Sentences with phrase «contemporary art installation at»

Manchester - based artist Liz West — featured previously — has created the first ever contemporary art installation at the National Trust's 16th century Little Moreton Hall in Cheshire.

Sixth Festival of the Contemporary Arts installation at the UBC Fine Arts Gallery, 1967 Zbigniew Blazeje — An Audio — Kinetic Environment / Constructions by Montreal Artists / Gouaches By Michael Morris / Paintings by David Samila

Not exact matches

An initiative of Sunshine Coast Council and in partnership with the community, a broad program ranging from contemporary art and new media installations to film, literature, performance, street art and more will be held at various locations throughout the region.

The haunting installation, which features imitation artifacts, photographs, video and a reproduction of the bar's entrance, was first shown at the Contemporary Arts Center in 2008 during Prospect.1.

The foundation funds exhibitions of and projects by Russian contemporary artists, such as Ilya and Emilia Kabokov's 2014 installation at the Grand Palais, and the New Museum's 2012 exhibition «Ostalgia,» which focused on Eastern European contemporary art.

Installation view at the «Scorching Sun of Tibet: Contemporary Tibetan Art Show» at the Songzhuang Art Museum, Beijing, 2010.

Guido Nussbaum Heim Welt 2 (2005) Installation view at P.S. 1, 2006 Photo by Matthew Septimus Courtesy P.S. 1 Contemporary Art Center

The exhibition which opened on Sunday at Shanghai's contemporary art museum features over 300 paintings, photographs, screen prints, drawings, 3 - D installations and sculptures including iconic works such -LSB-...]

Hope Sandrow, a photographer and installation artist, has exhibited at museums across the United States, most recently at Contemporary Museum, Baltimore; Nasher Museum of Art at Duke University, North Carolina; and the New Museum of Contemporary Art, New York.

Images: James Turrell, Raemar Pink White, 1969, Shallow Space, Collection of Art & Research, Las Vegas, Installation view at Griffin Contemporary, Santa Monica, CA, 2004, © James Turrell, Photo by Robert Wedemeyer, courtesy Kayne Griffin Corcoran, Los Angeles; James Turrell, Breathing Light, 2013, LED light into space, Los Angeles County Museum of Art, purchased with funds provided by Kayne Griffin Corcoran and the Kayne Foundation, M. 2013.1, © James Turrell, Photo © Florian Holzherr.

Installation view at Kyoto Municipal Museum of Art for Parasophia: Kyoto International Festival of Contemporary Culture 2015.

Installation view, First Light: A Decade of Collecting at the ICA, The Institute of Contemporary Art / Boston, 2016 - 17.

(This statement was originally published in the exhibition catalogue that accompanied this installation when it was first on view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibition.)

Featured Image: The Funk & Wag from A to Z (2012), installation view at The Station Museum of Contemporary Art, Houston, TX

One of the more experimental pieces at this year's Whitney Biennial, a colossal exhibition of contemporary American art, is an installation made from 2,755 slices of bologna pinned to the wall.

This catalogue is published in conjunction with the exhibition «Anonymous: Contemporary Tibetan Art» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artisArt» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artisart by 27 Tibetan artists.

The Sculpture program at PAFA embraces contemporary and classical approaches across a broad range of art making — from traditional figurative sculpture to video and installation art.

Sze's sculptures, installations and works on paper have also been exhibited at the Solomon R. Guggenheim Museum in New York, the Serpentine Gallery in London, the Museum of Modern Art in New York, the Museum of Contemporary Art in Tokyo, the High Museum of Art in Atlanta, the San Francisco Museum of Modern Art, and the Carnegie Museum of Art in Pittsburgh, as part of the 1999 Carnegie International.

The Laura Owens installation at the CCA Wattis Institute for Contemporary Arts is titled «Ten Paintings,» but visitors won't see any paintings at first glance.

The show resonates with her 2015 exhibition Lives on Wire at the Institute of Contemporary Arts, where she created a site - specific installation, repurposing a resistor mechanism from an old cinema organ to produce rainbow strobes that transformed the gallery through shifting coloured light.

