Not exact matches
Golden, now director and chief
curator of The Studio Museum
since 2005, is an increasingly powerful force in
contemporary art — grooming smart new
curators and anointing the next wave of artistic talent.
The Berlin Biennale for
Contemporary Art, which has been funded
since its fourth edition by the Kulturstiftung des Bundes (German Federal Cultural Foundation) as an «outstanding cultural event,» is delighted to announce Gabi Ngcobo as the
curator of the upcoming 10th Berlin Biennale.
Since joining the Nasher Museum in 2006 as its first
curator of
contemporary art, Trevor has been instrumental in developing the museum's collection of
contemporary art.
These successes launched Hoptman back to MoMA in 2010 as
curator of
contemporary art in its painting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from pr
contemporary art in its painting and sculpture department, and
since then her landmark show has been «The Forever Now:
Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from pr
Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first
contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from pr
contemporary painting survey at the institution in some 30 years, featuring 17
contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from pr
contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previous eras.
Prior to SculptureCenter Katrib held positions at the Museum of
Contemporary Art (MOCA), North Miami
since 2007, first as Assistant
Curator and then as Associate
Curator.
Karen Smith is a British
art critic and
curator specializing in
contemporary art in China
since 1979.
Pip Day has been Director /
Curator at SBC Gallery of
Contemporary Art in Montréal
since 2012.
She was the
Curator of «High Times, Hard Times: New York Painting, 1967 — 1975,» and her books include
Since» 45: America and the Making of
Contemporary Art (2011) and Abstract Expressionism (2011).
Gavin Delahunty, Hoffman Family Senior
Curator of
Contemporary Art at the Dallas Museum of
Art, shared: «
Since 2012, the Dallas Museum of
Art's
Contemporary Art Initiative has witnessed and delighted in the success and growth of Frieze New York.
Since 2001 she has been senior
curator at the «Museet for Samtidskunst», the Museum of
Contemporary Art in Oslo, which now, following the fusion of Oslo's four largest museums in 2003, forms part of the National Museum of
Art, Architecture and Design.
By actively acquiring, preserving, and providing access to the archives and manuscripts of significant
curators, innovative commercial
art galleries, not for profit
art spaces,
arts collectives and initiatives, the Archives & Manuscripts Collection seeks to document the history of the
contemporary visual
arts and the institutions and practices of exhibition - making
since the 1960s, representing a broad range of
contemporary discourses and curatorial practices.
Since 2000, she has directed the exhibition program as chief
curator at the Institute of
Contemporary Art (ICA) at the University of Pennsylvania, one of the leading museums dedicated to exhibiting the innovative art of our ti
Art (ICA) at the University of Pennsylvania, one of the leading museums dedicated to exhibiting the innovative
art of our ti
art of our time.
Erica F. Battle is the John Alchin and Hal Marryatt Associate
Curator of
Contemporary Art at the Philadelphia Museum of
Art, where she has worked
since 2006.
Ellegood has been
curator of
contemporary art at the Hirshhorn
since 2005 and has worked on numerous exhibitions, including the Directions series that, like Hammer Projects, focuses on the work of emerging artists.
At Boston's Institute of
Contemporary Art, senior
curator Jenelle Porter organized an overview of the fiber
arts since 1974 in «Fiber: Sculpture 1960 - present,» on view through January 4, 2015.
Michael Rooks,
curator of modern and
contemporary art at the High Museum
since 2010, has worked to change that though, bringing several Atlanta artists into the High's collection.
Since 2005 Fogle has been the
curator of
contemporary art at the Carnegie Museum of Art in Pittsburgh where he organized Life on Mars, the 55th Carnegie International in 20
art at the Carnegie Museum of
Art in Pittsburgh where he organized Life on Mars, the 55th Carnegie International in 20
Art in Pittsburgh where he organized Life on Mars, the 55th Carnegie International in 2008.
Contemporary Arts Museum Houston senior
curator Valerie Cassel Oliver's latest exhibition, Radical Presence: Black Performance in
Contemporary Art, explores how black visual artists have used performance
since the 1960s.
The school runs walking tours of Glasgow lead by students — the «Miracle» tour aims to uncover the slightly problematic term coined by famous
curator Hans Ulrich Obrist which describes the boom in
contemporary art since the 70's in Glasgow.
Anselm Franke, one of the
curators of this year's Manifesta, has been the director of Extra City, a
contemporary art center established in Antwerp in 2003,
since 2006.
Pierre Bal - Blanc is an independent
curator and been the director of
Contemporary Art Centre of Brétigny in greater Paris
since 2003.
