Most evangelical preachers should probably shorten their sermons,
considering changes in the culture.
Not exact matches
Employee's opinions should be
considered when making major
culture changes, whether they come from performance reviews or surveys or conversation (or overheard chatter
in the break room).
In a culture in which change is a constant, churches must consider how they can transform themselves to meet their mission
In a
culture in which change is a constant, churches must consider how they can transform themselves to meet their mission
in which
change is a constant, churches must
consider how they can transform themselves to meet their missions.
In the second of a series of articles, which
consider the challenges of
change,
culture and new technology, Gerard Kelly clicks on what he describes as... More
But before we can appreciate their relevance to the educational process
in our
culture, we need to
consider the third major social
change, that is, what Neil Postman has called «the information environment» (TCA 29).
What is
considered inedible varies among users (e.g., chicken feet are consumed
in some food supply chains but not others),
changes over time, and is influenced by a range of variables including
culture, socio - economic factors, availability, price, technological advances, international trade, and geography.
A day after deadly violence struck the J'ouvert parade
in Brooklyn for the third straight year, Mayor Bill de Blasio said on Tuesday that the annual celebration of Caribbean
culture would continue but that the city would
consider changing the hours of the overnight event, which precedes the much bigger West Indian American Day Parade.
Sen. Joe Griffo, R - Rome, called for a
change in culture at the Capitol when asked if so - called omnibus legislative packages — a common method of operation when lawmakers are under the gun — make it difficult to
consider individual provisions.
As Hansen observes, though, equally necessary is a
change in institutional
culture to ensure that committees more directly
consider benefit - harm issues.
United Arts will also
consider innovative concepts / projects that contribute to a
change in instructional practice, leadership
in the arts or an increased emphasis on the arts
in the school
culture.
First,
consider whether a
culture change is needed
in your practice.
In 2012, with the support of an Artistic Innovation and Collaboration grant from the Robert Rauschenberg Foundation, the second Marfa Dialogues program
considered the science and
culture of climate
change, with Michael Pollan, Rebecca Solnit and Dr. Diana Liverman leading discussions concurrently with Carbon 13, a visual arts exhibition curated by David Buckland of Cape Farewell and presented at Ballroom Marfa.
In 2012, with the support of an AIC grant from the Robert Rauschenberg Foundation, the second Marfa Dialogues program
considered the science and
culture of climate
change, with Michael Pollan, Rebecca Solnit and Dr. Diana Liverman leading discussions concurrently with Carbon 13, a visual arts exhibition curated by David Buckland of Cape Farewell and presented at Ballroom Marfa.
This October, the Walker Art Museum will investigate the politically engaged viewpoint that lies at the bottom of much of Gillick's work
in «9 Artists,» a show
considering «the
changing role of the artist
in contemporary
culture.»
This international, multigenerational group exhibition
considers the
changing role of the artist
in contemporary
culture.
In 2013 he curated 9 Artists, a multigenerational group exhibition and accompanying catalogue that considered the changing role of the artist in contemporary culture, and travelled to the MIT List Visual Arts Cente
In 2013 he curated 9 Artists, a multigenerational group exhibition and accompanying catalogue that
considered the
changing role of the artist
in contemporary culture, and travelled to the MIT List Visual Arts Cente
in contemporary
culture, and travelled to the MIT List Visual Arts Center.
Walker Art Center presents 9 Artists an international, multigenerational group exhibition that
considers the
changing role of the artist
in contemporary
culture.
At that time, I became particularly interested
in artists like Nam June Paik, the Video Freex, and the magazine Radical Software — all artists and projects of the 1960s / early 70s that were embracing video and television as new media —
considering how their potential for mass communication could
change the shape and operation of art and
culture.
The reasons for that are many: the timid language of scientific probabilities, which the climatologist James Hansen once called «scientific reticence»
in a paper chastising scientists for editing their own observations so conscientiously that they failed to communicate how dire the threat really was; the fact that the country is dominated by a group of technocrats who believe any problem can be solved and an opposing
culture that doesn't even see warming as a problem worth addressing; the way that climate denialism has made scientists even more cautious
in offering speculative warnings; the simple speed of
change and, also, its slowness, such that we are only seeing effects now of warming from decades past; our uncertainty about uncertainty, which the climate writer Naomi Oreskes
in particular has suggested stops us from preparing as though anything worse than a median outcome were even possible; the way we assume climate
change will hit hardest elsewhere, not everywhere; the smallness (two degrees) and largeness (1.8 trillion tons) and abstractness (400 parts per million) of the numbers; the discomfort of
considering a problem that is very difficult, if not impossible, to solve; the altogether incomprehensible scale of that problem, which amounts to the prospect of our own annihilation; simple fear.
Has the time come to
consider whether the profound
changes in our economy, technology, and
culture over these last couple of decades have opened up a breach
in the very experience of intimate connection
in middle - class families around the world?