Sentences with phrase «contemporary art viewer»

The hut is an early indicator that Leigh's exhibition is shifting our notions of the «default» contemporary art viewer.

The contemporary art viewer traveling through Gander's intriguing exhibition spaces has no choice but to fill in the blanks.

Despite its status as one of the most widely cited and recognizable art movements to come out of the early 20th century, Surrealism remains (perhaps appropriately) something of an enigma to contemporary art viewers.

Not exact matches

The collection of images, including subjects Li Binyuan, Tong Kunniao, Bian Yuan, Dong Dong, Gao Ping, Liu Donghong, Boer, Zhai Yongming, and Gao Yanjinzi, seeks to offer viewers a «nuanced perspective» on the Chinese contemporary art scene.

Because contemporary art often deals with powerful issues, adults may wish to view the art with, or in advance of, younger viewers.

We promote engaging and transformational art experiences with the goal of connecting the viewer's personal experience with relevant areas in contemporary culture.

The opportunity to see 86 paintings by Claude Monet at the Museum of Fine Arts, Boston in its exhibition: Monet In The 20th Century, September 20th to December 27th 1998, shouldn't be missed by any serious viewer of important contemporary painting.

The unfinished has been taken in entirely new directions by modern and contemporary artists, among them Janine Antoni, Lygia Clark, Jackson Pollock, and Robert Rauschenberg, who alternately blurred the distinction between making and unmaking, extended the boundaries of art into both space and time, and recruited viewers to complete the objects they had begun.

No longer separately relegated to «walking» art or «land» art, but including action - based processes, Wanderlust allows viewers to experience 50 years of artistic practices that are intertwined while highlighting diverse approaches to contemporary art.

A rising figure in the contemporary art world, Wade Guyton uses accessible technology to create paintings, drawings, and sculptures that address his viewer's evolving relationship to the digital and the ways in which mechanized images become physical works.

MIDTOWN & UPTOWN & HARLEM The Summer Show / DM Contemporary / 39 East 29 # 2B / thru 9/19 By the Book; Anthony McCall / Kelly / 475 Tenth Avenue @ 36 / thru 7/31 Gina Beavers; Brock Enright / Dieu Donne / 315 W 36 / thru 7/18 Bring in the Reality / No Longer Empty @ Cummings Foundation / 475 Tenth Ave. @ 36 / thru 9/11 Spencer Finch thru 8/23; Emmet Gowin thru 9/20; Etc. / Morgan Library / 225 Madison @ 36 Susan Bee / NYPL Mid-Manhattan / 455 Fifth Ave. — floor 3 / thru 8/20 Animal Impact / Fountain / 702 Ninth Ave. @ 48 / thru 8/12 Display of the Centuries: Frederick Kiesler and Contemporary Art / Austrian Cultural Forum / 11 E 52 / thru 7/27 Aperture Photographs / 1285 6th Avenue @ 52 / thru 9/18 Opening 6/29 Yoko Ono thru 9/7; Zoe Leonard thru 8/30; Jacob Lawrence thru 9/7; Etc. / MoMA / 11 W 53 Dorothy Robinson / 527 Madison (enter 54) / thru 9/11 Summerset / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 8/23 John Ashbery; Guy Maddin; Richard Baker / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 7/31 Peter Reginato / Adelson / 730 Fifth Ave. — floor 7 / thru 8/21 Tara Donovan / Pace / 32 E 57 / thru 8/21 (extended) Joan Witek / McCoy / 41 E 57 / thru 7/31 Past & Present / Naumann — floor 3 / 24 W 57 / thru 7/17 Niele Toroni / Goodman / 24 W 57 — floor 3 / thru 7/30 Summer: S.LeWitt; J.McCracken; M.Nordman; G.Richter; F.Sandback; A.Truitt; L.Weiner / Goodman / 24 W 57 — floor 4 / thru 7/24 Jay Batlle / Ierimonti / 24 W 57 — floor 5 / thru 9/15 What's New is New Again: Dan Flavin; Louise Lawler; Sherrie Levine / Jancou / 24 W 57 — floor 6 / thru 7/11 Viewer Discretion....

