In his painting practice, Hubbard portrays human figures not as still bodies but as shapes in
constant movement described formally with shadows, blurring, or overlapped images, and, as such, bodies appear ungraspable and unstable.
Not exact matches
Westman
describes her practice as follows: «In order to be in a
constant movement between reality and fiction, I work with three - dimensional and flat surfaces, with sculpture in my mind and my hands in the colour.»
The book
describes the birth of the postwar neo-avant-garde
movements in a dense and
constant dialogue between European and American artists.