Sentences with phrase «contemporary indigenous culture»

Not exact matches

First they used linguistic similarities to create an evolutionary tree showing the relationships among 84 contemporary cultures, including the complex Balinese society of Indonesia and the indigenous Iban people of Borneo.

Cooper's version feels timeless yet contemporary, diving headlong into the ongoing and often horrific impact of the United States» policies and attitudes to indigenous culture.

Delve into indigenous cultures of the region, explore the timeless landscapes of the outback, savor contemporary cuisine under a canopy of night stars, and take in panoramic views of the desert from floor - to - ceiling windows.

Newly remodeled and reimagined, our 36 - suite boutique hotel beautifully merges contemporary style with the indigenous spirit and culture of its surroundings.

Curated by Brenda Croft, formerly Senior Curator of Indigenous Art, National Gallery of Australia, Culture Warriors will be the largest and most comprehensive exhibition of contemporary Australian Indigenous art ever presented in the U.S.

Selected group exhibitions include: Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museum, USA, 2015; Artists and Empire: Facing Britain's Imperial Past, TATE Britain, London, 2015; 18th Biennale of Sydney: all our relations, Sydney, 2012; National Indigenous Art Triennial: Culture Warriors, National Gallery of Australia, Canberra, 2009; Beyond the Pale: Contemporary Indigenous Art, Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, 2000; Fluent: Emily Kame Kngwarreye, Yvonne Koolmatrie, Judy Watson, 47th Venice Biennale, Venice, 1997; Aratjara: Art of the First Australians, Kunstsammlung Nordrhein - Westfalen, Dusseldorf, and Hayward Gallery, London, 1994; Australian Perspecta, Art Gallery of New South Wales, Sydney, 1993; The First Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane, 1993; and Unfamiliar Territory: Adelaide Biennial of Australian Art, Art Gallery of South Australia, Adelaide, 1992.

The title Blackspot situates the idea of an Indigenous photography in the context of recent history debates (the black armband and white blindfold...), whilst also identifying the process of reconciliation as unfinished business in contemporary Australian culture.

It is the first exhibition of its kind to focus on the intersection of indigenous cultures and zeitgeist digital practices in contemporary art.

In this guest lecture, Rice will speak from his experience as a curator, critic and cultural mediator in relation to Indigenous presence across the field of contemporary art and culture.

Dennis RedMoon Darkeem's is a multi-media artist whose work critiques contemporary social and political issues affecting U.S. and indigenous Native American cultures, from institutionalized racism and classism to displacement of people of color.

There are five areas of deep focus within the Colección Patricia Phelps de Cisneros: modernist geometric abstraction from Latin America; artworks and documentation of traveler artists who explored and worked in Latin America and the Caribbean during the 17th, 18th and 19th centuries; ethnographic objects from and documentation of twelve of the indigenous tribes from the Orinoco river basin in Venezuela's state of Amazonas; material culture from Latin America's colonial era; and contemporary art from Latin America and beyond.

She is charged with using the museum's diverse collections of historical material — including textiles from the Middle East, Asia, Africa and the indigenous cultures of the Americas — as a foundation for developing a new collection of contemporary textile art.

Drawing inspiration from her travels around the Pacific Northwest and California with her father, a horse trader, Smith illuminates the relationship between indigenous culture and contemporary American life in her work.

Recent exhibitions include a solo show at Axenéo7, Gatineau; Indigenous Art Biennale, Montréal; and Contemporary Native Art Biennial: Culture Shift, Art Mûr and McCord Museum, Montréal.

Networking the Unseen, which is currently on view at Furtherfield gallery, is the first exhibition of its kind to focus on the intersection of indigenous cultures and zeitgeist digital practices in contemporary art.

Inspired by Taiwanese indigenous culture, Kamaro'an explores natural materials and delicate indigenous craftsmanship through contemporary designs.

Following in the footsteps of trailblazers like Buffy Sainte - Marie and Robbie Robertson, Indigenous musicians across North America are carving paths into mainstream consciousness, reclaiming their rightful place in contemporary culture, and using music as a gateway for dialogue and reconciliation.

