Sentences with phrase «constructed canvas works»

Not exact matches

Although his work was initially two - dimensional, mostly paintings in oil and acrylic, he began incorporating sculpture, first separately and then as elaborately constructed frames over which he would stretch canvas.

She constructs her works with layers of felt, threads, embroidery and stitching combined with photographs on canvas.

Starting with photographs, and constructing a scenario as carefully plotted as a Hitchcock storyboard, these six - foot - wide canvases are elegantly painted — just the play of sunlight and shadow alone reward the admirer of fine brush work — and archly suggestive.

The title of this exhibition, From time to time, comes from Du Pasquier's shift from representing constructed compositions to constructing compositions directly on the canvas, and from representational work to abstract work.

Both works are constructed with rhythmic, overlapping shaped canvas planes, strings and struts, using an abstracted lexicon of forms derived from crosses, diamonds, zigzags and arcs.

Combining oil paint, canvas, and paper with non-traditional materials such as latex rubber, linoleum, straw, leaves, and hair, along with weathered objects salvaged from abandoned farms, she constructs works that occupy a space between painting and sculpture while hinting at transgressions and violence within the domestic setting.

Linking the artist's childhood home to the history of the Great Migration, the deftly constructed canvas accumulations of McArthur Binion are included in group presentation by Kavi Gupta (C15), which examines how this kind of expansive, socially engaged content manifests within the seemingly minimalist work of Clare Rojas, Beverly Fishman, Manish Nai, and Patrick Chamberlain.

He painstakingly constructed his pictures from countless little blurry squares and dabs of paint, producing an enhanced tension between the concrete substance of the paint on the canvas and the spacious and luminous illusion of reality the work projected.

Inspired by the elaborately constructed Polish synagogues that were largely destroyed during World War II, the works in this series are made of wood, not canvas; their intermittent stripes are indented or popped forward, a device that Mr. Stella has applied liberally in his architectural designs, none of which have been built.

But it is the push - pull of contradiction, of interior versus exterior, chaos versus form, of the appearance of dynamic movement apprehended by Grossman on these constructed canvases that is at the heart of this body of work.

The work is constructed within a system and through this system of criteria and boundaries a freedom emerges enabling the illusion of openness and space within the surface of the canvas.

Ericsson constructs his work using traditional art materials such as canvas, bronze, photography, and clay as well as video, found objects, and artifacts taken from his family archives.

In close proximity to his canvas works, Amm's wall and sculptural pieces project his deftly constructed compositions from the surface of the canvas into the multi dimensional space of architecture.

Known for his two - colour, tonal canvases of precise, carefully considered hues, Joseph's work historically exists within self - imposed, specific structures and parameters - the effect being one of unlimited freedom confined within the «safety» of a framed construct.

The exhibition will comprise works from White's «3 - stripes,» «Multiple - canvas,» and «PVC» series, highlighting her ability to distill text - based symbology into both complex palimpsests and hybrid constructs.

Conceiving this group of works as constructed objects, the two artists pasted paper and other, often industrial, materials onto painted canvases.

Using a mixture of constructed wooden forms, stretched canvases and found objects such as soda cans, tambourines light bulbs, washcloths and bath towels - Lee's works subvert ways of portraying human physical interaction.

The current exhibition of paintings, watercolors, and prints by Sylvia Plimack Mangold at Alexander and Bonin (March 16 — April 28, 2012) got me thinking once again about the different kinds of spaces she has constructed in her work, beginning with the tilting planes in her early paintings, such as «Floor 1» (1967), «Floor with Light at Noon» (1972), and «Two Exact Rules on a Dark and Light Floor» (1975), all done in acrylic on canvas.

Philadelphian Finklea's third solo show here comprises monochromatic paintings on canvas, works on paper, and pieces constructed from leftover wood.

Stepping far away from classic canvas shapes, these pieces are constructed by interlocking various forms, with unorthodox paintjob and stacked segments under the canvas adding textural aspect to the completed works.

Many of his works appear as ready - made objects, however, they are constructed mostly from canvas.

Where the hand and mind of the artist are evident, where experience meets a long career of observation, experimentation and adaptation, where the medium becomes the artist's playground, here on canvas and paper Wolf Kahn constructs works of art that are authentic and significant.

The precise width and configuration of the internal lines was the only pre-determined element, their dimensions being the width of the commercial masking tape Stella used to mark up the canvas together with the width of the brush he used to construct the rich pattern of parallel lines that characterize his work.

Utilizing a number of different supports including canvas or linen, fiberboard and marble dust panel, Olson plays with the notion of surface and framing as constructs in his work, at times, employing handmade frames and thick borders of unpainted surface around a central painted field that act as both a physical edge to the painting and call attention to its nature as both an image and an object.

KSC may refuse works that arrive damaged, are poorly constructed or poorly presented (dirty mats, warped canvases, etc.).

Her recent works replace previous three - dimensional constructed canvases, which she evidently has taken about as far as she could, with simpler, airy construction in low relief; ad - hoc jigsaw puzzles freewheeling shapes that lean, nuzzle and jostle each other to make unlikely harmonies of pungent, ravishing color and abstract pattern.

These theoretical references were also the lodestars of a dominant anti-essentialist discourse on how the female and the feminine were socially constructed and you couldn't address Murray's work without dealing with how engaged she was with the basic components of painting — figure and ground, oil on canvas and support, and this was in the dangerous territory of the essentialism of painting itself.

The artist's method usually involves an industrial spray gun, with which a dizzying array of rich colors is applied to these constructed forms, canvas, and occasionally the walls and windows of the gallery in which the work is exhibited.

She often cited natural elements as inspiration, and her signature style reflects the influences of Henri Matisse, Josef Albers, and Wassily Kandinsky — featuring loosely painted yet meticulously constructed canvases, filled with lattice works of bright color creating patterns from negative space.