Sentences with phrase «contemporary african american»

2006 Black Alphabet (Contexts In Contemporary African American Art), Zacheta National Gallery Of Art, Warsaw, Poland Peekskil Project, Hudson Valley Center For Contemporary Art, Peekskill, NY E7, Aljira Center for Art, Newark, NJ Harlem Art Project, Saatchi and Saatchi, New York, Curators Choice, Scope Art Fair, curated by Franklin Sirmans, NY Performance Art Fair, curated by Dean Dedirko First Open, Christies, New York, NY When Artists Say We, Artist Space, New York, NY This Strangest Of Theatres, Roebling Hall, New York, NY Artificial Afrika, Gigantic Art Space, New York, NY From The Living Room, curated by Franklin Sirmans, Art Basel, Miami

The issue also profiles collector Rodney M. Miller, whose Upper East Side townhouse is filled with modern and contemporary African American and African diasporic art.

She curated «The Expanded Caribbean: Contemporary Photography at the Crossroads» (2017) at Drexel University's Leonard Pearlstein Gallery; «We Speak: Black Art in Philadelphia, 1920s - 1970s» (2015 - 16) at Woodmere Art Museum; «Charles Searles: In Motion» (2013) at the Stella Elkins Tyler Gallery; and «Who We Art: Selections from the Contemporary African American Collection of Lewis Tanner Moore» (2009) at the TylerAtrium Gallery, and edited the accompanying catalogs for each of these exhibitions.

The home is a clever contrast with English, Chinese and French antiques as well as contemporary African American art.

«New Paradigms» features a conversation among Kehinde Wiley, Dawoud Bey, and Theaster Gates, three leading contemporary African American artists whose works have been included in major exhibitions at mainstream institutions.

Good and Bad Hair is a photographic exploration of contemporary African American hairstyles.

An influential figure in the scholarship of contemporary African American art, David C. Driskell (born 1931) has enjoyed a long and distinguished career as an artist, a scholar, an educator, and a curator.

For the past twenty five years, Sam Gilliam has been internationally recognized as the foremost contemporary African American Color Field painter.

,» Museum of Contemporary Art, Oslo, Norway, April 11 — August 10, 2014 «Reliable Tension, or: How to Win a Conversation About Jasper Johns,» 32 Edgewood Avenue Gallery, Yale School of Art, New Haven, CT, February 17 - March 28, 2014 «Take it or Leave it: Institute, Image, Ideology,» The Hammer Museum, Los Angeles, CA February 9 — March 18, 2014 «Point of View: Contemporary African American Art from the Elliot and Kimberly Petty Collection,» Flint Institute of Arts, Flint, MI, January 26 — April 13, 2014

-LSB-...] Dean and Professor of Art History Huey Copeland at the Wadsworth Atheneum Museum of Art, for a discussion on how contemporary African American artists address -LSB-...]

Group exhibitions include The Geometric Unconscious: A Century of Abstraction at the Sheldon Museum of Art, University of Nebraska (2012); Magical Visions: 10 Contemporary African American Artists at the Mechanical Hall Gallery, University of Delaware (2012); ARS 11, Kiasma Museum of Contemporary Art, Helsinki (2011); The Global Africa Project, Museum of Arts and Design, New York (2010); and Wallworks, Yerba Buena Center for the Arts, San Francisco (2009).

Contemporary African American artists no longer rely on social realism to tell their stories, but their work continues to reflect the legacy of suffering and inequality.

The San Antonio Museum of Art announced it has acquired major artworks by three contemporary African American artists — Kevin Beasley (b. 1985), Rodney McMillian (b. 1969), and Martine Syms (b. 1988).

Paul Stephen Benjamin's current video installation at Poem 88 in Atlanta, Georgia, God Bless America (2016), is a monument to the ambiguous relations between cultural achievement and state patriotism within the contemporary African American political experience.

