Sentences with phrase «constructivist exhibition»

Andrew Graham - Dixon visits a Constructivist exhibition at Tate Modern.

The gallery notes that his «Pure Red Color, Pure Yellow Color, Pure Blue Color,» a three - panel monochrome work created in 1921, was exhibited in a Constructivist exhibition in Moscow.

Not exact matches

This present exhibition has been curated in parallel with a major exhibition at Pallant House Gallery of the works of Victor Pasmore, a leading figurehead of the nascent constructivist movement in post-war Britain.

For the FIRST TIME in HISTORY, a major exhibition of BRITISH CONSTRUCTIVISTS has opened in São Paulo.

The first Garage publication was the catalogue for Ilya and Emilia Kabakov's 2008 exhibition marking the Museum's opening in Konstantin Melnikov's Constructivist former bus garage.

The exhibition combines a chronological display with a thematic approach, structured in a series of major chapters in the artist's career, with emphasis on two key moments: the period from 1923 to 1933, when Torres - García participated in various European early modern avant - garde movements while establishing his own signature pictographic / Constructivist style; and 1935 to 1943, when, having returned to Uruguay, he produced one of the most striking repertoires of synthetic abstraction.

As well as following the rise of Constructivist art from its revolutionary beginnings amongst the avant - garde in Russia and Europe, the exhibition sheds new light on the evolution of geometric abstraction from continents across the globe including Asia, the US and Latin America.

EWA: There seems to be an emphasis on modern and constructivist art — the focus of your collection — in these exhibitions.

Austin Desmond Fine Art is pleased to present an exhibition of works by 24 artists whose practice lies within the spheres of concrete, minimalist and constructivist art.

He has participated in exhibitions of abstract and constructivist art in the UK, Paris, Germany, Holland, Poland, Switzerland and the USA.

The seven drawings created for his exhibition at the Hammer Museum clearly demonstrate the artist's fluency in various dialects of the common abstract language, resonating with Constructivist and Minimalist tones and with a few refrains in less analytical abstract traditions.

He has participated in exhibitions of abstract and constructivist art including in the travelling exhibition Experiment in Constructie at the Stedelijk Museum in Amsterdam, 1962.

Each section [in the exhibition] features reconstructions of display objects or spaces: Constructivist theater props; Aleksandr Rodchenko's thirty - foot - long Workers Club; and a fourteen - foot - tall multi-media news kiosk designed by Gustav Klutsis, but was never actually built.

At first, this doesn't seem to be the typical exhibition for a museum that is dedicated to concrete, constructivist, and conceptual art.

In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly - regarded avant - garde constructivist sculptors.

Without a rigid thesis dictating the meaning of the works themselves or the relationships between them, the exhibition points to the potential of abstraction to evoke ideas and emotion — and make manifest the digestion of reality — with a nod to abstraction's historical associations with social, political, and spiritual transformations, reminding us that the Constructivist, Bauhaus, and Neo-Concrete movements, for example, were deeply imbued with political and social aspiration.

I also remember my mind being blown by a Russian Constructivist book exhibition there.

Exhibition explores collapse of the modern universalist project through formal investigations of Constructivist pedagogical experiments, combined with my personal mythologies.

Solo exhibition The first pictures with which Karl - Heinz Adler rediscovered himself as a concrete constructivist artist in the late 1950s were...

The final installment of this series will turn to the international artists from Europe and Latin America who constituted a major component of that exhibition, bringing Constructivist tradition, a «concrete» aesthetic, and an experimental and often collaborative ethos to the discourse of perceptual art.

In the 1969 exhibition A Plastic Presence organized by the Jewish Museum in New York and the Milwaukee Art Center (now the Milwaukee Art Museum), Lamis was featured within a wider range of sculptors working with plastic in Minimal, Op, and Constructivist styles.

Textiles and sculptures included in the exhibition are by Pio Abad, artist collective Slavs and Tatars, Jeremy Deller & Ed Hall, a work by Russian Constructivist, Liubov Popova from 1924, Leah Dixon and Timur Novikov among others.

It's fitting that the Honigger's rug exhibition is being shown in Switzerland, not just because Honegger is Swiss, but because another Swiss artist, former Bauhaus student Max Bill (1908 > 1994), who took up the concrete art (aka concrete - constructivist art) baton, organised the first international exhibition of work by the movement in Basle, in 1944.

Organized by LACMA, the exhibition will bring together more than 100 works and reveal a sculptor whose identification with the working class motivated him to adopt the geometric forms of the constructivist avant - garde (modernist artists who used hard - edged geometries to express utopian optimism) from the very first years of his career in the 1930s until his untimely death in 1965.

This resulted in the seminal 1930 exhibition of Constructivist artists, including Torres - García, at the legendary Galerie 23 in Paris.