Legendary feminist
art historian Linda Nochlin and
art curator Maura Reilly are joined by
contemporary women artists for a discussion moderated by Arezoo Moseni about the positions of women artists and women in the
art world today and how they have changed
since the 1971 publication of Nochlin's landmark essay «Why Have There Been No Great Women Artists?»
Hoare has been a
curator at Witte de With Center for
Contemporary Art in Rotterdam,
since 2014.
Since 1977, he has been a contributing editor to Artforum, in New York; in 1987, he received The Frank Jewett Mather Award from CAA, The College Art Association of America; since 1989 until 2008, he has been the Senior Curator of Contemporary Art at the Solomon R. Guggenheim Museum, in New York; since 1991 he has been contributing editor to Interview, in New York; from 1995 to 2014, he was the director of Fondazione Prada, Milan; in 1996 he was artistic codirector of the first Biennale di Arte & Moda, Firenze; in 1997, he was appointed Curator of the 47th Esposizione Internazionale d'
Since 1977, he has been a contributing editor to Artforum, in New York; in 1987, he received The Frank Jewett Mather Award from CAA, The College
Art Association of America;
since 1989 until 2008, he has been the Senior Curator of Contemporary Art at the Solomon R. Guggenheim Museum, in New York; since 1991 he has been contributing editor to Interview, in New York; from 1995 to 2014, he was the director of Fondazione Prada, Milan; in 1996 he was artistic codirector of the first Biennale di Arte & Moda, Firenze; in 1997, he was appointed Curator of the 47th Esposizione Internazionale d'
since 1989 until 2008, he has been the Senior
Curator of
Contemporary Art at the Solomon R. Guggenheim Museum, in New York;
since 1991 he has been contributing editor to Interview, in New York; from 1995 to 2014, he was the director of Fondazione Prada, Milan; in 1996 he was artistic codirector of the first Biennale di Arte & Moda, Firenze; in 1997, he was appointed Curator of the 47th Esposizione Internazionale d'
since 1991 he has been contributing editor to Interview, in New York; from 1995 to 2014, he was the director of Fondazione Prada, Milan; in 1996 he was artistic codirector of the first Biennale di Arte & Moda, Firenze; in 1997, he was appointed
Curator of the 47th Esposizione Internazionale d'Arte.
In addition to serving as a tutor for the Royal College of
Art's graduate program in
Contemporary Curatorial Studies
since 2001, Farquharson is an active Independent
Curator and Critic.
Since 2006, she has served as Senior
Curator at the New Museum of
Contemporary Art in New York City.
Carla M. Hanzal,
curator of the exhibition, has been writing about, researching and lecturing on
contemporary art since the 1990s.
A
curator and writer, Hesse comes to SFAI from the Bemis Center for Contemporary Arts in Omaha, Nebraska, where he has been Chief Curator sinc
curator and writer, Hesse comes to SFAI from the Bemis Center for
Contemporary Arts in Omaha, Nebraska, where he has been Chief
Curator sinc
Curator since 2008.
Since 1994, Hamza Walker has served as Director of Education / Associate
Curator for The Renaissance Society at The University of Chicago - a non-collecting museum devoted to
contemporary art.
Since completing her MA in History of
Art at Goldsmiths College in 2001, she has lectured in contemporary art at the American University in Cairo, and worked as a curator at Townhouse Gallery and the Contemporary Image Collective in Cai
Art at Goldsmiths College in 2001, she has lectured in
contemporary art at the American University in Cairo, and worked as a curator at Townhouse Gallery and the Contemporary Image Collecti
contemporary art at the American University in Cairo, and worked as a curator at Townhouse Gallery and the Contemporary Image Collective in Cai
art at the American University in Cairo, and worked as a
curator at Townhouse Gallery and the
Contemporary Image Collecti
Contemporary Image Collective in Cairo.
Paul Schimmel has been the Chief
Curator of the Museum of
Contemporary Art, Los Angeles (MOCA),
since 1990, and previously served as the Chief
Curator of the Newport Harbor
Art Museum, Newport Beach, CA (1981 - 89), as well as the
Curator (1975 - 77) and Senior
Curator (1977 - 78) of the
Contemporary Arts Museum, Houston.
«Painting is perhaps more vital today than any time
since the heyday of the New York School in the late 1940s and early 1950s, and Amy Sillman is one of its most influential,
contemporary practitioners,» said Helen Molesworth, Barbara Lee Chief Curator at the Institute of Contemporary Art / Boston, who organized the
contemporary practitioners,» said Helen Molesworth, Barbara Lee Chief
Curator at the Institute of
Contemporary Art / Boston, who organized the
Contemporary Art / Boston, who organized the exhibition.
