Sentences with phrase «conscious of the tone»

Be at all times conscious of the tone in your voice and integrate some highs and lows in your speech.

Conscious of the tone, density, and tension of his materials and practice, the artist's focus on form seeks to reinterpret traditional gender roles in art - making and craftsmanship.

Not exact matches

I can honestly say that although I've challenged Tony's public tone or content, I have never had to once challenge how he spoke to me or how he treated me as a woman because, if anything, he was uniquely conscious of the need for him as a straight white man to sometimes defer to my skills and abilities.

The instruments feed back this information, via meters, tones, or lights, to the persons whose functions are being monitored, thus making them conscious of changes in their internal states of which they are ordinarily unaware.

Indeed one might say that liturgical worship by and large speaks not so much to the conscious attention of its participants as to those profound and almost unconsciously experienced areas of human life where men live in terms of feeling - tone, of unutterable emotion, and of profound subconscious relationships, with an almost intuitive awareness of the «more» which is deep down in the structure of reality.

We are not conscious of the individual feeling tones that constitute the subjective forms of those prehensions or of the individual elements that go into the composition of our mentality.

And today's body - conscious women worry needlessly about loss of muscle - tone.

The MMN reflects differential brain activity to the detected oddball tone, below the level of conscious awareness.

The cortex was where the sensory information — in this case, the sound of the tone — was integrated into conscious awareness, alongside other sensory data transmitted from other parts of the brain.

A lot of plus - size women (myself included) and even just women over the age of... no longer having slim, toned arms (whatever age that might be)... are self - conscious about baring their arms.

As a moody and essentially faithful adaptation of Carr's novel, the series gets off to a chilly yet satisfying start, an adequate entry to a particular genre that features dim lighting, resourceful urchins, a class - conscious tone and the sort of arftul staging of corpses that signifies brilliant derangement on the part of the killer.

These self - conscious doubts about the value of marks on paper are in considerable contrast to the self - congratulatory tone, typical of a Coen Brothers film - the sense that the audience is being permitted, at a relatively late stage, to admire a dense web of private jokes.

Whether this was a conscious decision by the director to tone down the darkness and realism in the film for the younger audience is worth mention but ultimately it cheapens the feel of the movie.

The scenes detailing Hiccup's growing relationship with his lost mother and some darker late - in - the - game moments are welcome, but besides hitting dramatic beats almost as according to a pre-set stopwatch, any growing sense of conflict or tone is habitually punctured thanks to self - conscious bids at keeping the kiddies invested.

Though only occasionally laugh - out - loud funny, a sense of irony and a decidedly quirky tone ensure that the proceedings are amusing while superb acting and conscious character development render it engaging as well.

* Instinct and self preservation -(neither of which they have conscious control over) * Immediate consequence to action * Positive rewards * Tone of voice * Some body language

In an effort to bring the game back to the masses the team at Neversoft made a conscious decision to tone down the difficulty of GH: Aerosmith, and it was a wise decision.

We were conscious that this isn't Newsnight, it's a student competition, so the tone had to be light, but with a bit of an intriguing edge.»

Organized as an A-to-Z guide, it delightfully makes neighbors of such disparate aesthetics as the socially - conscious work of Morocco - based artist Yto Barrada and the pastel - toned installations of Karla Black, and the affecting paintings of Marlene Dumas and the activist art of Jimmie Durham.

Regularly, his work questions the typical cliches used in live action art like the unmeasured use of the nude, or the excess of symbolic elements; he uses these tropes with a conscious tone, or as a self - sabotage, to critique the medium itself.

Nick Moore: Basically the black, burnt umber — and the grey is a half tone of the black — building up with thin layers of burnt umber was a conscious decision to limit my palette down from what used to be more high - key colour (you can see bits of that up here on the shelves).