English landscape painter JMW Turner, commonly exalted as «the painter of light», was one of the great artists of the 19th century, his work
considered by art historians something of a precursor to the impressionist movement.
Not exact matches
Unlike the work of Wassily Kandisky, Piet Mondrian and Kazimir Malevich, who were
considered by academic
art historians to have been the pioneers of Abstract, most of Klint & rsquo»; «s works were never exhibited during her lifetime.
[61]
Art Historian Anna Chave
considers the Guerrilla Girls» essentialism much more profound, leading the group to be «assailed
by... a rising generation of women wise in the ways of poststructuralist theory, for [their] putative naiveté and susceptibility to essentialism.»
Considered in terms of the social history of American
art, however, he's an important figure, because, as the
art historian David Driskell writes in the exhibition catalog, he was «among a small number of African - American painters in the nation working abstractly at the time, and he was among the few artists of color who were represented
by a mainstream gallery in New York.»
This panel featuring artists and
art historians Cecily Brown, Emmelyn Butterfield - Rosen, and Nick Mauss, moderated
by Jutta Koether will
consider different methods of examining Florine Stettheimer's work.
Featuring artists and
art historians Cecily Brown, Emmelyn Butterfield - Rosen, and Nick Mauss, and moderated
by Jutta Koether, this panel will
consider different methods of reading Florine Stettheimer's work, through the lens of social and cultural history, or as an alternative example of modernism, creating its own series of networks from within.
Robert Crumb was once
considered to be a creepy comics casualty slavered over
by nerds, but now — thanks to several high - profile exhibitions in «established» museums and the anointing of
art historian Robert Hughes (who described him as «the Bruegel of our time», yes really)-- Crumb has become one of the foremost commentators on the inherent weirdness of America.
But, as observed
by American
art historian and poet Barry Schwabsky, Altfest's work is perhaps best
considered as being «image - based», rather than representational in the sense of the Western
art tradition that developed from the Renaissance.
For this exhibition, she created Earth Paintings, a series of nature inspired abstract works, including Wind and Crepe Myrtle Concerto (1973) which
art historian Sharon Patton
considers «one of the most Minimalist Color - Field paintings ever produced
by an African - American artist.»
produced for the 1956 exhibition This is Tomorrow,
by many critics and
art historians are
considered the earliest works of pop
art.
, produced for the This Is Tomorrow exhibition of the Independent Group in London, are
considered by critics and
historians to be among the earliest works of pop
art.
Museum of Modern
Art (MOMA), New York The Museum of Modern Art (MoMA) is considered by critics and historians to have one of the finest collections of modern art in the wor
Art (MOMA), New York The Museum of Modern
Art (MoMA) is considered by critics and historians to have one of the finest collections of modern art in the wor
Art (MoMA) is
considered by critics and
historians to have one of the finest collections of modern
art in the wor
art in the world.
Jackson Pollock is
considered by many
art historians to be the quintessential American artist.
Alongside these figural works, the catalogue features original essays
by writer and
art historian Adrien Goetz — who examines Katz's work in light of pieces
by Dominique Ingres, Edouard Manet and Edgar Degas — and fashion journalist Suzy Menkes, who
considers Katz in the context of style and fashion.
One of three internationally acclaimed
art venues in the city - the others being the Samuel R Guggenheim Museum and the Metropolitan Museum of Art - MoMA is considered by curators and historians to have one of the finest collections of modern art in the wor
art venues in the city - the others being the Samuel R Guggenheim Museum and the Metropolitan Museum of
Art - MoMA is considered by curators and historians to have one of the finest collections of modern art in the wor
Art - MoMA is
considered by curators and
historians to have one of the finest collections of modern
art in the wor
art in the world.
Art historians have tried to explain this unique body of work by considering the different trends and styles in the context of post-war art, but Knifer's expression resists any classificati
Art historians have tried to explain this unique body of work
by considering the different trends and styles in the context of post-war
art, but Knifer's expression resists any classificati
art, but Knifer's expression resists any classification.
Accompanying Self's insightful and engaging text is an in - depth interview between Hirst and Hans Ulrich Obrist, Co-Director of London's Serpentine Gallery, and also an essay
by art historian andcurator Rudi Fuchs that
considers and explores the significance of «For the Love of God» in relation to Hirst's oeuvre: «After all, Damien Hirst's
art is concerned with love and fear, with death, malady, physical decay, medical practice and pharmaceutical illusion... The inevitable proximity of death is the most real thing in human life.
Though Frankenthaler had not been previously been
considered by some (male)
art historians in that very top rank of 20th century artists, maybe it has as much to do with the way we look at women artists and automatically discount their work.
Andrew Lloyd Webber, who owns several works
by Spencer and
considers both Stanley Spencer and Francis Bacon as two of the greatest British painters of the twentieth century as well as British sculptor Anthony Gormley, broadcaster Jon Snow and
art historian James Fox, who recently became President of the Friends of Stanley Spencer Gallery.