Sentences with phrase «conflicted contemporary experience»

Samara Scott (b. 1984, London) revels in the emotional resonance of contemporary consumerism, the glut of imagery on the internet and ephemeral urban materials; addressing head - on our complex and conflicted contemporary experience of the body.

Not exact matches

Rebel Without a Cause suggests contradictions and conflicts at the heart of the familial relations that constituted contemporary society but also the very means by which society's leading cultural institution had organised and legitimised certain experiences.
- USA Today «One of our most astute diagnosticians of contemporary experience, conflict, unhappiness, and regret.»
The contemporary exhibition features expressive paintings by Brian Maguire and the large - scale colour photographs of Richard Mosse and Paul Seawright that share concerns with geopolitics and the experience of conflict.
+ Live and silent auctions with contemporary artworks and creative experiences + Immersive culinary experience produced by La Cocina and Dawn Weleski, co-founder of Conflict Kitchen + Multimedia installation by Rashaad Newsome + DJ sets by Chulita Vinyl Club + Pop - up Shop with limited editions by William Powhida and Muzae Sesay
He is interested in how stories change when told from different perspectives and these three works examine contemporary conflict through the personal experience of people on the front lines.
Blum & Poe, Los Angeles, CA Dreams and Conflicts: The Dictatorship of the Viewer, The 50th International Exhibition of Visual Arts of the Biennale di Venezia, Venice, Italy Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art, The Contemporary Arts Center, Cincinnati, OH (exh.
Founded in 1983 by a group of local photographers as a challenge to media representation of the city's experience of conflict, our work continues to reflect a socially engaged ethos, while responding to contemporary currents in photography and politics further afield.
Founded in 1983 by local photographers as a challenge to media representation of the city's experience of conflict, our exhibitions, publications and collaborative and community photography projects continue to reflect a socially engaged ethos, while responding to contemporary currents in photography and politics further afield.
None of these artists take on these contemporary issues directly or didactically, but rather make use of unconventional materials to produce a particular experience of the work's physical presence, or else to present surfaces that evoke the polyvalent potential of digital screens to display multiple, even conflicting, perceptual modes, both sequentially and simultaneously.
Such a conflict raises the question, at what point do we sacrifice our personal privacy for the sake of participating in or even simply experiencing contemporary culture?
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