Sentences with phrase «consequential artists»

We play a vital role in Atlanta's cultural landscape by presenting over 100 consequential artists from the local, national, and international art scenes through our various exhibition and project spaces each year.

Both a scholarly triumph and a fascinating read, this book provides the backstory for some of the most consequential artists to emerge from the Black Arts Movement and examines the work, projects, and initiatives they fostered.

«The most consequential artist to have emerged since the nineteen - eighties, he is being hailed as the magus of the Internet century.»

KW's press release for Site Visit touts the fact that Trecartin was heralded by Peter Schjeldahl of The New Yorker as «the most consequential artist to have emerged since the nineteen - eighties».

To watch the videos of Ryan Trecartin — «the most consequential artist to have emerged since the 1980s,» per the...

To watch the videos of Ryan Trecartin — «the most consequential artist to have emerged since the 1980s,» per the New Yorker — is to be led out of a cave of ignorance by a queer, 30 - year - old Socrates.

Now, less than a decade later, the art critic for The New Yorker has proclaimed him «the most consequential artist to have emerged since the 1980s,» while New York Times critic Roberta Smith predicts he's «bound for greatness.»

Los Angeles — based artist Ryan Trecartin (born 1981), whom The New Yorker called «the most consequential artist to have emerged since the 1980s,» is best known for his highly stylized videos, often installed in special environments designed by his longtime collaborator, Lizzie Fitch, that draw on Internet and youth cultures, with characters and images that are familiar and utterly unfamiliar at the same time.

This has established her as a consequential artist of Postmodernism.

Not exact matches

It was his friendship with Granacci that would prove more consequential, for it was this amiable youth — the sort of good - natured, unambitious man the always competitive Michelangelo preferred to surround himself with — who introduced Michelangelo to the delights of drawing and painting and to the studio where he was to take his first steps toward becoming an artist himself.

More Mergers & Acquisitions is a continuation of our popular and provocative exhibition Mergers & Acquisitions (December 12, 2008 — January 25, 2009), that brought together works by renowned modern masters and consequential contemporary artists.

But to say that an artist is fully responsible for everything that appears in the final work (which is why the artist's decision the work is finished is so consequential) is to say that its meaning is not necessarily limited to what the artist had in mind or specifically intended to do, or said or didn't say about the meaning of the work.

About the Abstract Expressionist movement and his fellow artists Motherwell said: «But really I suppose most of us felt that our passionate allegiance was not to American art or in that sense to any national art, but that there was such a thing as modern art: that it was essentially international in character, that it was the greatest painting adventure of our time, that we wished to participate in it, that we wished to plant it here, that it would blossom in its own way here as it had elsewhere, because beyond national differences there are human similarities that are more consequential...» (5)

Minouk Lim's first solo exhibition in New York introduces the South Korean artist's equally haunting and inquisitive practice with three bodies of work intertwined into a eulogy on loss and the consequential search for the missing.

In an unprecedented event, five of Miami's most internationally reviewed and regarded galleries will appear together to present solo exhibitions premiering exciting new work by consequential local artists in an additional fair program called SOLO Miami.

If nothing else, one insight that must be drawn from this controversy is that the narrative of the relationship of an artist's identity to the nature of a subject is inevitably consequential, regardless of the artist's intentions.

Especially for a black artist making work that did not directly engage with the profoundly consequential social and political movements of the late»60s, finding advocates to champion his practice was difficult.