New York - based artist Sarah Braman makes quirky sculptures by marrying found objects,
constructed elements of colored glass and Plexi and oddly shaped pieces of plywood bearing brightly colored acrylics and spray paints.
Opening: «Sarah Braman: You Are Everything» at Mitchell - Innes & Nash New York - based artist Sarah Braman makes quirky sculptures by marrying found objects,
constructed elements of colored glass and Plexi and oddly shaped pieces of plywood bearing brightly colored acrylics and spray paints.
Not exact matches
Considering
color,
construct, typography, and imagery: Do the website design
elements you've chosen accurately reflect the nature, mood, and themes
of the books you write?
Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous works — his drip paintings — read as vast fields
of built - up linear
elements often reading as vast complexes
of similar valued paint skeins that read as all over fields
of color and drawing, and are related to the mural - sized late Monets that are
constructed of many passages
of close valued brushed and scumbled marks that also read as close valued fields
of color and drawing that Monet used in building his picture surfaces.
She often cited natural
elements as inspiration, and her signature style reflects the influences
of Henri Matisse, Josef Albers, and Wassily Kandinsky — featuring loosely painted yet meticulously
constructed canvases, filled with latticework
of bright
color creating patterns from negative space.
In interacting with the work over a significant period
of time, we felt that that the most compelling way to structure the exhibition was to expose the common threads that run throughout this material: formal
constructs such as grids / fields, verticality, pictorial imagery, and repetitive sequences; content such as
color as subject,
element as subject, interest in early American history (particularly that
of Massachusetts), discourse about other artists and art; and relationships to the history
of poetry.
Jason Peters» geometric sculpture,
constructed from common industrial materials, playfully explores reflection and illusion, as well as the formal
elements of line and
color.
David Richard Gallery, 1570 - E2 Pacheco St., 505-983-9555 In Dynamic Fields, the gallery's fourth solo exhibition
of the work
of Julian Stanczak (1928 - 2017), the focus is on the sense
of energy and motion the artist has achieved by various means, including the juxtaposition
of linear
elements, diagonal
constructs, and gradients
of color.
The pieces are
constructed with only horizontal and vertical
elements, yet create diagonals
of color that lend a dynamic movement and an ambient environment akin to James Turrell's light constructions.
At this intersection the ephemeral, un-located space
of digital video is attached, by means
of projection, to the fixed object
of a painting, illuminating it with a new
color space, code - derived content, and the
element of time to
construct a hybrid pictorial space.
Intuitively and meticulously
constructed, these sculptural arrangements display a Bauhaus - inspired attention to balancing the
elements of line, form, and
color.
Artist's Statement «I am using a combination
of elements; formed / fabricated assemblies which contain kinetic and interactive components, found objects - curiosities and collectibles
of various shapes,
colors, origins and materials - which are designed and
constructed to invite participation, display a sense
of humor, and play with the notions
of scale and time.»
She often cited natural
elements as inspiration, and her signature style reflects the influences
of Henri Matisse, Josef Albers, and Wassily Kandinsky — featuring loosely painted yet meticulously
constructed canvases, filled with lattice works
of bright
color creating patterns from negative space.