«The Meaning of KMT (Ancient Egyptian) History for Contemporary African American Experience,» in Africana Legacy: Diasporic Studies in the Americas, ed.

«The level of passion and dedication Naima has applied to providing a platform for contemporary African American artists is extraordinary,» Rand Suffolk, director of the High Museum said in the announcement.

«The level of passion and dedication Naima has applied to providing a platform for contemporary African American artists is extraordinary.»

Pruitt's portraits of contemporary African American women incorporate science fiction, hip - hop, 1960s black power, comic book culture and a romantic allegiance to realism.

Kerry James Marshall: Mastry is the definitive monograph on contemporary African American painter Kerry James Marshall, accompanying a major traveling retrospective.

It is the first survey of modern and contemporary African American art at the McNay.

The exhibition surveyed the current landscape of contemporary African American artists.

A wide range of art acquisitions — including a rare post-World War II modernist painting, important Native American objects, a collaborative work by two contemporary African American artists, and a site - specific glass installation — led VMFA's year - end acquisitions.

Kehinde Wiley: A New Republic raise questions about race, gender, and the politics of representation by portraying contemporary African American men and women using the conventions of traditional European portraiture.

Other gifts include Jack Whitten's 2010 monumental painting Port au Prince: A Painting of Hope and Spirit for the Haitian People and recent works by emerging contemporary African American artists, such as Rashid Johnson, Titus Kaphar, and Charles McGill.

«We are thrilled to increase our holdings of contemporary African American art through Bill and Pam's extraordinary vision and generosity,» VMFA Director Alex Nyerges said.

KONGO across the WATERS, opening in May at the Jimmy Carter Library and Museum, juxtaposes art and artifacts from Central Africa from the RMCA and contemporary African American art from the Samuel P. Harn Museum of Art in Florida.

The strongest areas include contemporary African American paintings and works on paper, as well as paintings by twenty important Haitian artists.

This specialized sale focuses on the works of modern and contemporary African American artists including one of the largest private collections of prints by Elizabeth Catlett.

Like the artist Carrie Mae Weems, Gaignard uses the medium to explore the contemporary African American experience; like Cindy Sherman, she dons wigs and heavy makeup to create female caricatures that humorously embody societal stereotypes.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Artist Faheem Majeed curated the exhibition Post Black Folk Art in America 1930 — 1980 — 2016 for Intuit: The Center for Intuitive and Outsider Art in Chicago, which consists of 110 objects by modern and contemporary African American artists who have had no academic training.

2002 Creative Expressions: Prints and Works on Paper, Tobey C. Moss Gallery, Los Angeles, CA Free Expressions: Community Voices and Contemporary African American Art from the Collection, Newark Museum, Newark, NJ African - American Art: 20th Century Masterworks, IX, Michael Rosenfeld Gallery, New York, NY; Tubman African American Museum, Macon, GA Consequences of Empire, Public Resource Center for Activism and Arts, Washington, DC Successions: Prints by African - American Artists from the Jean & Robert Steele Collection, Art Gallery, University of Maryland, College Park, MD; Carleton College, Northfield, MN; University Art Gallery, University of Scranton, Scranton, PA; Muscarelle Museum of Art, The College of William and Mary, Williamsburg, VA; The James E. Lewis Museum of Art, Morgan State University, Baltimore, MD; Art Museum, North Carolina Central University, Durham, NC; Tubman African American Museum, Macon, GA The Belles of Amherst: Contemporary Women Artists, Mead Art Museum, Amherst College, Amherst, MA In Memory: The Art of Afterward, Sidney Mishkin Gallery, Baruch College, New York, NY Personal & Political: The Women's Art Movement, 1969 - 1975, Guild Hall Museum, East Hampton, NY Some Assemblage Required: Collage Culture in Post-War America, Everson Museum of Art, Syracuse, NY; Madison Art Center, Madison, WI; Polk Museum of Art, Lakeland, FL

2006, Black Alphabet: Contexts of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland

2010, From Then to Now: Masterworks of Contemporary African American Art, Museum of Contemporary Art Cleveland, OH

The Corcoran installation was arranged by artist, whereas in the two main galleries, the Intuit exhibition presents works by artists from the original 1982 show that are intermingled with objects by contemporary African American artists whose aesthetics or biography resonate with those of the earlier generation.

