bolster public
confidence in the institution of public education.
Rather, reserves are going unutilized because of a profound lack of
confidence on the part of economic
actors bred by anti-growth policies promoted by the Obama administration (particularly healthcare reform) and the threat of significantly higher taxes (
as much
as US$ 6 trillion over the next 10 years if current plans aren't altered.)
Over the past 10 years, various
actors, screenwriters, and directors have come and gone, possibly hinting at a lack of
confidence among the relevant parties in Hollywood that the film can actually succeed,
as well
as a degree of uncertainty within the ranks of series publisher Sony itself
as to what form an Uncharted film should even take.