Power Objects: The Future Has a Primitive Heart, which runs through May 15 at the Urban Institute for Contemporary Arts (UICA), invites viewers to explore such connections between the material and ethereal.

On one level I think it relates to our own histories of working with, or first becoming a viewer of contemporary art.

The animating conceit of Telepathic Improvisation, a film by Pauline Boudry / Renate Lorenz and the centerpiece of their first U.S. solo museum exhibition of the same title at the Contemporary Arts Museum Houston, on view through Jan. 7, is that viewers are invited to «participate» retroactively in the making of the film.

The gallery presents art that challenges viewers on multiple levels and diversifies dominant understandings of modern and contemporary art.

-- 13.09.2015 5th floor, Gallery of Contemporary Art The internationally renowned R. Pettibon (US) and M. Mäetamm (Estonia) force the viewer to face the hard realities of life.

The program takes a fresh approach to immersive installation and embraces innovative ideas, provocative content and interactive projects, engaging first time viewers and art critics alike, while fostering a greater awareness of the important messages found in contemporary art.

As part of Moscow Museum Night, Garage Museum of Contemporary Art invites visitors and their children to take a closer look at the artist's creative process, which usually takes place in a workshop and often eludes the viewer's eye.

But does his inclusion in the canon of art history prevent us (viewers firmly rooted in contemporary ways of looking) from seeing his artwork as the incisive commentary that it remains?

I'm a contemporary visual artist interested in the high life and lowlifes of everyday culture working with public spaces to stimulate a dialogue between non-traditional art audiences and the incidental viewer.

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(5) This awareness of context and how a room (or a gallery) can be approached holistically as a distinctive experience for the viewer has been a hallmark of much modern and contemporary art — from Marcel Duchamp's Sixteen Miles of String (1942) to Yayoi Kusama's dotted and mirrored rooms to Olafur Eliasson's immersive environments — and Holtzman brings his rare sensibility to this convention.

Border Zones and Liminal Bodies This screening features short video art pieces by 12 U.S. and international artists that invite viewers to contemplate contemporary issues, such as migration and refugee crises, disability and the body in movement, feminicide in Ciudad Juárez, water insecurity, and other issues.

Visual Rhythm at the Boulder Museum of Contemporary Art (BMOCA) eases viewers into the world of experimental film, video More...

Dr. Jeffrey Grove, the DMA's Hoffman Family Senior Curator of Contemporary Art, discusses the work of artist Mark Manders, who creates mysterious and uncanny sculptural tableaux, inviting the viewer to «enter the world of objects and matter and find poetry in it... and to know how poorly we normally see our daily life.»

This exhibition cuts across the usual compartments of art history to offer viewers a new way of exploring modern and contemporary art.

Several women artists who are left out of this exhibition, such as Jenny Holzer or Adrian Piper, have challenged the commodification of text by reclaiming it as representational in contemporary art, often portraying direct, confrontational statements to viewers.

The project aims to explain to the viewer how art investigates and comments on the processes of everyday interactions between people and the world, how contemporary art practices interpret the current condition of disappearing transitions from object to subject, from nature and culture to conceptions of the world as a collective process.

New York art exhibition examines contemporary Thai history, and asks viewers to decide what is real.

Upon entering Toronto's Power Plant Contemporary Art Gallery to see Postscript: Writing After Conceptual Art, the viewer is immediately confronted by a raucous wash of sonorous elements.

Fun is a quality sadly lacking in much contemporary art, but Brazilian artist Rivane Neuenschwander showers viewers with giant colored discs of confetti at the Linda Pace Foundation's SPACE.

She's primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research in the state of contemporary art in redeveloping cities, including a process blog called «breakfast with the artist.»

