Sentences with phrase «consists of a large sculpture»

Protein 13 (2012) consists of a large sculpture of a protein juxtaposed with a poem descending down the wall.

Nevertheless consists of a large sculpture representing a theatre set in a roped - off section of the gallery, a small sculpture of a bookshelf and book, -LSB-...]

Not exact matches

The Palace is not a single building but a compund consisting of six large pools of varying depths, an 11 - tiered fountain and giant stone sculptures of wild boar, monkeys and cats.

The show, organized by the ICA's senior curator, Jenelle Porter, consists of installations of painted plaster sculptures, as well as cast porcelain and cast paper vessels, an array of large - scale works on paper, and some mouth - blown crystal vessels.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

The Honey Badgers — a musical group consisting of artists Jack Hanley, Phil Grauer, Tyson Reeder, and Michael Mahalchick — will activate Sarah Braman's large - scale sculpture with a musical performance.

Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.

His installation at Chinati consists of 24 identical small pagodas made of optical glass inlaid with distinct seascape photographs (instead of the Buddha's ashes one would find in a traditional reliquary), and one large aluminum sculpture based on a mathematical function that approaches an infinite vanishing point.

«Elements of Peace» consists of 47 recent paintings, works on paper, sculpture, mobiles and maquettes of large multi-dimensional constructions, and features works that range from vivid explosions of color by which the artist is recognized, to newer subtle white meditative paintings.

Consisting of over 40 works, with important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces.

Wilke's large hanging wall sculpture Ponde - r - rosa 3: Double Sun (triangle), Blue Champagne (square), Broken Blossoms (circle) is a major fifteen - part work consisting of circular latex pieces in soft yellows, pinks and greens.

Another one of my favorites were the FoldHaus Art Collective's Shrumen Lumen, which consisted of large mushroom - shaped sculptures with lights that changed colors after every few minutes.

Some of the highlights are Rauschenberg's Oracle (1962 - 65), a multi-part sculpture made from scrap - metal parts that he created in collaboration with the engineer Billy Klüver; and the piece Mud Muse (1968 - 71), an installation that consists of a large metal tank that contains bentonite clay mixed with water, which bubbles and spurts as air is released in response to the sound levels created by the mud bubbling.

The show consists out of new works including installations, video projections, large sculptures and photographic murals.

His exhibition at May will consist of a floor to ceiling wall mural, colorful large scale hanging sculptures, paintings on canvas, prints, and signed limited edition zines.

«Easyfun - Ethereal,» will consist of seven large - scale paintings by Jeff Koons, which were first presented together at the Deutsche Guggenheim Berlin in 2000; and Woman Reclining (2010 — 14), a granite sculpture from the Antiquity series.

He creates a large ensemble entitled Approach in Love and Fear, consisting of several sculptures and texts.

The work consists of drawings, bronze sculptures, large scale embroideries, gouache paintings and neon works, mainly depicting the female nude form, in various compositions floating in front of an empty background.

Though their output primarily consists of paintings, the pair also collaborates to create sculpture and large - scale installations with a conceptual bent.

The exhibition, entitled Herb Alpert: A Visual Melody consists of abstract mixed - media paintings and large and small scale bronze sculptures.

This is his largest Museum exhibition to date and will consist of a 70 - foot long corridor populated by 16 individual rebar and shipping pallet sculptures ranging in height from 10 to 16 feet, as well as two massive sculptural works made of accumulated reused wooden shipping pallets that will reconfigure the interior space of the gallery.

This exhibition will consist of two video installations, four new sculptures, and a new large - scale drawing, the majority of which have never before been exhibited.

While both the Djerassi Resident Artist Program and the solo exhibition at MOCA Taipei will focus on her recent video production, her public project for the annual Chinese Lantern Festival will consist in an «environmental sculpture» featuring a curtain of bamboo sticks suspended on a large metal structure in the form of a spiral.

Consisting of approximately 40 works, this chronological survey will include large, mid-scale and small sculptures shown alongside a series of important drawings.

The series consists of both small and large scale paintings, installation works and small sculptures.

The exhibition Herb Alpert: A Visual Melody consists of abstract mixed - media paintings and large and small scale bronze sculptures.

The exhibition consists of large - scale works first seen in Europe in 2007, along with recent sculptures, including works created in response to Cattelan's site visits to the Menil that riff on the museum's renowned Surrealist holdings.

Borrowing its title from a Hawaiian word used to describe a miracle worker (or most likely the name of the company in John Swanbeck's 1999 film adaptation of Roger Rueff's Hospitality Suite), the sculpture consists in a large American flag squashed by a cement block.

Although an extensive amount of videos and films — including a large - scale installation by Stan VanDerBeek, Movie Mural (1968), and a newly commissioned «sculptural theater» by Ryan Trecartin — are featured in the Arsenale, in the Giardini the installation consists predominantly of paintings and sculptures.

