Sentences with phrase «contemporary chinese»

The gallery represents contemporary Chinese and Japanese artists in China and in the rest of the world.

The final three texts are reviews of exhibitions in San Francisco, Shanghai, and New York that discuss the work of Zhou Tao, Liu Wei, and Zhang Dali, the last of which resonates with sentiments expressed by Hou Hanru and questions how the political can demand a genuine and meaningful presence in contemporary Chinese art.

He co-founded Yishu Journal of Contemporary Chinese Art and served as its founding editor.

It is testament to the heady early days of the rising overseas demand for contemporary Chinese art that in 1993, two years after graduating from the printmaking department of Beijing's Central Academy of Fine Arts at age 27, Feng was invited by the director of the 45th Venice Biennale, Achille Bonito Oliva, to exhibit his paintings in the Biennale's «Aperto» exhibition of international emerging artists.

Initially collecting artworks by Latin American artists, Haudenschild fell in love with contemporary Chinese art at first sight, even though she did not know much about Chinese culture and history.

Originated in Lucerne, Switzerland, GALERIE URS MEILE (D10, 798 East Street, 798 Art District, No. 2 Jiuxianqiao Road, Chaoyang district, 100015 Beijing) was one of the first international galleries to introduce contemporary Chinese art to collectors, artists and art professionals outside of China.

ShanghART contributes as a vital resource to the development of contemporary Chinese art.

He currently serves as Editor - in - Chief of LEAP and member of the editorial board of the Journal of Contemporary Chinese Art.

From 2002 -2005, she organized selections from the collection to form the exhibition Zooming into Focus: Contemporary Chinese Photography and Video from the Haudenschild Collection that traveled to five cities in the U.S., Mexico, China (Shanghai and Beijing) and Singapore.

[4] Cai Guo - Qiang, «Master's Program in Contemporary Art Curriculum (Proposal)» (Mar. 2002), Yishu: Journal of Contemporary Chinese Art 5, no. 3 (Sept. 2006), pp. 73 - 74.

Its main aim is the promotion of Chinese and international contemporary art through a variety of exhibitions featuring both established and emerging contemporary Chinese painters, as well as retrospectives for leading figures in the visual arts world.

Editor's Note Yishu 86 is honoured to present essays by Mia yu and Wang Nanming, recipients of the Seventh yishu awards for Critical Writing on Contemporary Chinese art.

[13] See Andrews and Gao, Fragmented Memory; Gao Minglu, ed., Inside Out: New Chinese Art (Berkeley: University of California Press, 1998); Gao Minglu, The Wall: Reshaping Contemporary Chinese Art (Buffalo: Albright - Knox Art Gallery, 2005).

Not only does it highlight a major trend among contemporary Chinese artists towards the use of video and photography, many of the artists in the exhibition are also internationally renowned, thereby providing audiences in Singapore a rare opportunity to see their works... This exhibition, a major exhibition of contemporary Chinese photography and video, was the first of its kind for Singapore.

One is our partnership with the Russian art magazine Iskusstvo on their special issue featuring contemporary Chinese art, which will be launched at the Moscow Biennale on September 25, 2010.

[31] See Martina Koppek - Yang, «Zaofan Youli / Revolt Is Reasonable: Remanifestations of the Cultural Revolution in Chinese Contemporary Art of the 1980s and 1990s,» Yishu: Journal of Contemporary Chinese Art (Aug. 2002), pp. 66 - 75.

The contemporary Chinese art movement began at the end of the 1980s but it has received more exposure and interest in the West then at home.

In the meantime, this summer OCMA will import an exhibition of contemporary Chinese art titled «My Generation» from the Tampa Museum of Art — a show that has received limited critical attention outside of Florida.

Lum is co-founder and founding editor of Yishu Journal of Contemporary Chinese Art.

Gao Minglu coined the term «85 Art Movement» (85 meishu yundong) for a lecture given at the National Oil Painting Conference...... Encyclopedia of Contemporary Chinese Culture

«The National Art Museum of China presented the exhibition Zooming Into Focus: Contemporary Chinese Photography From the Haudenschild Collection.

Chambers Fine Art is a gallery specializing in contemporary Chinese art located in New York and Beijing.

PW: Being described as «one of the most important collections of contemporary Chinese art in the world», indeed, how large is the Haudenschild Collection, to date?

During these two years, interest in contemporary Chinese photography and video has mushroomed.

These awards are the result of recommendations made by two important figures in contemporary Chinese art — this year Julia F. Andrews and Gao Shiming.

SICHUAN ART MUSEUM (No. 6, Renmin Road, Chengdu) is the largest professional art gallery in southwest China, with six exhibition halls that feature the works of both ancient and contemporary Chinese artists, and house a collection of almost 8,000 print - making works.

