Sentences with phrase «contemporary hip hop culture»

The intersection of contemporary hip hop culture and traditional Japanese ukiyo - e printmaking is the basis for Rozeal's painting.
In his photographic practice he investigates his immediate surroundings, the role of technology and contemporary Hip Hop culture.

Not exact matches

About Blog Fashbox is about fashionable living from an urban contemporary culture point of view, which I guess stems from hop hip culture.
About Blog Fashbox is about fashionable living from an urban contemporary culture point of view, which I guess stems from hop hip culture.
About Blog Fashbox is about fashionable living from an urban contemporary culture point of view, which I guess stems from hop hip culture.
Graffiti is now a recognized contemporary art form, thanks in large part to the popularity of hip - hop and urban youth culture.
2002 Interplay, The Moore Space, Miami, FL Mass Appeal, The Art Object and Hip Hop Culture, Galerie 101 Ottawa, Montreal; Arts Interculturels, Montreal; The Khyber Center For The Arts, Halifax, Canada; Owens Art Gallery, Sackville, New Brunswick, Canada Monitor 2, Gagosian Gallery, New York, NY Bystander, Andrea Rosen Gallery, New York, NY 10 Seconds 2 Love, Mullerdechiara Gallery, Berlin, Germany Whitney Biennial, Whitney Museum of American Art, New York, NY New Additions To The Altoids Curiously Strong Collection, New Museum of Contemporary Art, New York, NY Officina America, Galleria D'Arte Moderna Villa Delle Rose Museo Morandi, Bologna, Italy
Blue jeans, which have been worn from miners, frontiersmen, blues men, rock and roll musicians, and members of contemporary hip - hop culture, have been claimed by the artist as homonym (genes) and metaphor, symbolizing a fusion of American culture and African ancestry.
Drawing on the DIY aesthetic of punk, dub and early hip hop music and the tradition of street fly - posting to promote gigs and events, Simmons» rainbow saturated coloured paintings reveal traces of the long forgotten individual and collective creative voices that have informed and shaped contemporary culture.
But even before all that fame, this artist was famous in the contemporary arts circles for his bold, robust representation of the African - American culture, putting persons from hip hop culture in Renaissance poses against colorful, patterned backgrounds.
JUDGE PANEL: - Rashaad Newsome, Artist - Mickalene Thomas, Artist - Neil Barclay, Director of the Contemporary Arts Center, New Orleans - Amanda Hunt, Assistant curator at The Studio Museum in Harlem - Antwaun Sargent, Culture writer (Vogue, Complex, Vice)- Karlo Steel, Creative Director, Stylist & Founder of New York boutique Atelier - Michaela Angela Davis, Writer on black style, race, gender and hip - hop - Mcdebra Mikli, Ballroom Commentator and Entertainer - Crystal Caines, Producer, Rapper and Singer - Leiomy Maldonado First year winner of the King Of Arms Art Ball - Katrina Draya Ghalichi, Model, Actress, and Entertainer.
Born out of the influences of Feminism and Hip - Hop in Buckman's upbringing, her on - going series EVERY CURVE unites the apparent contradictions between «the masculine» and «the feminine» in contemporary culture.
Chris Ofili's intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung, create a unique iconography that marries African artistic and ritual practices with Western art historical traditions and contemporary hip - hop culture.
Mr. Newsome, 31, a multimedia artist whose work blends contemporary hip - hop culture with the rules and designs of centuries - old heraldry, created a series of music videos — his contemporary coats of arms come to life.
HIGHLIGHTS: Art Exhibitions, Open Rehearsals, Dance, Music, Theater and more 5:30 — 6 p.m.: Limon Repertory, Dance Studio 128 (DS 128) 5:30 — 6:30 p.m.: Hip Hop, Dance Studio 128 (DS 128) 5:30 — 8 p.m.: Open Art Galleries — Beall Center for Art + Technology, Contemporary Art Center Gallery, Room Gallery, University Art Gallery Open Art Studios — Contemporary Art Center, 4th Floor; Arts, Culture and Technology Building, 2nd and 3rd Floor Music in Motion — Telepresence Studio, Contemporary Arts Center Room 1102 Arts Plaza Main Stage — Bare Bones Dance Theater, Improv Revolution (iRev), Uniting Voices, UCI Bluegrass Duo, B - Boys Anonymous Alumni Open Reception — Contemporary Arts Center Plaza Jason Jones Trio — Contemporary Arts Center Plaza 6:30 — 7:30 p.m.: «New Slate» Dance Rehearsal, Dance Studio 128 (DS 128) 6:30 — 8 p.m.: Parade Theater Rehearsal, Claire Trevor Theatre; Our Class Theater Rehearsal, PSTU 1110 (Studio 5) 7 — 8 p.m.: UCI Symphony Orchestra, Music and Media 220 Full Performance 7 — 9 p.m.: The Art of Performance in Irvine: Fallen Fruit, Experimental Media and Performance Lab (xMPL)
Using hip - hop culture as an aesthetic and ideological model, Carter references the fluidity of contemporary culture where individuals and objects flow in and out of identities, roles, and expectations.
Incorporating the black youth culture that was gaining prominence in modern society in the 1990s, Ofili drew together taboo - breaking influences from hip - hop, contemporary jazz and comic book artwork, to the often political art of his American predecessors Jean - Michel Basquiat and David Hammons.
Pruitt's portraits of contemporary African American women incorporate science fiction, hip - hop, 1960s black power, comic book culture and a romantic allegiance to realism.
Included in the landmark «30 Americans» of work by contemporary black artists that toured from the Rubell Family Collection to the Corcoran, Iona Rozeal Brown has made a name for herself by making paintings that find an unexpected confluence between the iconography of Japanese ukiyo - e and kabuki and African American culture, from hip - hop to Afrocentrism.
Currently a Ph.D. student at Emory University's Institute of Liberal Arts, Pecou is a visual artist who works to combine observations on hip - hop, fine art and popular culture, addressing concerns regarding the contemporary representation of black masculinity.
Combining traditional, folkloric, and contemporary elements of Brazilian culture with graffiti, hip - hop, and international youth culture, the artists have created an expansive body of work that includes murals, paintings, sculpture, site - specific installations, and video.
About Blog Fashbox is about fashionable living from an urban contemporary culture point of view, which I guess stems from hop hip culture.
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