Sentences with phrase «contemporary art curators before»

All except d'Harnoncourt were contemporary art curators before their promotions.

Not exact matches

Before coming to HGSE last fall, the curator was often critical about the lack of support for the contemporary art scene in Boston.

Before moving to Boston, Byers was Richard Armstrong Curator of Modern and Contemporary Art at the Carnegie Museum of Art, and co-curator, with Daniel Baumann and Tina Kukielski, of the 2013 Carnegie International.

She served as curator - in - residence at Gallery CA in Baltimore, before being hired to run The Contemporary, a nomadic, non-collecting art museum.

Leap Before You Look: Black Mountain College 1933 — 1957 is organized by The Institute of Contemporary Art, Boston, and curated by Helen Molesworth, chief curator, Museum of Contemporary Art, Los Angeles, with Ruth Erickson, assistant curator, Institute of Contemporary Art, Boston.

Before teaching at Goldsmiths, Dyangani Ose was Curator of International Art at Tate Modern, and curated the 2015 Göteborg International Biennial for Contemporary Art.

FRANKLIN SIRMANS Curator Franklin Sirmans served as head of contemporary art at the Menil Collection in Houston and the Los Angeles County Museum of Art (LACMA), most recently, before being appointed director of the Perez Art Museum in Miami (PAMM) in Septembart at the Menil Collection in Houston and the Los Angeles County Museum of Art (LACMA), most recently, before being appointed director of the Perez Art Museum in Miami (PAMM) in SeptembArt (LACMA), most recently, before being appointed director of the Perez Art Museum in Miami (PAMM) in SeptembArt Museum in Miami (PAMM) in September.

Carlos Basualdo, the Keith L. and Katherine Sachs Curator of Contemporary Art, stands before Jasper Johns» painting According to What (1964) in Dancing around the Bride.

Before joining MOCA, she was the Barbara Lee Chief Curator at the ICA / Boston, overseeing a rigorous program of acclaimed monographic and historical survey exhibitions and an emerging collection of contemporary art.

Whitney Biennial curator Michelle Grabner teaches at the School Art Institute of Chicago and Anthony Elms, curator of the second floor, served as Assistant Director of Gallery 400 at the University of Illinois at Chicago for six years before taking on the role of Curator at the Institute for Contemporary Art at the University of Pennsycurator Michelle Grabner teaches at the School Art Institute of Chicago and Anthony Elms, curator of the second floor, served as Assistant Director of Gallery 400 at the University of Illinois at Chicago for six years before taking on the role of Curator at the Institute for Contemporary Art at the University of Pennsycurator of the second floor, served as Assistant Director of Gallery 400 at the University of Illinois at Chicago for six years before taking on the role of Curator at the Institute for Contemporary Art at the University of PennsyCurator at the Institute for Contemporary Art at the University of Pennsylvania.

From 2006 to 2010 he was curator of modern and contemporary art at the Menil Collection in Houston, where he organized several exhibitions, including NeoHooDoo: Art for a Forgotten Faith (2008), Steve Wolfe: Works on Paper (2009), Maurizio Cattelan: Is There Life before Deaart at the Menil Collection in Houston, where he organized several exhibitions, including NeoHooDoo: Art for a Forgotten Faith (2008), Steve Wolfe: Works on Paper (2009), Maurizio Cattelan: Is There Life before DeaArt for a Forgotten Faith (2008), Steve Wolfe: Works on Paper (2009), Maurizio Cattelan: Is There Life before Death?

It is designed and developed in close collaboration, and over several years, by major European art institutions: Astrup Fearnley Museet in Oslo, Beyeler Foundation in Basel, LVHMs Foundation for Contemporary Art in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the worart institutions: Astrup Fearnley Museet in Oslo, Beyeler Foundation in Basel, LVHMs Foundation for Contemporary Art in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the worArt in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the world.

Before Charles Cowles opened his New York gallery, he was the contemporary - art curator at the Seattle Art Museum who organized Chihuly's 1977 exhibition with Jamie Carpenter and Italo Scanart curator at the Seattle Art Museum who organized Chihuly's 1977 exhibition with Jamie Carpenter and Italo ScanArt Museum who organized Chihuly's 1977 exhibition with Jamie Carpenter and Italo Scanga.

From 2010 — 2014 she was the Barbara Lee Chief Curator at the Institute of Contemporary Art (ICA) Boston, where she assembled one - person exhibitions of artists Steve Locke, Catherine Opie, Josiah McElheny, and Amy Sillman, and the group exhibitions Leap Before You Look: Black Mountain College 1933 — 1957, Dance / Draw, and This Will Have Been: Art, Love & Politics in the 1980s.

