The advent of Abtract Expressionism had a major influence on the history of art: the centre of
contemporary art moved from Paris to New York, that is now the main city for this field.
The 33 - year - old Museum of
Contemporary Art moved in 1996 to its new, $ 55 million quarters at 222 E. Chicago Av.
Booths became complete environments of
contemporary art moving from display to exhibition.
Artprojx is the default brand for artists, galleries and institutes to work with to promote and exhibit the best
contemporary art moving image made by artists - generally in the context of the cinema.
Not exact matches
Now in its seventh year, the New Now Next Awards makes a big
move this year from its previous date and home of April in L.A., to December in Miami, coinciding with the weekend of the city's popular
Art Basel festival, the world's premier international art show for modern and contemporary a
Art Basel festival, the world's premier international
art show for modern and contemporary a
art show for modern and
contemporary artart.
Seamlessly
moving back and forth in time between the Soviet Union and
contemporary America, The Madonnas of Leningrad is a searing portrait of war and remembrance, of the power of love, memory, and
art to offer beauty, grace, and hope in the face of overwhelming despair.
Similar to Jet Set Radio Future, XIII used a cel - shaded
art style but leaned into it being a
moving comic book more than it's
contemporary.
Their work has been presented in major international exhibitions including the Biennale of
Moving Image, Centre d'
art / Mamco, Geneva, Switzerland (2016); Gwangju Biennale, Gwangju, South Korea (2016); 5th Thessaloniki Biennale of
Contemporary Art, State Museum of
Contemporary Art, Thessaloniki, Greece (2015); CAFAM Biennial, CAFA
Art Museum, Beijing, China (2014); and the Swiss Off - Site Pavillon, 54th Venice Biennale, Venice, Italy (2011).
Before
moving to Boston, Byers was Richard Armstrong Curator of Modern and
Contemporary Art at the Carnegie Museum of
Art, and co-curator, with Daniel Baumann and Tina Kukielski, of the 2013 Carnegie International.
Neptune Fine
Art ---- Gallery Director Chris Neptune, recently moved into DC from New York, specializes in Modern and Contemporary a
Art ---- Gallery Director Chris Neptune, recently
moved into DC from New York, specializes in Modern and
Contemporary artart.
Regularly exhibiting at the Asia
Contemporary Art Show in Hong Kong.She has now
moved her canvas to large scale street
arts work.
Presented by dinca.org, Vision Quest is a three - day festival celebrating the most innovative
contemporary moving image and media
art culture.
Recent exhibitions include Swipe, Pilar Corrias, London (2015); I am here but you've gone, curated by Milovan Farronato with Stella Bottai, Fiorucci
Art Trust, London (2015); Panda Sex, curated by Tom Morton, State of Concept, Athens (2014); New order II: British art today, Saatchi Gallery, London (2014); Consommé, Kinman, London (2013); Open Heart Surgery at The Moving Museum, London (2013); Temple Bar in Dublin (2012); and New Contemporaries, UK (200
Art Trust, London (2015); Panda Sex, curated by Tom Morton, State of Concept, Athens (2014); New order II: British
art today, Saatchi Gallery, London (2014); Consommé, Kinman, London (2013); Open Heart Surgery at The Moving Museum, London (2013); Temple Bar in Dublin (2012); and New Contemporaries, UK (200
art today, Saatchi Gallery, London (2014); Consommé, Kinman, London (2013); Open Heart Surgery at The
Moving Museum, London (2013); Temple Bar in Dublin (2012); and New
Contemporaries, UK (2009).
«Wellmann's Brands is
moving into the
Contemporary Arts Center (CAC) this spring.
Move: Choreographing You is an exhibition at Hayward Gallery, London from 13 October 2010 to 9 January 2011 which explores the interaction between
contemporary art and dance.
The artist's work has been featured in recent group shows at the Stedelijk Museum voor Actuele Kunst (SMAK) in Ghent (2010), Palazzo Saluzzo Paesana in Turin (2012), The Metropolitan Museum of
Art (2012), Museum of
Contemporary Art in Los Angeles (2013), The
Moving Museum in Dubai (2013) as well as in «Love Me / Love Me Not:
Contemporary Art from Azerbaijan and Its Neighbors» at the 55th International
Art Exhibition — Venice Biennale (2013).
Prior to
moving west, she held various curatorial positions in the
Contemporary and Canadian departments of the
Art Gallery of Ontario, ultimately that of Acting Curator, Canadian
Art, and from 2002 - 2004, she was the Director of Programming at the Centre for
Art Tapes in Halifax.
