Or
consider figuration and abstraction.
Not exact matches
With regard to the conflicting ideas of
abstraction and figuration, Butler has always
considered this conflict to be a natural
and unavoidable effect of putting paint on canvas.
Organized by the Pennsylvania Academy of the Fine Arts (PAFA), Procession
considers the complexity of Lewis's art in its entirety, examining his use of
figuration within his abstract expressionist style, his ability to integrate social issues
and abstraction,
and the surprising
and expressive palette he championed throughout his career.
Works that expressed a personal or political viewpoint through
figuration were
considered to be retrograde in comparison to the radical
abstractions created by the great American painters of the forties
and fifties.
Could we
consider this to also represent
figuration, as much as we
consider the disfigurement of a body in Blue Nude by Henri Matisse, or in Pablo Picasso's famous work Les Demoiselles d'Avignon, as examples of work that focus on the move towards
abstraction,
and the erasing of the figure?
It was the artist Francis Bacon who always
considered his work to exist in the middle ground between
figuration art
and abstraction.
Burgard also speaks about de Kooning's influence on Diebenkorn noting that «deKooning moving from
abstraction to
figuration... that gives Diebenkorn the license
and permission to
consider that option as well.
As often in her work that she
considers «Digital Tapestry,» the video slowly wanders between
abstraction and figuration.
7 When Pollock
and de Kooning returned to
figuration and more colour in these works, it was
considered a reactionary retreat from the historic adventure of
abstraction.
Considered one of the great American post-war painters, Richard Diebenkorn famously diverse career saw him switch from
abstraction to
figuration and then back again.
A constellation of paintings, sculptures,
and found objects, this show dramatically expands upon the artist's practice including a carefully
considered investigation of color
and figuration amidst his signature
abstractions.
Procession
considers the complexity of Lewis» art in its entirety: It examines the role of
figuration within Abstract Expressionism,
considers how Lewis integrated social issues with
abstraction,
and highlights the surprising
and expressive palette the artist championed throughout his career.
Featuring sculpture
and paintings (including HENRY TAYLOR's «The Darker the Berry, the Sweeter the Juice»), this group exhibition organized by Hammer Museum curator Jamillah James
considers the intersection between
figuration and abstraction.
Each
and every artwork's place in the gallery,
and the transformation of the space, has been wholly
and elegantly
considered incorporating
figuration and abstraction in equal doses.