The Lehmann Maupin gallery, which launched the installation this past Friday in collaboration with the Art Production Fund and White Cube, also opened a contemporaneous exhibition, «Tracey Emin: I Followed You to the Sun,» earlier this month, and her first solo museum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in December.

On February 1, 2016, artist Leonardo Drew sat down with Rebecca Hart, Polly and Mark Addison Curator of Modern and Contemporary Art at the Denver Art Museum to discuss his dynamic large - scale sculptural installations.

2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan

Yervant Gianikian and Angela Ricci Lucchi Frammenti Elettrici (2002 - 2004) Installation view at P.S. 1, 2006 Photo by Matthew Septimus Courtesy P.S. 1 Contemporary Art Center

Installation view with mega-girls at Kyoto Municipal Museum of Art for Parasophia: Kyoto International Festival of Contemporary Culture 2015.

The collective has been exhibited nationally and internationally, including: Contour the 5th Biennial of the Moving Image in Mechelen, BE; Nuit Blanche, Toronto, CA; 18th Biennale of Sydney in Sydney, AUS; Scottsdale Museum of Contemporary Art in Scottsdale, AZ; 2017 Whitney Biennial, New York, NY; Art in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, SArt in Scottsdale, AZ; 2017 Whitney Biennial, New York, NY; Art in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, SArt in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, Sart installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, SON.

2014 — PUBLIC ART COMMISSION: CHICAGO TRANSIT AUTHORITY, PERMANENT INSTALLATION FOR 35TH / WHITE SOX CTA STATION 2014 — RESIDENCY, DESIGN FABRICATION, ÍFRANS MAYER, MUNICH, GERMANY, 2014 2014 — NOMINATION 3 - ARTS AWARD 2011 — VISITING ARTIST, TEACHER INSTITUTE IN CONTEMPORARY ART, SAIC, NEA 2010 — GRANT: ARTIST PROJECT IN VISUAL ARTS, ILLINOIS ARTS COUNCIL 2009 — NEW AT THE MUSEUM OF CONTEMPORARY ART, CHICAGO 2009 — THE DRAWING CENTER VIEWING PROGRAM, CURATED ARTIST REGISTRY, NEW YORK, NY 2008 — CATWALK, NY ARTIST RESIDENCY, SCHOOL OF THE ART INSTITUTE CHICAGO 2004 — POST - MFA FELLOWSHIP, VISITING LECTURER, UNIVERSITY OF CHICAGO 1998 — HONORABLE MENTION AWARD / STATE LINE EXHIBITION / ROCKFORD MUSEUM, ILLINOIS 1996/1997 — ARTS MIDWEST / REGIONAL NEA VISUAL ARTIST FELLOWSHIP AWARD (PAINTING) 1990 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / NORTHWESTERN UNIVERSITY EXHIBIT 1987 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / CHICAGO CULTURAL CENTER EXHIBIT

During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Located at the Fashion Industry Gallery — adjacent to the Dallas Museum of Art in the revitalized downtown Arts District — the 2013 Dallas Art Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artisArt in the revitalized downtown Arts District — the 2013 Dallas Art Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artisArt Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artisart dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artists.

The Contemporary Art Society has acquired an installation by Dineo Seshee Bopape at Frieze London for Towner Art Gallery in Eastbourne, inspired by her South African heritage and the artist's spiritual and physical relationship with her surroundings.

Among the works by Jian - Jun Zhang will be Sumi - Ink Garden of Re-Creation Installation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in DeInstallation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in Deinstallation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in December 2013.

Installation view of Cecilia Vicuña's Quipus Visceral, 2017, at the Contemporary Arts Center, New Orleans.

Numerous institutions have shown his work: the Dia: Beacon, New York this year, the Whitney Museum of America Art, New York in 1977 and 2013, the San Diego Contemporary Art Museum in 2008, the Dia: Chelsea, New York in 1999, the MoCA of Los Angeles in 1993, the San Francisco MoMA in 1985, the MoMA, New York in 1970,... He produced the installation for the United States Pavilion at the Venice Biennale in 1976.

