Sentences with phrase «consider race and gender»

«My Black Ass» (2016) by Tschabalala Self reiterates the theme of cautious admiration and asks the viewer to consider race and gender simultaneously.

However, most colleges and universities consider race and gender in admissions.

Not exact matches

Background, expertise, geography, race, gender, and professional experience are all considered to ensure a variety of perspectives, which Abramowitz believes is the key to creating successful discourse.

Some aspects to consider include the researcher's seniority, gender, and race, all of which can complicate the politics of speaking out.

Also, because a person's name can reveal information about their identity that could lead to bias, such as their gender, race, and ethnicity, consider blinding yourself during the initial application screening to make your evaluations as evenhanded as possible.

These results persisted even though adjustments were made to consider age, gender, education, race / ethnicity, health orientation and household income.

In fact, when you consider that much of the comedy and self - aggrandizing amusement that afflicts The Hateful Eight directly relates to misconstrued ideas of culture, be it race or gender, this may be one of the most subversive films of Tarantino's tidy oeuvre.

Within and across each of these circles of analysis, we consider the pervasive inequalities of access, opportunity, and student outcomes; the historical and contemporary influences of race, culture, gender, class, and immigrant status; and the opportunities for addressing — and reducing — these asymmetries.

Because teachers were considering intangible factors, even when race, gender, family income, and academic achievement are the same, there was no way to isolate the effect of being held back, much less to make reasonable conclusions about the effects of retention on a student's academic achievement or the probability of his dropping out of high school.

«While conversations about privilege, and experiences of gender - race - class oppression are being recognized, spoken about, and now considered legitimate concerns in many spaces, in so many spaces, the opposite is true,» writes Dominique Dryding.

This pattern holds even when other factors such as family income, parental education, gender, geographic region, and race are considered.

With this data in mind, McIntyre says adults should be more intentional in exposing kids, especially boys, to books with female central characters, and school libraries should actively consider gender and race in selecting books.

This was the case for Leader gender, Experience, and Race / ethnicity, so we do not consider them further.

When candidates are equally qualified and it is necessary to attain or maintain balance, applicants» race and gender may also be considered.

Author Solutions, LLC is an equal opportunity employer and considers all qualified job applicants regardless of race, color, religion, creed, gender, pregnancy, sexual orientation, age, national origin or ancestry, marital status, veteran status, union status, physical or mental disability, or any other legally protected status.

Factors such as your gender, race, religion, nationality and marital status are not considered by FICO ® Scores.

FICO does not consider race, color, religion, national origin, gender and marital status, age, salary, occupation, title, employment history or residence.

João Menano, co-founder and CEO of James, a provider of AI - based online lending software to banks (until recently it was called CrowdProcess), pointed out that a lender might not consider age, gender or race in its underwriting now, but machine learning could learn that a data point that correlates with one of those factors is relevant to credit decisions.

These issues are hardly confined to race, of course — curators of exhibitions on gender, nationality, and other aspects of identity routinely encounter artists who decline to participate because they don't want to be considered in the context of «women artists,» «Jewish artists,» and so on.

Lucid Dreams and Distant Visions: South Asian Art in the Diaspora, organized by Asia Society Museum with the support of the Smithsonian Asian Pacific American Center, considers the work of nineteen contemporary artists from the South Asian diaspora who explore notions of home and issues relating to migration, gender, race, and memory across mediums and aesthetics.

Following in this tradition, «Trigger» extends the conversation around identity, considering how even a fluid conception of gender is marked by ongoing negotiations of power and can not be understood outside its complex intersections with race, class, sexuality, and disability.

Kristeva's formation of temporality is useful in considering the importance of repetition in Leigh's work, but Leigh's expanded concerns also involve the interstices of race, gender, and class.

«Trigger» extends the conversation around identity, considering how even a fluid conception of gender is nonetheless marked by ongoing negotiations of power and can not be understood outside its complex intersections with race, class, sexuality, and disability.

«We Wanted a Revolution» may consider an earlier moment, but shown today, it is framed through intersectionality: a way to understand one's lived experience as produced by the interlocking axes of gender, race, class, sexuality, ability, and so on.

The two 1960s artists whose careers and products may be considered to have formed a bridge between the visual past (the omnipresent black figure, overtures to visual modernism, and the need to acknowledge the politics of race) and a visual future for African American art (artistic singularity over racial unity, narrational / perceptual simultaneity, and the interjecting of class, gender, and sexuality into art) are Bob Thompson and ROMARE BEARDEN.

Senga Nengudi's work considers «the social and physical limits of the human body by alluding to gender and race through abstract sculptures and improvisational performances.»

You might also want to consider what your culture has taught you about power, beauty, gender, sexuality, constructing whiteness, and race when viewing this exhibition.

For Grullón, the alternative narratives that emerge from these socially engaged practices consider race, class, gender, and activism, and their interconnection in shaping the contemporary social condition.

Showcasing the works of six artists from the United Kingdom and Nigeria, Japan and Southeast Asia, «BODY / PLAY / POLITICS» considers the ways in which bodies are coded: which bodies count, and how are these bodies marked by external forces such as race, class, nation and gender?

In addition to focusing on internationally acclaimed artists from the circle of photographer and gallerist Alfred Stieglitz, including Arthur Dove, Marsden Hartley, Georgia O'Keeffe, and Charles Sheeler, Smith also considers those who contributed significantly to the art of the United States during their day but have been left outside the mainstream of art history, whether due to their race, gender, or social standing.

Nov. 10, 2015 — April 3, 2016 «EBONY G. PATTERSON: Dead Treez» @ Museum of Arts and Design New York, N.Y. Known for her highly embellished and lavishly adorned sculptures, tapestries and paintings, and recent cameos of her work on the hit TV series «Empire,» Ebony G. Patterson considers issues of visibility and representation through the lens of race, gender, class and the media.

Other artists such as Lorna Simpson and David Hammons consider the body, reflecting on identity, race, and gender.

Baker Botts considers all qualified applicants for employment without regard to race, color, gender, sex, age, religion, creed, national origin, citizenship, marital status, sexual orientation, disability, medical condition, military and veteran status, gender identity or expression, genetic information or any other basis protected by federal, state or local law.

All qualified applicants will receive consideration for employment without regard to race, color, age, religion, sex, sexual orientation, gender identity / expression, national origin, protected veteran status, or any other characteristic protected under federal, state or local law, where applicable, and those with criminal histories will be considered in a manner consistent with applicable state and local laws.

Employers in every industry are required by the U.S. government to consider people regardless of gender, age, sexual preference, race and ethnicity.

Apply today We are an equal employment opportunity employer and will consider all qualified applicants without regard to race, color, religion, sex, sexual orientation, gender identity, national origin, protected veteran status or disability.

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The Canadian AFN Women's Council Gender - Balanced Analysis 2007 suggests this sort of framework should be «overlaid with a diversity analysis that considers factors such as race, ethnicity, level of ability and sexual orientation».

And one of the ways to be considered a class is to be a distinct group that has immutable characteristics like, for example, race — that's an identifiable group — and gender — that's an identifiable groAnd one of the ways to be considered a class is to be a distinct group that has immutable characteristics like, for example, race — that's an identifiable group — and gender — that's an identifiable groand gender — that's an identifiable group.

Specific attention to issues of gender, race, ethnicity, disability and other critical historic, socio - cultural contexts and influences in the problems of addiction are appreciatively considered and viewed as essential to any effective approach to treatment.