He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea (2010);
Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Vancouver
Contemporary Art Gallery, Canada; Sympathy for the Devil, Museum of
Contemporary Art, Chicago, IL (2007); Istanbul Biennial, Istanbul, Turkey (2005); Manifesta 5, European Biennial of
Contemporary Art, San Sebastian, Spain (2004); Fast Forward.
The
move signalled the centre's shift to becoming a
contemporary arts venue, with improved gallery spaces and facilities.
The collective has been exhibited nationally and internationally, including: Contour the 5th Biennial of the
Moving Image in Mechelen, BE; Nuit Blanche, Toronto, CA; 18th Biennale of Sydney in Sydney, AUS; Scottsdale Museum of
Contemporary Art in Scottsdale, AZ; 2017 Whitney Biennial, New York, NY; Art in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, S
Art in Scottsdale, AZ; 2017 Whitney Biennial, New York, NY;
Art in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, S
Art in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land
art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, S
art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, SON.
Following the Alberses»
move to New Haven, Anni Albers shifted her focus primarily to her workshop, spending the 1950s creating mass - reproducible fabrics (including a commission from Walter Gropius for Harvard University), writing, and developing her «pictorial weavings,» culminating in the exhibition Anni Albers: Pictorial Weavings at the MIT New Gallery, Cambridge, Massachusetts, in 1959 (traveled to Carnegie Institute of Technology, Pittsburgh; Baltimore Museum of
Art; Yale University
Art Gallery, New Haven; and
Contemporary Arts Museum, Houston).
The show will proceed chronologically: from early prints that portray the populist and revolutionary roots of graphic
arts in Mexico, to Rufino Tamayo's role in the invention of the Mixografia printing technique, and finally to the collaborations done with
contemporary Latin American artists following Mixografia's
move to Los Angeles in the 1980s.
Depicting the tragedies and triumphs of humanity, he
moves the discourse of
contemporary art - making into new territory and offers an unflinching vision of the world that invites us to examine even our hardest truths.
The
contemporary New York
art world has a backstory, rarely consulted, that begins in the optimistic 1920s and
moves on to the bleak 1930s, a decade of Depression and institutional indifference to such local figures as Willem de Kooning, Jackson Pollock, and Mark Rothko.
Mildred Lane Kemper
Arts Museum at Washington University Presents «
Moving Parts: Time and Motion in
Contemporary Art» May 9 - August 31, 2014 11:00 a.m. - 5:00 p.m. Closed on Tuesdays Opening reception Friday, May 9 at 7:00 p.m. Mildred Lane Kemper
Art Museum at Washington University (314) 935-4523 Website: Washington University website
Allison Schulnik, Arin Rungjang,
art fair, artist studio, Australian Centre for the Moving Image, Boyd Webb, Callum Innes, Charles Lim, collectors, commercial, contemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jin
art fair, artist studio, Australian Centre for the
Moving Image, Boyd Webb, Callum Innes, Charles Lim, collectors, commercial,
contemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe
contemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jin
art, creativity, culture, Digital
Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jin
Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery,
Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney
Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jin
Art Week, Sydney
Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe
Contemporary, Tim Etchells, Two Rooms, video
art, Yinka Shonibare Mbe, Zhu Jin
art, Yinka Shonibare Mbe, Zhu Jinshi
Previously, she worked as a senior tutor at the Royal College of
Art and for over ten years at the BFI, specialising in connecting rare archive material and diverse
contemporary moving image work with audiences.
Experimental and interdisciplinary, she has
moved between documentary photography and
contemporary art in order to explore ideas on photography and narration.
Her current projects (in collaboration with Angel Nevarez, artist and MFA faculty member, School of Visual
Arts, New York) investigate
contemporary music, dissent, and public fora, while
moving between the spatial simultaneity of performance and enunciation, and reflecting upon the projection of political agency through transmission and song.
Shortly after graduating she
moved to Copenhagen and had her first major solo exhibition with VENUE
Contemporary Art Gallery in November 2008.
Moving between discursive and theoretical registers, the principal questions the book analyzes are: what and when is
contemporary African
art?
Moving beyond conventional ideas of the African continent and its «counterpart», «the Western hemisphere,» this year's Focus will provide a glimpse of international artistic production from
contemporary African viewpoints: emerging curators, artists, galleries and
art spaces that connect scenes and markets through global networks.