Romero's work addresses adaptation and examination of contemporary culture with a distinctly modern indigenous world view.

Primarily it is about the modern conflict between the manmade world and the natural world, and between contemporary and indigenous cultures.

Not only does she juxtapose something typically associated with indigenous Mexican culture with a strictly contemporary material, but Gruner also inserts her body into her work to challenge assumptions about her artistic heritage.

Her curatorial work has largely concentrated on re-contextualizing Indigenous time - based media to examine the underlying philosophical complexity of the work as well as rethinking how culture and identity are framed by contemporary artistic discourses.

Having spent eight years at the helm of Instituto Inhotim in Minas Gerais, Brazil (just north of Rio de Janeiro), from 2004 — 2012, Volz has a deep knowledge of contemporary Brazilian art, experience that he leveraged to bring together a powerfully evocative group of works that often meditated on the environment and indigenous cultures, conveying a longing for simpler, agrarian lifestyles.

This emphasis on immersive interactivity is a reflection of the artist's changed perception of contemporary culture after his indigenous visits: «Our visual sense is very powerful and goes directly into our minds, but I feel that we need to receive from our entire bodies and not just our minds,» tells Neto.

His contemporary codices illustrate an imagined world in which the European conquest of the New World failed and the normative culture of the Americas is based in indigenous ideology.

Examples include the sewn and woven images of artist and former professional skateboarder Tony Cox, Philippine artist Brenda Fajardo's works using indigenous materials that recall her country's visual and oral storytelling traditions, and Christina Forrer's tapestries blending elements from Swiss folklore and historical European tapestry with contemporary pop and street culture.

«Connection'to land may include contemporary cultural beliefs and practices forming a distinct Indigenous culture developed from an earlier traditional culture as it existed at the time of the acquisition of British sovereignty.

«Connection'to land may include contemporary cultural beliefs and practices forming a distinct indigenous culture that has developed from an earlier traditional culture as it existed at the time of the acquisition British sovereignty.

In fastening the recognition of native title to a pre-sovereign system of Indigenous laws, every claimant group must satisfy a court that the contemporary expression of their culture, their religion and their economy does not emanate from Western laws created after the British acquired sovereignty, but only from Indigenous laws created prior to the acquisition of sovereignty.

While the High Court's decision in the Mabo case rectified the failure of Australian society to legally recognise Indigenous culture and law, the issue which remains to be resolved is the meaning and value that contemporary Australian society will give to Indigenous culture.

Resources to support this process were highlighted in the workshop, for example, Universities Australia has produced a National Best Practice Framework for Indigenous Cultural Competence in Australian Universities which states that universities should ensure that both students and staff have «knowledge and understanding of Indigenous Australian cultures, histories and contemporary realities and awareness of Indigenous protocols, combined with the proficiency to engage and work effectively in contexts congruent to the expectations of Indigenous Australian Peoples.»

To embark on a contemporary strategy of sustainability without this key component of Indigenous culture is unlikely to be successful.

What is important to note here is the concept of sovereignty on which this distinction is based and how this concept limits the recognition of contemporary expressions of Indigenous culture.

In fastening the recognition of native title to a pre-sovereign system of laws, every claimant group must satisfy a court that the contemporary expression of their culture and their religion, does not emanate from Indigenous laws or customs that were created after sovereignty.

LRYB is a best - selling educational resource for anyone wanting an introduction to the rich history and contemporary culture of Indigenous Australia.

Culture: Promoting importance of cultural, ceremonial and contemporary activities in the practice of Indigenous culture and tradition via strategies such as establishing a Cultural Centre that reflects the broader Indigenous community through activities and exhibitions, and supporting the growth, self - management and protection of the Indigenous art inCulture: Promoting importance of cultural, ceremonial and contemporary activities in the practice of Indigenous culture and tradition via strategies such as establishing a Cultural Centre that reflects the broader Indigenous community through activities and exhibitions, and supporting the growth, self - management and protection of the Indigenous art inculture and tradition via strategies such as establishing a Cultural Centre that reflects the broader Indigenous community through activities and exhibitions, and supporting the growth, self - management and protection of the Indigenous art industry.