This is the outcome of an almost purely improvisational approach which recalls the free - flowing but
contained cut paper works of Matisse and the anthropomorphic gentle presences of the inhabitants of worlds by Miro and Jean Arp, without the reliance on strong and
brilliant color.
Plexiglas shifts from invisibility to
brilliant - opaque when catching light from a certain angle, white threads are
colored in strategic lengths to «disappear;» metal rods and chains have a dull but unique luster; and two - dimensional printed images of water
contain the depth of an ocean, all at the hands of Oh.