CONTEMPORARY CHINESE ART DOCUMENTARY The hour long film produced by Pia Getty Films documents interviews with major Chinese contemporary artists as they work in their studios as well as interviews with gallerists and auctioneers about the market for Chinese contemporary... Continue reading →

The series explores the phenomenon of mass - production and consumerism in contemporary Chinese society, as well as the role of the country in the export industry.

[12] The following listing indicates by curator the group and solo exhibitions in which Cai participated that were curated or cocurated by the leading émigré Chinese critics and curators — Fei Dawei: Art Chinois 1990: Chine demain pour hier, Pourrières, Aix - en Provence, 1990, and Cai Guo - Qiang, Fondation Cartier pour l'art contemporain, Paris, 2000; Hou Hanru: Cities on the Move, which opened at Secession, Exhibition Hall for Contemporary Art, Vienna, 1997 - 98, and traveled to Bordeaux, New York, Helsinki, Humlebaek, and London; Gao Minglu: Inside Out: New Chinese Art, which opened at P.S. 1 Contemporary Art Center and Asia Society, 1998 - 99, and traveled to San Francisco, Monterrey, Tacoma, Seattle, and Canberra, and The Wall: Reshaping Contemporary Chinese Art, which opened at the Millennium Monument Art Museum, Beijing, 2005, and traveled to Buffalo; and Wu Hung: The First Guangzhou Triennial.

But Eloisa Haduenschild, an American collector, will surprise local art lovers with a quite different collection in the exhibition Zooming into Focus: Contemporary Chinese Photography and Video.

The news comes just a day after LACMA announced that collectors Gérard and Dora Cognié will give the museum its largest gift of contemporary Chinese and global ink - related art in the museum's history, burnishing its position as a global player with a large collection Asian art.

But it was the contemporary Chinese art sale on the second day that doubled expectations, with a diverse crowd of buyers leaping at works created in this century.

In April, the China Institute in New York launched a yearlong celebration, starting with «Dunhuang: Buddhist Art at the Gateway of the Silk Road,» with a re-creation of one of the caves and a selection of artifacts from the site, followed on the 14th of this month by «Inspired by Dunhuang: Re-Creation in Contemporary Chinese Art» (through June 8).

Opening: Huang Yong Ping at Gladstone Gallery For his fifth solo show at Gladstone Gallery — and his first in New York since Theater of the World, an installation that was to feature live animals, generated controversy for its inclusion in the Guggenheim Museum's recent survey of contemporary Chinese art — Huang Yong Ping will exhibit his large - scale sculpture Bank of Sand, Sand of Bank (2000 — 06).

The space was an energetic, if not exactly packed with visitors, concentration of contemporary Chinese art that is somewhat different from the expected offerings.

The Crypt St Marylebone, London — Contemporary Chinese Works on Paper 35 Chinese works on paper drawn from the Priseman Seabrook Collections 1 October — 31 October 2016

The Minories Art Gallery, Colchester — Notes From China 18 paintings and drawings from the Contemporary Chinese Works on Paper collection March — April 2016

Part of the «apartment art» generation, Lin Tianmiao is one of the first contemporary Chinese artists to achieve international recognition.

The powerful works on view represent four major branches of contemporary Chinese art: ink painting, realist oil painting, conceptual photography, and performance and new media art.

The Contemporary Chinese Works on Paper collection is a new collection focused on small hand made works on paper created by leading Chinese artists practicing in the 21st century.

Every Asian art auction at Skinner offers rare and valuable objects that are fresh to the market, including rare jade, fine calligraphy, ancient ceramics, huanghuali furniture, contemporary Chinese paintings, and Korean, Indian and Japanese decorative arts.

28 Apr 10:00 - 17:00 - Ipswich Ipswich Art Gallery ➧ Route This exhibition will show the largest selection of contemporary Chinese works on paper outside of China.

3 Contemporary Chinese Artists to keep an eye on If you made it to The Armory Show this past weekend you might have noticed a small cluster of Chinese...

This collaboration between Jen Bervin and Charlotte Lagarde produced by Violet du Feng focuses on how contemporary Chinese women experience this complex poem, both as a literary work and as a textile.

Protective Coloration Contemporary Chinese artist Liu Bolin, whose work is now featured at BMAC, uses camouflage to stand out The Commons (4/10/13)

Contemporary Chinese Works on Paper: A Review Ipswich Art Gallery, Ipswich Museums Upper High St, Ipswich IP1 3NE, UK 28 April — 17 June 2018 The largest exhibition of contemporary Chinese works on paper outside of China in 2018

Contemporary Chinese art has established itself in the international arena of art via certain key artists.

The collection is formed into three categories — 21st Century British Painting, 20th and 21st Century British Works on Paper and Contemporary Chinese Works on Paper.

Displacement continues a series of Smart Museum catalogues produced in conjunction with Wu Hung's groundbreaking exhibitions of contemporary Chinese art.

This exhibition presents work that four leading contemporary Chinese artists — Chen Qiulin, Yun - Fei Ji, Liu Xiaodong, and Zhuang Hui — have created in response to the Three Gorges Dam.