Zine & edition 20 $ signed & numbered - edition of 50 Special edition 200 $ - edition of 15 + 5ap For more info visit www.bunkclub.be and pre-order the edition via
[email protected] Bunk Club is a non-profit
contemporary art organization founded in Brussels in 2011 by
curators Laurence Dujardyn and Mathias Wille and relocated to New York
since 2015.
Suzanne Landau was appointed as the Landeau Family
Curator of
Contemporary Art at the Israel Museum in 1982, and
since 1998 she is also...
Mark Sloan has been the director and chief
curator of the Halsey Institute of
Contemporary Art at the College of Charleston
since 1994.
Martin Germann is senior
curator at S.M.A.K., the Museum of
Contemporary Art in Ghent
since autumn 2012.
With a background in
contemporary art she has been active at the MAK — the Austrian Museum of Applied Arts / Contemporary Art in Vienna, since 2006, where she has worked closely with MAK Center for Art and Architecture, Los Angeles and was appointed cura
contemporary art she has been active at the MAK — the Austrian Museum of Applied Arts / Contemporary Art in Vienna, since 2006, where she has worked closely with MAK Center for Art and Architecture, Los Angeles and was appointed curator in 20
art she has been active at the MAK — the Austrian Museum of Applied
Arts /
Contemporary Art in Vienna, since 2006, where she has worked closely with MAK Center for Art and Architecture, Los Angeles and was appointed cura
Contemporary Art in Vienna, since 2006, where she has worked closely with MAK Center for Art and Architecture, Los Angeles and was appointed curator in 20
Art in Vienna,
since 2006, where she has worked closely with MAK Center for
Art and Architecture, Los Angeles and was appointed curator in 20
Art and Architecture, Los Angeles and was appointed
curator in 2009.
The Met has observed that process closely, especially
since its head of modern and
contemporary art, Sheena Wagstaff, spent more than a decade as chief
curator at Tate Modern.
More Love:
Art, Politics, and Sharing since the 1990s was organized for the Ackland Art Museum at The University of North Carolina at Chapel Hill by Claire Schneider, consulting curator of contemporary a
Art, Politics, and Sharing
since the 1990s was organized for the Ackland
Art Museum at The University of North Carolina at Chapel Hill by Claire Schneider, consulting curator of contemporary a
Art Museum at The University of North Carolina at Chapel Hill by Claire Schneider, consulting
curator of
contemporary artart.
Since 2008 she is a
curator at A-I-R Laboratory - a residency programme at the Centre for
Contemporary Art Ujazdowski Castle in Warsaw, Poland.
Published annually
since 2006, in collaboration with Fundación Telefónica, La Fabrica's Conversations with Photographers series pairs up leading lights in
contemporary photography and the visual
arts with international
curators and fellow artists.
In 2015
curator, Adrienne Edwards wrote «Blackness in Abstraction» in
Art in America, an essay that cogently explores Adam Pendleton's recent «Black Dada» works and outlines a history of
contemporary artists» conceptual visual ruminations, which have presented blackness in multitudes
since the early 1940s.
Exhibition
curator Jens Hoffman, of the CCA Wattis Institute for
Contemporary Arts in San Francisco, revisited Stryker's approach to brief the contemporary photographers charged with recording the United States as the country struggled to emerge from its most significant economic downturn since the Great
Contemporary Arts in San Francisco, revisited Stryker's approach to brief the
contemporary photographers charged with recording the United States as the country struggled to emerge from its most significant economic downturn since the Great
contemporary photographers charged with recording the United States as the country struggled to emerge from its most significant economic downturn
since the Great Depression.
Sillars joins the Henry Moore Institute from the BALTIC Centre for
Contemporary Art, where he has been Chief
Curator since 2009.
Contemporary curator Vincent Honoré has been keeping busy
since the closure of David Roberts
Art Foundation's London exhibition space, where he was chief
curator, in October.
Helen Molesworth was appointed last week to be the new chief
curator at the Museum of
Contemporary Art Los Angeles, stepping into a spot that has been vacant
since Paul Schimmel left the job in June 2012.
Since joining the Nasher Museum in 2006 as its first
curator of
contemporary art, Trevor has been instrumental in developing the museum's
contemporary collection.
Yukie Kamiya, Director of the Japan Society in New York, Chief
Curator of the Hiroshima City Museum of
Contemporary Art (MoCA) in Japan
since 2007
Since 2011, she has been the
curator of
contemporary art for Colección Patricia Phelps de Cisneros.
Since 2009, Paik has been the associate
curator of modern and
contemporary art at the Saint Louis Art Muse
art at the Saint Louis
Art Muse
Art Museum.