Organized by LACMA, the exhibition will bring together more than 100 works and reveal a sculptor whose identification with the working class motivated him to adopt the geometric forms of
the constructivist avant - garde (modernist artists who used hard - edged geometries to express utopian optimism) from the very first years of his career in the 1930s until his untimely death in 1965.
It reveals Smith (1906 — 65) as a sculptor whose identification with the working class motivated him to adopt the geometric forms of
the constructivist avant - garde from the very first years of his career in the 1930s until his untimely death.
Katarzyna Kobro (1898 — 1951), a sculptor, painter and art theoretician is considered as one of the most outstanding representatives of Polish and international
constructivist avant - garde.
Art critic, head of the Modern Art Department at Museum Sztuki in Łódź, Daniel Muzyczuk, will tell how the «thaw» opened the way for some of the countries of the Eastern Bloc to rediscover the already forgotten art of
the constructivist avant - gardes.
Not exact matches
«This kit allows you to playfully shape your own
avant - garde community with geometrical forms inspired by some of the most seminal examples of Russian
constructivist architecture erected between early 1920s and mid-1930s, such as Melnikov House, Kirov Town Hall or Nikolaev «s House.»
The exhibition combines a chronological display with a thematic approach, structured in a series of major chapters in the artist's career, with emphasis on two key moments: the period from 1923 to 1933, when Torres - García participated in various European early modern
avant - garde movements while establishing his own signature pictographic /
Constructivist style; and 1935 to 1943, when, having returned to Uruguay, he produced one of the most striking repertoires of synthetic abstraction.
As well as following the rise of
Constructivist art from its revolutionary beginnings amongst the
avant - garde in Russia and Europe, the exhibition sheds new light on the evolution of geometric abstraction from continents across the globe including Asia, the US and Latin America.
As expected, his artistic influences are based on
avant - garde Russian and
constructivist painters, Malevitch's Suprematism and color expression by the New York school of expressive abstraction.
Though her paintings may at first glance evoke the
Constructivist or Cubist tendencies of the
avant - garde of yesteryear, the newly minted art star Avery Singer's paintings are in fact eminently contemporary, utilizing Photoshop and Google SketchUp to render figures in the current idiom of blocky avatars and clear gradients.
Leading person of the Russian
avant - garde, Vladimir Tatlin was a Soviet artist and founder of the widely influential
Constructivist movement.
In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly - regarded
avant - garde
constructivist sculptors.
Here, around one hundred works of art invite the visitor to find out more about the special focus areas of the Daimler Art Collection: the
constructivist and concrete tendencies evident in the pictures of Josef Albers, Anton Stankowski and Camille Graeser, the interaction of line, surface and space in works by Georges Vantongerloo, Norbert Kricke and Ben Willikens, pictures and decorative objects of the zero
avant - garde of around 1960, classics of the Minimal Art movement by Charlotte Posenenske or Franz Erhard Walter from around 1970, and recent photographic and video works by artists from India, South Africa and the US.
The show will also include 30 major pieces from the Russian
avant - garde suprematist and
constructivist movements, loaned by the Tretyakov State Gallery in Moscow and the Russian Museum in St Petersburg.
The immediate reference of this muscular way of working (which is Bosslet's usual mode) is to Russian
Constructivist sculpture, and the beliefs of those
avant - garde pioneers in a working man's art that would, in turn, inspire the building of a new world of revolutionary working people.
Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 — May 25, 1924) was a Russian
avant - garde artist (Cubist, Suprematist and
Constructivist), painter and designer.
Two key moments are emphasized: the period from 1923 to 1933, when Torres - García participated in various European early - modern
avant - garde movements while establishing his own signature pictographic -
constructivist style; and 1935 to 1943, when, having returned to Uruguay, he produced one of the most striking repertoires of synthetic abstraction.
The Russian
Avant - Garde selection will comprise experimental photographic works from the acknowledged
Constructivist artist Alexander Rodchenko.