Pamela Joyner, who has been a Trustee of the Tate Americas Foundation since November 2015, is one of the United States» pre-eminent collectors of abstract work by postwar and contemporary African American artists.

One of my most powerful art memories of 2013 is visiting the traveling exhibition 30 Americans, which presented important works by contemporary African American artists, on July 4, a free day at the Milwaukee Art Museum.

The spoken word artists Jem, Lyro, and Seek provided clever poetry that addressed plagues of the contemporary African American experience.

In particular, the initiative will allow for original scholarship on works of art that have been recently given to the Museum, by notable contemporary African American artists such as Nayland Blake, Willie Cole, Lorna Simpson, Kara Walker, and Carrie Mae Weems, as well as by other living artists of many identities working in various types of media.

His solo show at PS1 is at once so direct and so changeable that it «anthologizes» a time in residence, a career, and contemporary African American art.

Thirteen contemporary African American artists from Dayton and the Miami Valley region — Abner Cope, Dwayne Daniel, Cliff Darrett, Bing Davis, Derrick Davis, Horace Dozier, Lois Fortson - Kirk, Al Harden, Kevin Harris, Morris Howard, James Pate, Craig Screven, and Yvette Walker Dalton — participated in the King / Dunbar Art Project, creating works of various media — ceramics, paintings, photography, and more.

In January 2017, the institution announced a significant new addition to its collection of American Art through the acquisition of 62 works by 22 contemporary African American Arts, including Thornton Dial's Blood And Meat: Survival For the World (1992) and Lost Cows (2000 - 1), Joe Light's Dawn (1988), Jessie T. Pettway's Bars and String - Pierced Columns (1950's), Lonnie Holley's Him and Her Hold the Root (1994) and Joe Minter's Camel at the Watering Hole (1995) The works are currently exhibited in Revelations: Art from the African American South, on view until April 1, 2018.

2012 Blues for Smoke, Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH Narrative of African American Art and Identity, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD Convergence: Jazz, Films and the Visual Arts, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Museum of Art, Bates College, Lewiston, MA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Magical Visions: Ten Contemporary African American Artists, University Museums, University of Delaware, Newark, DE

2002 In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King, Jr., Charles H. Wright Museum of African American Art, Detroit, MI; Delaware Art Museum, Wilmington, DE; Brooklyn Museum of Art, New York, NY; Brooks Museum of Art, Memphis, TN; Montgomery Museum of Fine Art, Montgomery, AL Free Expressions: Community Voices and Contemporary African American Art from the Collection, Newark Museum, Newark, NJ African - American Art: 20th Century Masterworks, IX, Michael Rosenfeld Gallery, New York, NY; Tubman African American Museum, Macon, GA

Over 60 works, including paintings, sculptures, drawing and quilts by 22 contemporary African American artists from the American South, will enter the collection of the Fine Arts Museums of San Francisco.

Because I didn't know about the Negro Art Guild and my background is in modern and contemporary African American art, I guess it's all the ephemera from those exhibitions.

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

The 26th Annual Colloquium titled «Sheroes and Womanists: An Examination of Feminist (s) Subjectivity in Modern and Contemporary African American Art».

The Foundation holds the largest and foremost collection of works of contemporary African American artists from the Southern United States, encompassing over 1,200 works by more than 160 artists, as well as a collection of archival photographs, videos, and documents relating to the artists in the collection.

30 Americans highlights the work of 31 contemporary African American artists in an exhibition organized by and drawn from the Rubell Family Collection in Miami, Florida.