In New York, Jerry Saltz suggests that activist artists like Martha Rosler should stop recycling the well - worn tropes from the 1960s,
move beyond the simplistic polarities of earlier political
art, and begin to address our complex,
contemporary reality with deeper insight and more nuance.
The displays of modern British
art start in the late 19th century with Sickert and his
contemporaries, and
move through the decades to the present day, covering artists such as Henry Moore, Ben Nicholson, Eduardo Paolozzi and Peter Blake along the way.
2013 Salon der Angst, Kunsthalle Wien, Vienna 12th Biennale de Lyon, Lyon Pride Goes Before a Fall — Beware of a Holy Whore, Artists Space, New York Biennial of
Moving Image, Contour, Mechelen Issues of our Times II, castillo / corrales, Paris Ljubljana Biennial of Graphic
Arts, Slovenia Göteborg International Biennal for
Contemporary Art, Göteborg, SwedenSweden
«
Moving Parts: Time and Motion in
Contemporary Art» combines elements from the Kemper's permanent collection with items on loan.
The book that heralds this discovery, Why Photography Matters as
Art as Never Before, argues the photograph has moved from the valleys to the precipice of contemporary a
Art as Never Before, argues the photograph has
moved from the valleys to the precipice of
contemporary artart.
Saturday was marked by migrating crowds of various sizes that
moved from building to building, from floor to floor taking in exhibitions at small make - shift
art collective show spaces, artist studios and some more clearly identified
art galleries like the Fuchs Project and Robert Henry
Contemporary.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for
Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine
Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video
Art and the Human Body, Cheekwood Museum of
Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue)
Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for
Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College
Art Center, NY Traveled to: Firehouse
Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the
Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of
Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas,
Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of
Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of
Contemporary Art, Lake Worth, Florida (brochure) 2001
Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'
Art Santa Monica, Barcelona, Spain Smirk: Women,
Art, and Humor, curated by Debra Wacks, Firehouse
Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The
Art of the Screen Saver, Stanford
Art Museum / Cantor
Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu,
Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual
Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
Selected group exhibitions include
Art through the Eye of the Needle, Henie Ondtad Kunstsenter, Oslo (2001); ARS 01, KIASMA, Helsinki (2001); Sharing Exaustism, 5th Biennial de Lyon (2000); Human Being and Gender, 3rd Kwiangju Biennial (2000); The Sky is the Limit, 2nd Taipei Biennale (2000); Hypermental, Kunsthaus Zürich (2000); ArtWorld in Dialogue, Museum Ludwig, Cologne (1999); d'APERTutto, 48th Venice Biennial (1999); Echolot, Museum Fridericianum, Kassel (1998); 5th Istanbul Biennale (1997); Manifesta 1 (1996); Traditions / Tensions, Queens Museum; Cities on the
Move, Secession, Vienna; P.S. 1
Contemporary Art Center, New York, 1997 - 2000.
The ubiquity of reproducible mediums in
contemporary art has a brief but complex history, dating to the 1960s and 1970s when a paradigm shift occurred within visual culture: photography and the
moving image were absorbed into critical
art practices.
Recent exhibitions includeSwipe, Pilar Corrias, London (2015); I am here but you've gone, curated by Milovan Farronato with Stella Bottai, Fiorucci
Art Trust, London (2015); Panda Sex, curated by Tom Morton, State of Concept, Athens (2014); New order II: British art today, Saatchi Gallery, London (2014); Consommé, Kinman, London (2013); Open Heart Surgery at The Moving Museum, London (2013); Temple Bar in Dublin (2012); and New Contemporaries, UK (200
Art Trust, London (2015); Panda Sex, curated by Tom Morton, State of Concept, Athens (2014); New order II: British
art today, Saatchi Gallery, London (2014); Consommé, Kinman, London (2013); Open Heart Surgery at The Moving Museum, London (2013); Temple Bar in Dublin (2012); and New Contemporaries, UK (200
art today, Saatchi Gallery, London (2014); Consommé, Kinman, London (2013); Open Heart Surgery at The
Moving Museum, London (2013); Temple Bar in Dublin (2012); and New
Contemporaries, UK (2009).
Exquisite Corpse:
Moving Image in Latin American and Asian
Art embodies the exquisite corpse model as a curatorial framework between three institutions — Asia Society Museum, Mana
Contemporary, and Smack Mellon — using video and new media work by contemporary artists who represent perspectives from across Latin America and Asia as the variable co
Contemporary, and Smack Mellon — using video and new media work by
contemporary artists who represent perspectives from across Latin America and Asia as the variable co
contemporary artists who represent perspectives from across Latin America and Asia as the variable contributions.