Curated by Ingrid Schaffner, who was chief curator at the Institute for Contemporary Art in Philadelphia before taking the helm of the International in 2015, the list lives up to her reputation for taking an expansive approach to conteContemporary Art in Philadelphia before taking the helm of the International in 2015, the list lives up to her reputation for taking an expansive approach to contemporary aArt in Philadelphia before taking the helm of the International in 2015, the list lives up to her reputation for taking an expansive approach to contemporarycontemporary artart.

For the show in Kumu, the artist and the curator have progressed from the project that the Centre for Contemporary Arts Estonia produced for the Estonian Pavilion at the 57th Venice Biennale by including a number of works that have not been presented before, plus some pieces created specifically for this exhibition.

He was Contemporary Curator at the Wadsworth Atheneum in Hartford, Connecticut, before moving to Boston to join the Institute of Contemporary Art as Chief Curator.

She worked as curator at the Henie Onstad Art Centre for almost two decades, during the 1970's and 80's, before joining the National Museum of Contemporary Art in Oslo as their chief curator from 1988 till 2005.

Before joining Creative Capital, she served as the Associate Curator of Contemporary Art at the Columbus Museum of Art in Ohio.

This collection of never - before - published talks at one of the leading art schools in the United States, documents an exciting decade in the development of contemporary art and arts education, featuring interviews with renowned artists, curators, and writers.

Ms. Morgan, a widely respected British curator who spent her formative years working in the United States before joining the Tate in 2002 as a curator of contemporary art, will take over Dia at an uncertain time in its history.

On Friday morning, before unlocking the Broad Art Foundation's first - floor gallery (currently holding an impeccable selection of works by Ed Ruscha), director and chief curator Joanne Heyler gave us a pep talk about LACMA's Broad Contemporary Art Museum.

The 2013 edition has three curators: Baumann is director of the Adolf Wölfli Foundation, Basel; Byers is the Richard Armstrong Curator of Modern and Contemporary Art at Carnegie Museum of Art, Pittsburgh; and Kukielski, before coming to the Carnegie, was senior curatorial assistant at the Whitney in New York, where she led the museum's project series.

VOTI was an online forum that was founded in 1998 — long before such forums were common — as a digital venue for discussion among contemporary art curators, many of whom are among today's most prominent museum professionals.

Before he was tapped, earlier this fall, to direct the Pérez Art Museum Miami, Franklin Sirmans was the department head and curator of contemporary art at the Los Angeles County Museum of AArt Museum Miami, Franklin Sirmans was the department head and curator of contemporary art at the Los Angeles County Museum of Aart at the Los Angeles County Museum of ArtArt.

Before joining the Menil Collection, Mr. Breslin was associate curator of contemporary projects at the Clark Art Institute in Williamstown, Mass., where he also helped lead the research and academic program.

Before joining the mammoth Museum of Contemporary Art Chicago (MCA), she was associate curator at The Studio Museum in Harlem and the Whitney Lauder Curatorial Fellow at the Institute of Contemporary Art, Philadelphia.

Before assuming her post at the Stedelijk Museum in 2010, Goldstein worked at the Museum of Contemporary Art, Los Angeles (MOCA) for 26 years, holding the position of Senior Curator, among other roles.

Faye R. Gleisser, an assistant professor of contemporary art at the University of Indiana at Bloomington, was the curator for «Preview 6: We've Met Before» exhibition.

His work had already been shown earlier that year in the first large global exhibition of Chinese contemporary art, «China's New Art, Post-1989» — organized by the ubiquitous Hong Kong curator, art critic and Hanart TZ gallery director, Johnson Chang Tsong - zung — which traveled from the Hong Kong Arts Centre to the Museum of Contemporary Art in Sydney (retitled «Mao Goes Pop») before touring Canada and the United Statescontemporary art, «China's New Art, Post-1989» — organized by the ubiquitous Hong Kong curator, art critic and Hanart TZ gallery director, Johnson Chang Tsong - zung — which traveled from the Hong Kong Arts Centre to the Museum of Contemporary Art in Sydney (retitled «Mao Goes Pop») before touring Canada and the United States until 19art, «China's New Art, Post-1989» — organized by the ubiquitous Hong Kong curator, art critic and Hanart TZ gallery director, Johnson Chang Tsong - zung — which traveled from the Hong Kong Arts Centre to the Museum of Contemporary Art in Sydney (retitled «Mao Goes Pop») before touring Canada and the United States until 19Art, Post-1989» — organized by the ubiquitous Hong Kong curator, art critic and Hanart TZ gallery director, Johnson Chang Tsong - zung — which traveled from the Hong Kong Arts Centre to the Museum of Contemporary Art in Sydney (retitled «Mao Goes Pop») before touring Canada and the United States until 19art critic and Hanart TZ gallery director, Johnson Chang Tsong - zung — which traveled from the Hong Kong Arts Centre to the Museum of Contemporary Art in Sydney (retitled «Mao Goes Pop») before touring Canada and the United StatesContemporary Art in Sydney (retitled «Mao Goes Pop») before touring Canada and the United States until 19Art in Sydney (retitled «Mao Goes Pop») before touring Canada and the United States until 1997.