For over two decades, Song Dong has been at the forefront of Chinese contemporary art, embracing performance, video, installation, photography, conceptual painting and theater, and often combining mediums within a single work.

His installations have been exhibited at The Drawing Center in New York, Blue Star Contemporary Art museum in San Antonio Texas, ExitArt NY, PS 122 NY, Morris Museum, New Jersey, Jersey City Museum, Poor Farm Experiment in Wisconsin, Riga Art Space in Latvia, Baltic Arts Center in Helsinki, Planthouse Gallery NY, Cynthia Broan Gallery NY, Fishtank Gallery NY, Denis Bibro Gallery NY, Gallery X in NY, Marsha Child Contemporary NJ, Chamot Gallery NJ, Mimi Ferzt Gallery NY, Alma Gallery Riga, M6 Gallery Riga Latvia, Biennale Art Gend in Kopenhagen Denmark.

Installation view of «Toyin Odutola: Untold Stories» at Contemporary Art Museum (CAM) St. Louis Courtesy CAM

Installation view of «Estão na Mesa» («They Are on the Table»), from 2017, at the Museum of Contemporary Art, Los Angeles.

Novitskova, whose sculptures reconstruct images sourced from the Internet into a minimalist performative space, is a figure who is particularly at the forefront of installation - based practices in contemporary art.

Jarrod Beck has created outdoor sculptures for Socrates Sculpture Park (Astoria, NY), Sara D. Roosevelt Park (NY, NY), Calder Plaza (Grand Rapids, MI) and the Anti-Defamation League (Omaha, NE); installations at the Lever House, Smack Mellon, Wave Hill, Abrons Art Center, South Street Seaport Museum, Bemis Center for Contemporary Art, Instituto Cervantes, Rhode Island School of Design, Stony Brook University, Universidad Central de Venezuela, Cape Cod National Seashore and the Provincetown Art Association and Museum.

Currently on view at the Tang Museum in Saratoga Springs, New York, is a set of Jane Benson's Faux Faux fake - plant works, now also a permanent installation at the Cincinnati Contemporary Arts Center (CAC).

For the Love of Gene Davis, 2014 hand - dyed and woven wool, wallpaper 4 carpets measure 760 x 233 inches overall, wallpaper variable Installation at Temple Contemporary, Collection of the Pennsylvania Academy of the Fine Arts

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Installation view at the Contemporary Art Center, Cincinnati.

In her artistic practice, recent works include the large - scale sculptural installations Raked at Spencer Brownstone Gallery in New York (2014), and Floor / Ceiling at The Aldrich Contemporary Art Museum, Connecticut (2013).

Installation view of URS FISCHER at MOCA Grand Avenue and The Geffen Contemporary at MOCA, April 21 — August 19, 2013, photo by Stefan Altenburger, © Urs Fischer, Courtesy of the artist and The Museum of Contemporary Art, Los Angeles

To celebrate 10 years at Art Basel Miami Beach, NetJets Director of Events Partick Vega and Micaela Giovannotti curated a special art installation at a private home in Miami Beach focusing on contemporary women artisArt Basel Miami Beach, NetJets Director of Events Partick Vega and Micaela Giovannotti curated a special art installation at a private home in Miami Beach focusing on contemporary women artisart installation at a private home in Miami Beach focusing on contemporary women artists.

Plus: London's Gasworks receives # 75,000 grant Duchamp's Nu sur nu fetches record price at auction Ugo Rondinone installation defaced by vandals Designs revealed for Latvian Museum of Contemporary Art

Employment opportunities offered to our recent BFA grads include working as an artist's assistant, starting their own design / build firm, art handling and preparing, development assistant at the Rothko Chapel, web design, display design and installation, curating exhibitions, assisting with commercial photo and film shoots, interning at the Contemporary Arts Museum, Houston, and teaching, just to name a few.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratart», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustratArt Report, Jan / Feb 2000, p. 52, illustration