Her Major group shows include: Saitama Triennale (2016); «The Living Years», Walker
Art Center, Minneapolis (2012); YOKOHAMA TRIENNALE 2011, The Yokohama Museum of
Art / NYK Waterfront Warehouse, Yokohama (2011); «The Light: MATSUMOTO Yoko / NOGUCHI Rika», The National
Art Center, Tokyo (2009); 55th Carnegie International, Carnegie Museum of
Art, Pittsburgh (2008); Sharjah Biennial 8, Sharjah
Art Museum / Expocentre Sharjah (2007); «The Door into Summer — The Age of Micropop»,
Contemporary Art Center,
Art Tower Mito, Ibaraki (2007); PHOTOESPAÑA 2006, Museo San Roman, Toledo (2006); «Commonscapes: Photography Today, Views of the Everyday», The Miyagi Museum of
Art, Sendai, Japan (2004); «
Moving Pictures», Solomon R. Guggenheim Museum, New York (2002) / Guggenheim Museum Bilbao, Spain (2003); «Photography Today 2 --[sa'it] site / sight», The National Museum of Modern
Art, Tokyo (2002); «Facts of Life:
Contemporary Japanese
Art», Hayward Gallery, London (2001) and «The Standard», Naoshima
Contemporary Art Museum (currently Benesse
Art Site Naoshima), Kagawa (2001).
, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real
Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss,
Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live
Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for
Contemporary Art, Gateshead, United Kingdom Springtide, Institute of
Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit
Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of
Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in
Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the
Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of
Art, Cornell University, Ithaca, NY
Moving Pictures:
Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of
Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the
Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood
Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of
Contemporary Art at Maine College of
Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.
ARTILLERY BEST IN SHOW 2017
Moving well past a theme dominant in recent
contemporary fine (and popular)
art, Friedman's brilliantly curated (and gorgeous) show of painting saw us through to a deeper, more complex and nuanced — and richly generative — consideration of identity in the 21st century
In 2010, the gallery
moved from the Upper East Side to its flagship space in Chelsea where it has garnered a reputation for identifying and cultivating the careers of artists leaving a lasting impact on
contemporary art and culture. www.leilahellergallery.com @leilahellergallery
Some news from Russia: the Garage Museum of
Contemporary Art, which was founded in Moscow in 2008 and
moved last year into a new Rem Koolhaas - designed building, will begin to exhibit programming on New Holland Island in St. Petersburg.
Gibson, now 43,
moved from abstract painting to multi-disciplinary works intermingling traditional Native American elements with
contemporary art.
2006 Estrecho Dudoso, TEOR / éTica, San José, Costa Rica, curated by Virginia Pérez Ratton and Tamara Díaz Bringas (Catalog) Festival des Cinémas Différents de Paris, (screening), Centre Culturel La Clef, Paris, France Estudio Abierto, Palacio de Correos, Buenos Aires, Argentina 10 Defining Experiments: cifo 2006 Grant Program Recipients, Cisneros Fontanals
Art Foundation (cifo), Miami, Florida (Catalog) Manifesta 6 School, Nicosia, Cyprus, curated by Mai Abu ElDehab, Anton Vidokle and Florian Waldvogel (Cancelled) Prevailing Climate, (screening), Sara Meltzer Gallery, New York, curated by Rachel Gugelberger and Jeffrey Walkowiak 3 Biennale Adriatica di Arti Nuove, San Benedetto del Tronto, Italy, curated by Antonio Arévalo (Catalog) Whitney Museum of American
Art Independent Study Program Exhibition, Chelsea Museum, New York El Museo's 4th Bienal: The (S) Files, Museo de Arte de Puerto Rico, San Juan, Puerto Rico (Catalog) 4ème Festival international du Cinéma iranien en Exil, (Screening), Paris, France When Artists Say We, Artists Space, New York, organized by Andrea Geyer and Christian Rattemeyer Bzzzz, Fundacion Cu4rto Nivel Arte Contemporaneo, Bogota, Colombia, curated by Jaime Cerón Russia: Significant Other, Institute for
Contemporary Art at the Anna Akhmatova Museum, St Petersburg, Russia, curated by Olga Kopenkina Surveillance, Jersey City Museum, Jersey City, NJ, curated by Rocio Aranda
Moving Time, Gallery Korea, Korean Cultural Service, New York, curated by Hwang Yu Jin, Jeeyun Kim, Inhee Iris Moon Featured Artist Projects, Center for Book
Arts, New York