Darling was associate curator at the Museum of Contemporary Art, Los Angeles, before joining SAM.

VOTI was an online forum founded in 1998 — long before such forums were common — as a digital venue for discussion among contemporary art curators, many of whom are among today's most prominent museum professionals.

Previous to the ICA, she served as curator and head of the modern and contemporary art department at the Harvard Art Museums, from 2007 to» 10, before which she was chief curator at the Wexner Center for the Arts, Columbus, Ohart department at the Harvard Art Museums, from 2007 to» 10, before which she was chief curator at the Wexner Center for the Arts, Columbus, OhArt Museums, from 2007 to» 10, before which she was chief curator at the Wexner Center for the Arts, Columbus, Ohio.

From 2006 to 2010, he was the Curator of Modern and Contemporary Art at The Menil Collection in Houston, TX, where he organized exhibitions including NeoHooDoo: Art for a Forgotten Faith, Maurizio Cattelan: Is There Life Before Death, Steve Wolfe: On Paper and Vija Celmins: Television and Disaster, 1964 - 66.

Prather then moved to a term as Curator for American Art at London's Tate Modern (2005 — 2007) before being named to her current position as Curator in the Department of Modern and Contemporary Art at the Metropolitan Museum of Art.

Curated by Christine Y. Kim, Associate Curator of Contemporary Art at the Los Angeles County Museum of Art (LACMA) and co-founder of the Los Angeles Nomadic Division (LAND), the sector expanded with more artworks than ever before, while at the same time being focused within a strongly defined exhibition area.

Before her appointment, she was the Special Projects Curator for Peter and Eileen Norton, contemporary art collectors and philanthropists based in Los Angeles, California.

Prior to LACMA, Sirmans was curator of modern and contemporary art at the Menil Collection in Houston and before that a curatorial advisor at MoMA PS1 and a lecturer at Princeton University and Maryland Institute College of Aart at the Menil Collection in Houston and before that a curatorial advisor at MoMA PS1 and a lecturer at Princeton University and Maryland Institute College of ArtArt.

Before working at GBE, Kenyon was curator at the Centre for Contemporary Arts in Glasgow, Scotland.

Before Projection was organized by Director of Exhibitions and Curator Henriette Huldisch, who notes the importance of this predominately underrecognized period in art history, and aims to highlight its impact on contemporary art.

Even before her time in New York her career was solidified by becoming the inaugural International Curator of the Ullens Center for Contemporary Art in Beijing followed in 2002 and 2007 by becoming Chair of the Master's Program in Curatorial Practice at California College of the Arts, San Francisco, which she co-founded with Ralph Rugoff.

About two months before this show opened, Bradford sent a Home Depot shopping list to Patricia Hickson, the Atheneum's curator of contemporary art.

Before joining the Hirshhorn, she was the New York - based curator for Peter Norton's collection, an ambitious private collection of over 2,400 works of international contemporary art in all media.

In contemporary reviews of that exhibition, the curator and art historian Andrew Wilson claimed that Rae's paintings upset «the traditional figure - ground relationship» (Wilson 1996 — 7, p. 9), while the critic Andrew Graham - Dixon described Untitled (emergency room) as «a picture of something about to take shape before it has actually done so» (Andrew Graham - Dixon, «On the Surface», Independent, 19 November 2006, http://www.independent.co.uk/arts-entertainment/on-the-surface-1353083.html, accessed 15 June 2015).

From 2006 to 2010, he was curator of modern and contemporary Art at The Menil Collection in Houston where he organized several exhibitions including NeoHooDoo: Art for a Forgotten Faith, Steve Wolfe: Works on Paper, Maurizio Cattelan: Is There Life Before Death?

He was curator at the Wattis Institute of Contemporary Arts, a buzz factory housed at the California College of the Arts (CCA) in San Francisco before joining White Columns in Fall 2004, a quarter of a century after its founding.

In the weeks before the inauguration, Michael Smith, the Obamas» decorator, paid a visit to Harry Cooper, curator of modern and contemporary art at the National Gallery in Washington.

Most contemporary art curators of a certain age — those who went to graduate school before curatorial programs became prominent — were trained as art historians.

Before joining the MFA, Boston, Davis was a curator of American, British, and Contemporary drawings and prints at the Metropolitan Museum of Art.

From 2010 — 2014 she was the Barbara Lee Chief Curator at the Institute of Contemporary Art (ICA) Boston, where she assembled one person exhibitions of artists Steve Locke, Catherine Opie, Josiah McElheny, and Amy Sillman, and the group exhibitions Leap Before You Look: Black Mountain College 1933 — 1957, Dance / Draw, and This Will Have Been: Art, Love & Politics in the 1980s.