Represented South Africa at the Venice Biennale 1959 Solo exhibition of woodcuts at Wittenborn Gallery, New York Represented SA Touring exhibition, South and North America Painting and Sculpture, National Arts Club, New York Represented South Africa at Sao Paulo Biennale Represented on The National Arts Club International Exhibition of painting and sculpture, New York 1960 Represented South Africa at Ljubljana, Yugoslavia International graphic exhibition Exhibition of incised woodblock paintings at the Egon Guenther Gallery, Johannesburg 1961 Large mural, the Apocalypse, in Our Lady of the Rosary Roman Catholic Church Motsethabong, Welkom, Orange Free State Represented South Africa at Sao Paulo Biennale Made Stations of the Cross for Our Lady of Lourdes Roman Catholic Church, Rivonia, Sandton 1962 Guest Artist of the year at the Transvaal Academy Exhibition of Rock Faces, Egon Guenther Gallery, Johannesburg Designed tapestry St. Anne, woven by Marguerite Stephens, and carved the Stations of the Cross for St. Anne's Anglican Church, Piggs Peak, Swaziland 1963 Appointed President of South African Council of Artists in succession to Walter Battiss Principal witness against State at the Harold Ruben blasphemy trial Represented South Africa at International Conference of Plastic Arts at UNESCO, New York Became founder member of the Amadlozi Group consisting of Eduardo Villa, Sydney Kumalo, Cecily Sash and Guiseppo Sculpture, National Arts Club, New York Represented South Africa at Sao Paulo Biennale Represented on The National Arts Club International Exhibition of painting and sculpture, New York 1960 Represented South Africa at Ljubljana, Yugoslavia International graphic exhibition Exhibition of incised woodblock paintings at the Egon Guenther Gallery, Johannesburg 1961 Large mural, the Apocalypse, in Our Lady of the Rosary Roman Catholic Church Motsethabong, Welkom, Orange Free State Represented South Africa at Sao Paulo Biennale Made Stations of the Cross for Our Lady of Lourdes Roman Catholic Church, Rivonia, Sandton 1962 Guest Artist of the year at the Transvaal Academy Exhibition of Rock Faces, Egon Guenther Gallery, Johannesburg Designed tapestry St. Anne, woven by Marguerite Stephens, and carved the Stations of the Cross for St. Anne's Anglican Church, Piggs Peak, Swaziland 1963 Appointed President of South African Council of Artists in succession to Walter Battiss Principal witness against State at the Harold Ruben blasphemy trial Represented South Africa at International Conference of Plastic Arts at UNESCO, New York Became founder member of the Amadlozi Group consisting of Eduardo Villa, Sydney Kumalo, Cecily Sash and Guiseppo sculpture, New York 1960 Represented South Africa at Ljubljana, Yugoslavia International graphic exhibition Exhibition of incised woodblock paintings at the Egon Guenther Gallery, Johannesburg 1961 Large mural, the Apocalypse, in Our Lady of the Rosary Roman Catholic Church Motsethabong, Welkom, Orange Free State Represented South Africa at Sao Paulo Biennale Made Stations of the Cross for Our Lady of Lourdes Roman Catholic Church, Rivonia, Sandton 1962 Guest Artist of the year at the Transvaal Academy Exhibition of Rock Faces, Egon Guenther Gallery, Johannesburg Designed tapestry St. Anne, woven by Marguerite Stephens, and carved the Stations of the Cross for St. Anne's Anglican Church, Piggs Peak, Swaziland 1963 Appointed President of South African Council of Artists in succession to Walter Battiss Principal witness against State at the Harold Ruben blasphemy trial Represented South Africa at International Conference of Plastic Arts at UNESCO, New York Became founder member of the Amadlozi Group consisting of Eduardo Villa, Sydney Kumalo, Cecily Sash and Guiseppo Cattaneo.

Archival and journalistic images are central to Erlea Manners Zabala's practice, which consists of large - scale photographs and sculptures.

The exhibition will consist of two distinct series» of new works; eight large metal - coiled sculptures, falling suspended from the ceiling, presented both vertically and horizontally; and eight large wall - based works consisting of large reproductions of backseat storage pockets found on trains and planes, made of diverse materials such as metal, rope, elastic cord and woven fabric.

Vancouver artist Ken Lum, renowned for his sculpture of a large sign that says «East Van» in the shape of a cross, has created a new exhibit consisting of a small replica of a Vancouver Special, a common home design.

Rotterdam - based Atelier Van Lieshout is creating a thematic exhibition in the space consisting of a large number of sculptures.

In October, Aitken will premiere «Doug Aitken: Underwater Pavilions,» a large - scale installation consisting of three underwater sculptures that will float off the coast of Santa Catalina Island, suspended about 5, 10 and 50 feet below the surface.

This exhibition, consisting of seven sculptures, is among the largest of his career and will be accompanied by a catalogue raisonné reproducing all 46 works completed by the artist since 1982 as well as texts by the artist and an essay by Boris Groys.

Scribing the Void, NYC - based artist Kurt Steger ongoing solo exhibition at ODETTA, consists of a singular piece; a large, wooden sculpture created from the tracings of a Central Park boulder.

The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.

He employs his painterly arsenal: mounds of dense oil pigment, torn and reassembled bits of burlap, to create a large scale head derived from a Matisse painting or a sculpture consisting of an assemblage of pieces of alabaster or rare and exotic wood evoking three dimensional marquetry to create the imposing «Menina» or the «Dama a Caballo» derived from the paintings of Diego Velázquez.

Rendine's large site - specific sculpture consists primarily of paper plates painted in various flesh - tones.

Jason Loebs's solo exhibition, «Ned Ludd said sorry,» consists of five digital C - prints (01 though 05) and a sculpture, Folded Obstruction (Lengths organized from small to large)(all works 2009).