The archival work that comes after (
consistent film processing, labeling, organization, preservation) was driven by the feeling that many people around me were reaching the end of an extended adolescence at the same time that there seemed to be less and less worth celebrating.
The proprietor of Technicolor, Herbert Kalmus, demanded that
films shot using the
process hire a «consultant,» usually his wife, Natalie, whose enthusiastic meddling and
consistent lack of taste earned her the nickname the Nuisance from directors like Michael Powell.