She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research in the state of contemporary art in redeveloping cities, including a process blog called «Breakfast with the Artist.»

Austin Thomas, artist and gallerist (gallerartist) has selected a tour night of Bushwick / Ridgewood art spaces that ensures viewers a chance to experience the «buzz of creativity and the aura of being at the vanguard of contemporary production.»

The first exhibition in China to focus on the experimental, mechanically produced areas of Warhol's practice, Andy Warhol: Contact features photographs, installations, and films that broke the boundaries of contemporary art when they were first made, and still compel viewers today with their extraordinary immediacy.

From the Old Masters to contemporary art, from Dante to Catherine Opie, viewers see a human's capability for sin, and probe their own ability to live in a world littered with evil that springs from wars to lascivious private delights.

Viewers experience a variety of converging perceptual encounters that play with the fluidity of time and space, where the language of contemporary architecture, land art, and ocean research merge.

Drawn from the collection of Dr. Kurt Gitter and Alice Yelen Gitter, and guest - curated by noted Japanese - art scholar Joe Earle, the exhibition features 82 works by 40 artists, including three historic vessels illustrating both the chronological range of the collection, and a visual touchpoint for viewers to better understand the traditions referenced by modern and contemporary artists.

Even if Chelsea has passed its peak of three or so years ago, for viewers who want to see a lot of art in every conceivable contemporary mode and at every level of quality in a short time, it's still the place to go.

Placing these fragments on display in a contemporary art show asked the viewer to consider the forgotten lives of the people who made them, and offered a sly commentary on the very organizing principle of museums everywhere: What gets to be displayed by an institution, and why?

«I hope that viewers will discover how important Johns is in the canon of contemporary art.

Juxtaposing Woodman's works to Schiele's and offering the viewer a close and intimate encounter with their personal and powerful works, the display aims to highlight how earlier practices and ideas continue to influence contemporary art.

The mission of Whitespace is to expand and introduce the viewer to current trends in contemporary art by creating international exhibitions by major mid-career contemporary artists using various mediums: including painting, sculpture, photography, drawing and video.

Unlike more recent attempts to frame the personal collecting habits of an artist as a manic embodiment of commodity fetishism in the era of high capitalism, this exhibition asks viewers to reflect upon the correspondences between artist and acquisition and the complicated relationship that contemporary art exposes between taste, influence, and popular culture.

Among the transfixed viewers was Helen Molesworth, the chief curator at the Museum of Contemporary Art, Los Angeles.

Paintings inhabit the realm of the micro - the subtly inflected tactile surfaces of her canvases - but they initiate questions in the macro - a provocation to the viewer to assess the «value» of contemporary art objects.

Gallery viewers to the 108 Contemporary Member's Show in Tulsa, Okla., enjoyed works by Shan Goshorn (Eastern Band Cherokee) during her NACF Traditional Arts Fellowship year.

Paintings inhabit the realm of the micro — the subtly inflected tactile surfaces of her canvases — but they initiate questions in the macro — a provocation to the viewer to assess the «value» of contemporary art objects.

Her current book project provisionally titled, Pattern Recognition: Durational Conditions of Contemporary Art asks what happens when the processes of standardization, modularization and the clustering effects of digital culture, which have come to condition viewers» expectations for time - based media art, are not considered as neutral technologies, but as powerful social markeArt asks what happens when the processes of standardization, modularization and the clustering effects of digital culture, which have come to condition viewers» expectations for time - based media art, are not considered as neutral technologies, but as powerful social markeart, are not considered as neutral technologies, but as powerful social markers.

As the region's source for modern and contemporary art, the Ulrich Museum of Art at Wichita State University connects viewers with artists and artworks that reflect our world todart, the Ulrich Museum of Art at Wichita State University connects viewers with artists and artworks that reflect our world todArt at Wichita State University connects viewers with artists and artworks that reflect our world today.