It was performed during the festival of Dionysus, which was a fertility festival, of course, but only because it was also an apotropaic celebration of delirium and death: the Dionysia was a sacred negotiation with the wild, antinomian cruelty of the god whose
violent orgiastic cult had once, so it was believed, gravely imperiled the city; and the hope that prompted the feast was that, if this devastating force could be
contained within bright Apollonian forms and propitiated through a ritual carnival of controlled
disorder, the polis could survive for another year, its precarious peace intact.